★Gilgongo Records
Intimations
Intimations marks the first official release of Group Material, the sound work of Eric Sanchez and Avalon Kalin. Released as a limited edition cassette on Slug Spitter and LP on Gilgongo Records. Blending guitar, piano, synthesizer and field recordings, Group Material craft an ambient sound that simultaneously captures both intentional and incidental settings, an ambient informed musique concrete. On Intimations, Eric Sanchez and Avalon Kalin offer a series of 4 pieces which would feel as at hom…
Strega Beata
'Strega Beata’ is the 3rd full-length album from Sam An’s dark electronic, genre-bridging solo project under the semi-notorious moniker Lana Del Rabies. After a brief hiatus, this record is her first full-length release since the gothic, industrial noise of 2018's Shadow World, ‘Strega Beata’, which loosely translates to "Blessed Witch," is an apocalyptic myth told through dense, textural compositions pulling from the vast corners of dark genre music. The title's meaning is appropriate for the e…
Multiple Park
Cheryl E. Leonard builds and plays electroacoustic instruments made out of natural materials such as bones, driftwood, shells, seaweed, feathers, and stones. Jon Leidecker (aka 'Wobbly') responds to the sounds of her creations with synthesized animal voices driven by machine listening. The inaugural collaboration of these two veterans of the San Francisco Bay Area electronic music scene can be heard on the album Multiple Park, a collection of works assembled from both studio and outdoor performa…
Magnetic Stencil/ 3
Tip! The third installment in an ongoing series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions. Audio collage and experimental sonics featuring input from Mitchell Brown, James Fella, Nathan Howdeshell, Tim Kinsella, John Collins McCormick, Sigtryggur Berg Sigmarsson, Howard Stelzer, Dennis Tyfus, Katie Vonderheide, and C. Spencer Yeh.
Magnetic Stencil/ 2
Tip! "Instead of building towards a crescendo, Smyth and Wiese delight in sustained textures, then continue their patient growth … Scraped and plucked strings, caressed keys and percussive body knocks stand unwavering against waves of static, clusters of tinkling bells and spectral effects ... Throughout, the music’s flow remains profoundly atmospheric, almost oneiric, whether circling down a spiral of whisper-like low frequencies or being thrown around by violent stabs of noise. To finally brea…
Magnetic Stencil/ 1
Tip! The first installment in a series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions. Musique concrète and collaged aural expanse featuring input from a collection of international collaborators, including Aaron Dilloway, James Fella, Hair Stylistics, Aaron Hemphill, C. Lavender, Charmaine Lee, Lasse Marhaug, Katsura Mouri, and C. Spencer Yeh.
Performances
A follow-up to the duo's LP, CCTK Music (2021, Gilgongo Records), Performances features three sets from James Fella and Gabriella Isaac, from Gilgongo Records' 15th Year Anniversary celebration in Phoenix, AZ -- December 2019. Like the event, the record starts with a recreation of the second side of CCTK Music, using six reference lacquers of CCTK's A-side as source material to make a live collage. Following this are solo sets from Isaac (using her laptop as a feedback loop/sound source/physical…
Blorp Esette Gazette Volumes Three & Four
The history of the Blorp Esette, which chronicles the output of the Los Angeles Free Music Society and other entities in its orbit, dates back to 1977, with the release of Blorp Esette Volume One LP (soon to be reissued by Superior Viaduct) and Volume 2 2LP in 1980. Volumes 3 and 4 emerged in 1999, packaged in a boxset with the previous volumes. The Blorp Esette Gazette first appeared with Volume 1 & 2 in 2013. Intended to be an on-going series, it was paused after the passing of Transparency la…
Wasteland Jazz Ensemble
Tip! Wasteland Jazz Unit is a staple in the world of destroyed music. With countless releases cataloged by a literal who's who in the field, (cassettes, CDrs and records on American Tapes, Troniks, New Forces, Oxen, Torn Light, Nashazphone and of course - there was a split 7" w/ Tiger Hatchery on Gilgongo), the duo of Jon Lorenz and John Rich occasionally expand their scathing, feedback-saturated reed work into a full ensemble. Here, as a 7 piece group including Dylan Posa (guitar), Edward Ricar…
Blear
Tip! An entropic vortex of full-room tear-up texture. Duo lineup of Charlie Mumma and John Wiese. Originally released in 2018 on LP/CS, this crucial CD reissue brings back into a print a pinnacle of modern, harsh musique concrète – with nearly 15 minutes of bonus material!
