We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
* Edition of 300 copies, single sided, screen-printed b-side. Incl. download code * Tuhka, like its titular cinder or ash symbolises new beginnings, fertile ground and creativity after a long lapse. In the same vein, the tracks on this edition were created after a long fallow period. Tuhka was created out of archival snippets and new vocal loops created on the sunny top floor of Merlijnstraat in early 2022. Late lockdown there was spent writing on the balcony and walking or playing in nearby par…
* Edition of 300 * Alasdair Roberts is one of our more beloved folk singers of recent years (though he hates the term folk singer apparently). The Scottish musician here supplies another document of his fascinating interpretations of wild and rare traditional songs he's sourced from various parts of Scotland. Comes on a single sided 12".
I am indebted to my piping friend Donald Lindsay for The Blythsome Bridal, The Braes of Tulliemet and The Smith’s a Gallant Fireman, while Chief O’Neill’s Favou…
Single sided 10”, pressed on silver vinyl with screen-printed B-side. Numbered edition of 300. Infinite Greyscale is delighted to present a new long-form composition by Anduin. Since 2008, Jonathan Lee has been releasing beguiling and dusky cinematic music to great acclaim. Last Days of Montrose House is a deeply impressionistic work that’s constantly changing scene and perspective. Like entering a long abandoned building, it suggests both physical space and the unknown. The sound of a projecto…
Light the Currents is the third release by Glasgow's Sound of Yell, following their 2014 LP Brocken Spectre and 2015 single Fortunate Fume on Chemikal Underground. Composed by Stevie Jones, and performed together with Georgie McGeown, visual artist Vikki Morton (Muscles of Joy, Suckle) and Trembling Bell's Alex Neilson, Light the Currents is a bright and buoyant acoustic arrangement in two parts; the first written for a special performance at an exhibition of artwork by Katy Dove at Dundee Conte…
Micromanic is a colossal slab of percussive energy composed and performed by Berlin based Matti Gajek. Micromanic begins with tentative steps, which soon morph into a chattering electronic birdsong before giving way to an assertive, hammering bassline. The structure eventually crumbles into discordant noise and echoes, eventually giving way to something gentler and almost bucolic. Gajek weaves a complex and varied narrative with absolute technical aplomb, resulting in an experimental and hypnoti…
Lichter is the first piece in a new series of electroacoustic dub compositions by Mouse on Mars. It is a massive, lurching, up-tempo percussive epic – a long-haul runaway train that keeps switching tracks without ever losing sight of its destination. Like much of Mouse on Mars’ output, Lichter deftly traverses a varied sonic landscape, encompassing elements of jazz, dub, krautrock juke and psychedelia. Lichter incorporates trigger robots built by Sonic Robots’ Moritz Simon Geist and features And…
Infinite Greyscale announce a new 10" record by The Beacon Sound Choir, a project instigated by multi-instrumentalist Peter Broderick. Recorded at Beacon Sound, a record shop and label in Portland, Oregon, Sunday Morning Drones is a work of improvised vocal drone in two parts.Comprising over 30 singers, Sunday Morning Drones explores the oscillating harmonics of the choir as individual voices coalesce into that of a group. Through an assembly of voices joined in song, the two tracks here resonat…
"Infinite Greyscale Records is pleased to announce a new 10" record by renowned German artist and musician Markus Oehlen. Wanne 4 is composed of a variety of percussive sounds with a focus on digital guitars. An homage to the sound of The Feelies early recordings, the track slowly works its way through a basic guitar riff of three chords accompanied by steel-drums and a steady bass drum beat giving it an air of a summer breeze until the guitar sounds gain more distortion. Occasionally broken up …
In 2006, researcher Thomas Knoefel found a mysterious backward-pressed 78rpm record containing a man's voice in a language that remains unidentified; he is assumed to be speaking in tongues, in a state of trance. "The Empire Never Ended" is a transcription of this recording, to be performed alongside playback of the original recording. Originally written for Ensemble Modern and commissioned by the BHF-Bank-Stiftung for Frankfurter Positionen 2013. Original recording published by Supposé as …
Infinite Greyscale presents a new long-form composition by Stara Rzeka. The Polish village of Stara Rzeka and its surrounding countryside were devastated by a huge tornado on the 14th of July 2012. Stara Rzeka is where musician Kuba Ziolek, who adopted the name as one of several artistic projects, spends his summers, and the morning following the storm Ziolek was present to witness the aftermath. This self-titled piece opens to the crackle of electricity in the air and a distinct impress…
'Body Sound' is a dynamic collaboration from sound artist Holly Herndon and dancer/choreographer Cauahtemoc Peranda, composed and performed at Stanford University's famous CCRMA. Using Peranda's body as a voice, Herndon maps and spatialises a kinaesthetic grammar of stomping feet and flying limbs punctuated by shuddering shockwaves and wrenched gasps. Like her previous work with vocals and laptops, 'Body Sound' is a unique duet between the corporeal and the computerised, a unique, abstracted exp…
Infinite Greyscale presents a new long-form composition by Jan St. Werner, Split Animal Sculpture, a companion piece to the artist’s ongoing Fiepblatter series on Thrill Jockey, Jan St. Werner (Mouse on Mars, Lithops, Microstoria, Von Südenfed) has been at the forefront of forward thinking electronic music for over twenty years. As an artist concerned primarily with sound as a sculptural material, St. Werner has also exhibited his work in museums and his numerous collaborators include Rosa Barba…
**One-sided canary yellow vinyl with screen-print to rear. Individually hand-numbered edition of 300 with photo, insert and download code redeemable from the label. Mastered by Rashad at D&M** Berlin publishing house, Infinite Greyscale present a beautiful 2nd issue courtesy of West Coast sorrow-monger, Jefre Cantu-Ledesma of Tarentel and The Alps. In key with their other releases this week - a 10" by former Yellow Swan, Gabriel Saloman, the heavy-hearted 'Requiem (for violin and magnetic…
**One-sided red vinyl with a screen-print on the b side. Individually hand-numbered edition of 300 with photo, insert and download code redeemable from the label. Mastered by Rashad at D&M** Former Yellow Swans Gabriel Saloman presents another beautifully dystopian composition for dance, nearly one year on from his elegantly sombre solo debut, 'Adhere'. This time he's soundtracking Daisy Karen Thompson's choreography for 'Riots Don't Just Happen', reflecting it's themes of causality with …