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ICR distribution present a new Nurse With Wound LP, remastered by Colin Potter. 600 copies. The Grave And Beautiful Name Of Sadness features two archive mixes of the original 1984 recording. A 2007 epic variation recorded for possible inclusion in Peter Strickland's film 'Katalin Varga' and a unique 'psychedelic' version from 2012 which until now has never been heard.
Peripheral Minimal Records releases the album, "Womb" by Steve Parry (Neu Elektrikk / Hywl Nofio) and Colin Potter. Recorded on 1/4'' tape in 1981, it has remained unreleased in any format until now. Limited to 500 copies in a digipak CD with an 8-page booklet containing detailed information about the recordings.
''When it was mixed, I don’t think either of us knew what to do with it, as it was unlike any other music that was around at that time. So it languished….Due to various house moves, Ste…
ICR distribution present a new Nurse With Wound LP, a live recording from Stockholm 2016. This live set was recorded in Sweden in 2016 and features Stapleton, Liles, Waldron & Potter. The chilly ambience of the performance perfectly reflects the icy conditions at the time of the shows. Remastered by Colin Potter. A limited edition of 500 only, numbered.
"Long heat" is the result of a collaboration between Jonathan Coleclough and Lethe (Kuwayama Kiyoharu) which started when the two performed together in 2002.
in Colin Potter own words: This is the 100th release by ICR. The first was the compilation LP ‘We Couldn’t Agree on a Title’ in 1981. Back in those days, I never imagined – no, wait – that’s so long ago, I really can’t remember what I imagined. I know that I did think Integrated Circuit Records was a good name for a label that was ‘integrated’ (?!) and vaguely electronic. Which is why it’s now called ICR, much less of a mouthful. But it is slightly surprising to have made it to 100 releases, alt…
** Sold-out at source ** An editon of 300 copies on marbled green vinyl, in a spectacular Santini sleeve with a full-colour 12'' insert. Back in 2005, 3 special performances took place featuring Steve Stapleton, Colin Potter, Andrew Liles, Matt Waldron and Diana Rogerson. The gigs were held on 6 & 7 May at The Anatomical Museum / Narrenturm, Vienna (Austria). Each concert was limited to 50 seats. Fun was had. Lab coats optional. To commemorate the event, a limited edition of 200 CDRs was release…
Originally released on CD and 12" by United Dairies in 2002, the out-of-print sound source is finally reissued by Colin Potter's ICR. An important NWW-related work with strange sounds.
This sequence of pieces, composed in the main by Jackson Mouldycliff, with additional interventions & modifications from Colin Potter & Phil Mouldycliff, was started back in 2019 but because of the Covid pandemic it was only recently completed. The work centres on loops, repetitions & recurrent elements of sound assembled by MPM to accompany a series of mixed-media drawings by Phil, which in turn, takes as its starting point, star charts, celestial globes, planetaria, orreries, armillary spheres…
"Back in 2004 Paul Bradley started a sub-label to his Twenty Hertz imprint called Drone Works. The principle was that he would ask ‘fellow travellers’ to make a piece of around 20 minutes, each of which would be released as a simple CDR. Fourth in the series was the surprisingly titled ‘Drone Works 4’ by Darren Tate, a piece that I was particularly fond of.
Fast forward 17 years and Darren decided to do a limited art edition re-release, a copy of which he sent to me. I was surprised to find tha…
ICR is happy to be releasing the first new solo album by Andrew Chalk in five years, completed in 2022 at Impression Lointaine. Thirteen beautiful melodic tracks that weave in and out of focus in an almost hallucinatory manner, evoking many different moods and emotions."Keeping up with Andrew Chalk’s discography has always been an amusingly challenging endeavour, but the challenge has shifted from pouncing on limited edition physical releases to vigilantly ensuring that he does not quietly surfa…
The new album from Phil Mouldycliff has finally arrived. A full length CD in a digipack featuring his artwork. These are tracks that Phil has been working on for many years, mainly at IC Studio, using sampling, field recordings & sound manipulation An immersive journey from Z to A.
BArTc is London based experimental electronic audio visual artist Jason Barton, with his nom de plume comprising the symbols for three chemical elements - Boron (B), Argon (Ar) and Technetium (Tc) - while also giving nods to both Hungarian composer Béla Bartók and his own surname. 'Insubstantial As Ghosts' is Barton’s debut album and contains fourteen highly atmospheric soundscapes. Taking the title from a William Gibson novel that was also used in a citation about Sleeping Sickness (‘they neith…
Contains the full Opium Cabaret album plus an additional 40 minutes previously unreleased studio material. Housed in deluxe full colour digipack with new art by Santini.
* 2021 Stock * This is the CD and catalogue for the 'Debris Field' exhibition at Bolton Museum curated by Phil Mouldycliff. The CD is an editied version of 'Debris Field ambient wash', a 48 minute piece that is split into 3 movements. The catalogue includes an essay by Mouldycliff titled 'Tracing paths through debris fields' which gives some insight into the exhibition and CD. Also includes photographs of some of the exhibits and artist biographies for those involved including Colin Potter, Keit…
* 2021 Stock * Recorded and completed at the end of 2008 and on into the first months of 2009, ´The Simple Plan´ offers a change in focus from previous collaborations between these two artists. Comprising five tracks, ´The Simple Plan´ is purely instrumental, recorded in real-time and subjected to only minimal digital processing. Before recording began, the decision was made to create a simpler, more organic piece of work, using computers only sparingly to record the tracks and help with arrange…
* 2021 Stock * Fragile Pitches was originally commissioned by Unique Promotions to be performed in St Giles Cathedral, Edinburgh, Scotland, as part of the city’s formal New Year Fire & Light celebrations. The event was very sucessful & saw somewhere in the region of 1200 people experience the performance. The juxtaposition of a formal, yet familiar space(thecathedral)with the less familiar musical aspects of electronic sound beds,drones, samples, effects and treated instrumentation created a com…
* 2021 Stock * Released in 2000, shortly after ICR had returned as an operating label, this was the first solo album since the 90s from Colin Potter, perhaps best known as a collaborator with and engineer for Nurse With Wound, Current 93, Ora, Monos, Kiln and many others. Over 62 minutes a wide range of sounds pass—languid sway, relentless rhythms and rolling drones—sounds that were never meant to be—steam engines lost in space, galleons passing in electric fog, static in the flowers. 'This isn'…
* 2021 Stock * An excellent release of classic Trevor Wishart material. Fabulous Paris was commissioned by Swedish Radio, Malmö, and the Birmingham Rumours Festival. This 3-movement, secular oratorio explores our collective and individual experience of the mass industrial society in which we live, through the medium of the human voice. CD release includes extensive liner notes on the 3 pieces.
**In process of stocking** ICR is happy to announce our latest release - a double CD with 2 recordings of concerts by Nurse With Wound that are judged to be amongst their most unusual performances. The first is from Florence in 2012 with the lineup of Steven Stapleton, Paul Beauchamp & Colin Potter. The second is from Karlsruhe in 2013 when the performers were Stapleton, Potter & Andrew Liles. Disc 1 'Confluence' incorporating 'Letter from Topor' & 'Eyes's of a Scanning Girl' 55'57'' Disc 2 '…
**In process of stocking** A new release from Trevor Wishart, inspired by the Bosch painting of the same name. He describes this as a comic opera. It was conceived as a 8-channel audio piece, in which voices are heard in several different audio environments, and where the words they use and the environmental context all metamorphose each time they return It is extremely dense using the voices of the characters as starting points for complex digital manipulation. Wishart’s idea for the opera, whi…