BMW
Tip! A screeching smash of searing grit and demolished shock from the trio of Blankenship / Mumma / Wiese, which can be identified as a distinct subgroup within the Sissy Spacek discography, responsible for such carnage as Wreck (2013), Basement (2014), and Slow Move (2017). BMW stands as a sharp-edged monument in the trio’s advancing decay, culled from a session at Blankenship's high-security Bronson studio and utilizing the equipment and environment that fueled sessions by LHD, White Gold, and…
CCTK Music
CCTK Music combines Gabriella Isaac's exploitative use of laptop as feedback loop / sound source / physical device and James Fella's electro-acoustic / tape as instrument approach. The duo incorporates each other's material in real time (on Side A), cutting the content onto 6 singles-sided reference lacquers. The lacquers were used to assemble a collage in a performance setting in late 2019, and again in a studio setting for Side B. The result is a record that is both scathing but at times harmo…
Ballast
Ace Farren Ford, Dennis Duck, and Ju Suk Reet Meate (three original members) are joined by Rock ’N’ Roll Jackie (35 years in the band), John Wiese (approximately 10 years), and a cast of others form the current third phase Smegma. Personnel of this album, “Ballast”, consists of this line-up plus Charlie Mumma, a member of Sissy Spacek since 2008.The source material of “Ballast” was recorded at home and on the Los Angeles radio station Dublab, but what we hear is not exactly Smegma and Sissy Spac…
Deviate from Balance
John Wiese's long awaited Deviate From Balance is the artist's first album since 2011's Seven Of Wands (PAN). Recorded throughout Europe/UK, Australia, and the US, the album includes scored ensemble pieces including over 20 musicians on each, recorded in Melbourne and Portland, as well as audio documentation of installation pieces Wind Changed Direction, a four-channel sound piece presented in the garden of the Getty Center (curated by Liars), and Battery Instruments, an eight-channel piece…
Freaked With Jet
**100 copies** No guitars and fuck two-second gaps. A collection of six 7-inches (Gutter Splint, Fortune b/w The Eyes of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by Mumma / Ronnau / Wiese. The only band to make a Milton and a Mentors reference on the same album. Silk screened cover.
Seven Of Wands
Gilgongo Records presents the highly anticipated debut vinyl edition of John Wiese’s acclaimed album, 'Seven of Wands', originally released on Pan back in 2011. Uniquely beautiful, immersive, and transportive, it utilizes strategies and techniques of musique concrète and electroacoustic music, while emphasizing the mixing desk as a true instrument. As a composer, Wiese is an elusive one. Employing a very healthy range of conceptual framework throughout his oevure, he’s unmistakably recognizable,…
Blear
* 2020 Stock * Widening their scope from recent grindcore on Nuclear War Now! Productions, Sissy Spacek's Blear explores a much more dynamic and spacious approach to sound--an entropic vortex of full-room tear-up texture. Duo lineup of Charlie Mumma and John Wiese, released in an edition of 300. The group's 8th release on Gilgongo Records.
"I completely loved this tape through and through. I haven’t heard enough of Sissy Spacek’s back catalog to comment if this is what they typically sound like…
Saturn In The Mirror
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he has self-released a series of cassettes, performed as a member of Pigeon Religion, collaborated with various artists (J.S. Aurelius, James Fella, etc.) as a sound engineer, in live performances, and through sound design. Saturn In The Mirror collects two long appreciated pieces from many, many years ago, c…
Continuous Hole
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel (Matmos) and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and Baltimore, “Continuous Hole” melds improvisation and musique concrète composition into a uniquely sweaty document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Many of the tracks reflect the unique blending of the disparate backgrounds of…
Inactive Parts
"Inactive Parts" was a December 2014 installation at The Trunk Space in Phoenix, AZ consisting of paintings, screen printed xerox pieces, lathe cut 7" records and two sets of two single-sided acetate LPs which used for a sound installation that could also function has "instruments" for a live performance. Two performances occurred: 12/05/14 (the opening reception, duration: 4 hours), 12/20/14 (for the Gilgongo Records 10 year anniversary event with Sissy Spacek, Stephen Steinbrink, Cherie Cherie…