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*In process of stocking. 2022 stock* "This CD features music from concerts with Intuitive Music Group (founded 1990) and from some of its members' touring activities in Poland and Russia. It centers around composer and pianist Henrik Ehland Rasmussen. There are three long solo pieces, including one based on a formula given by his countryman Niels Viggo Bentzon, in which countless varied statings of the formula produces an astounding number of ever-developing pianistic phenomena. The other pieces…
*In process of stocking. 2022 stock* "This is pure intuitive music, full of improvisation and spontaneity. here we have amazing musicians that interact between them in an amazing way creating pasages that despite using heavily experimentation and improvisation are really coherent and also they explore without falling into chaotic musical pieces. I am really amazed by this musicians that are constantly exploring new sounds with their instruments yet retaining a "group spirit" that allows them to …
*In process of stocking. 2022 stock* "The Group for Intuitive Music originated in 1974 around the Copenhagen University Institute of Music with Jørgen Lekfeldt and his piano teacher, Elisabeth Klein, as the founder members. Carl Bergstrøm-Nielsen, Anders Keiding and Niels Rosing-Schow, also students at the same place, joined the group. Pieces from Stockhausen's verbally notated collections From the Seven Days and For Times to Come constituted the group's first repertoire. Soon, however, it devel…
*In process of stocking. 2022 stock* "There is a particular approach to improvisation which can seem slightly strange when you first encounter it, although it's been around in free improv at least since the days of the AACM, and so probably since free improv existed at all. This approach finds a commonality with field recordings of "exotic" musics rather than with the studio, and seeks, one way or another, to embrace that commonality in a non-contradictory way.
Rohstoff represent one way of doin…
*In process of stocking. 2022 stock* "Alterations on record is a bit like listening to the soundtrack to a movie without the picture show. Essential to their 'performance' was the aspect that making music can be both visually & musically entertaining; which hints at the notion of entertainment as a valid musical form - and suggests that 'High Art' can be born from "playing for laughs" - (which the Alterations perfected to such a fine art as to become 'flavour of the month' for a year or two).
At…