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*100 copies limited edition* Headlights Recordings presents Manuel Mota's new work Isocèle. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to him indistinct, and that…
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Lux. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to …
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Via. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to …
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Hieme. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are t…
Limited edition of 100 copies. "Here are two new releases by Manuel Mota, our man on the guitar and as before, he presents one disc with the music of his own making and one in collaboration with another musician. In this case that is Giovanni di Domenico. He plays the Fender Rhodes. I believe he is from Brussels, which is also where this CD was recorded, at the Theatre La Balsamine. This was for me a good moment to look at what the Fender Rhodes is, having only a vague notion. I would have calle…
* Edition of 150 * Two long compositions performed by Marcia Bassett and Manuel Mota on Guitar and Margarida Garcia on Bass, capturing a dark, metallic, almost reverberating atmosphere that we imagine in a cistern, a contained and often claustrophobic space. When the sound echoes, we sense the lament of the title in the face of physical constraint - the sound itself does not seem to have the capacity to cross the walls. Music of deep reflection, marking, through the constant sonic search, a worn…
Limited edition of 100 copies. Another remarkable album by Manuel Mota, drawing out strands of 'strangely tuned' guitar sounds that wrap around her skeletal melody and then unfurl into more natural geometries to subliminal effect. You can listen to Mota's music from end-to-end over and over, discovering something new with each listen, gleaming with microscopic detail without ever neglecting its visceral, propulsive impact. Manuel Mota is known for the personal vocabulary he has developed for the…
Recorded at Ftarri, Tokyo, 28. Limited edition, 200 copies. Lovingly recorded on acoustic guitar, his improvisations have the spiky quality associated with the elder statesman of the freely improvised guitar, as well as some John Fahey touches here and there, but Masubuchi's lines sound as though coated in oil, possessing a slipperiness and liquidity that peeks back at Japanese traditions
Margarida Garcia developed since the 90s a simple, melodious, slow and melancholic language for electric contrabass. She moves well beyond contemporary improv praxis with a coil that runs deep into the contemporary psychedelic underground. She worked and recorded with Loren Connors, Marcia Bassett, Thurston Moore, David Maranha, Gabriel Ferrandini, Mattin, Björn Schmelzer and Manuel Mota, et al.
Limited edition of 200 copies. A double CD set featuring seven solo guitar pieces recorded on the 5th of january 2017 in Ericeira II seven solo guitar pieces 1-5 recorded on the 12th, 14th and 15th of may 2017 6 and 7 recorded in Ericeira on the 8th of january 2017. Manuel Mota is a Portuguese guitarist, who might best be described as a somewhat more fluidly lyrical Derek Bailey. Lovingly recorded on solid body electric guitar, his improvisations have the spiky quality associated with the elde…
limited edition of 55 numbered copies only. Grouped together are the latest CDr efforts set featuring the following albums: St 13, 090114, Blackie - Solo Guitar, Sete and Exodus.Manuel Mota's sparse fingerpicking style with the sound of the guitar drenched in reverb creating music of a reflective and contemplative nature from the guitarist. The music gradually evolves throughout the five albums whilst creating a consistent atmosphere and sense of space that requires careful listening to be ful…
*LP limited edition of 299 copies* Thurston Moore, electric guitar. Margarida Garcia, electric double bass. 'With Sonic Youth on hold, Thurston Moore has time to venture out into the world of improvised music and plays around a lot. The instruments are the electric guitar for Moore and the electric double bass for Garcia. The electricity brings a certain 'body' to the proceedings, which makes it easy to play a bit more loudly than one would perhaps expect. Moore and Garcia don't play noise, but …
Portugese bassist Margarida Garcia remains one of the most distinctive improvising voices on her instrument even as she moves well beyond contemporary improv praxis with an umbilical that runs deep into the contemporary psychedelic underground. This new LP, released in an edition of only 200 copies on guitarist Manuel Mota’s Headlights imprint, sees her exploring some darkly dramatic arco drone space with enough F/X to sink the Titanic. The territory is murky, sub-aqueous, giving the nod …
200 copies, numbered Born in 1970 and based in Lisbon, Manuel Mota is known for his very personal language in guitar playing. His music is part of a tradition rooted in blues and reveals a multitude of influences and historical references being at the same time actual, with an enigmatic sense of timelessness. This is his last solo LP recorded in a basement of a XIX century house in lisbon - limited 200 copies numbered
hand-numbered edition of 200 copies lp on manuel mota's private headlights imprint documenting a heavyweight duo set from marcia bassett of zaimph, hototogisu, double leopards, ghq et al and improvising portuguese bassist and guitarist margardia garcia. garcia is one of the major new generation european free players, coming out of the same scene as mota, and she's just as capable of generating swans-style industrial entropy as she is playing explosive fire music. here bassett uses keyboar…
Recorded at home in October 2006 (electric guitar on the 11th, acoustic guitar on the 14th). Mastered by André Gonçalves at the Etching Table. Limited Edition of 500 copies.
Manuel Mota is an improvising guitarist from Lisbon who works emotive improvised magic from six strings with only the ghost of a Derek Bailey influence. Sings is a self-released album featuring nine solo guitar pieces – no singing – that have an up-close, intimate personality, tying up sighing melodies and cross-wired harmonics with gentle tweaks of string and the occasional blue note. Some of the more lunar playing here seems to pick up where Loren Mazzacane left off on his ‘big band’ record, C…
Amazing release: Creating an after-the-fact transition between early electric jazz and contemporary electronic washes, Dru is made up of David Maranha (organ), Manuel Mota (electric guitar) and Riccardo Dillon Wanke (electric piano). Initial impressions are something like a slowed-down, percussionless (and trumptetless!) version of Bitches Brew. The keyboards create slow-changing washes of texture while Mota's clean-and-warm-sounding guitar interjects chords and thoughtful melodic fragments. Eac…