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In Galgenlieder à 3, Christian Morgenstern’s whimsical Galgenlieder merge brilliantly with the haunting musical language of Sofia Gubaidulina. This unique song cycle, consisting of voice, percussion and double bass, brings Morgenstern’s playful and surreal poetry to life. Gubaidulina’s composition captures the essence of each poem through various expressive techniques, from normal singing to whispering and chanting. With imaginative interludes and an inventive use of motifs and intervals, this w…
Miguel Angel Crozzoli’s album "Sounding Numbers" explores the intersection of climate data and music. This album features two compelling works: I Am the Forest and I Am the Ocean, both born from transforming scientific data on deforestation and ocean contamination into sound. Through innovative sonification techniques and a blend of electronic and acoustic instrumentation, Crozzoli creates immersive soundscapes that resonate emotionally and inspire action against climate change. Let the haunting…
This album presents the innovative works of Gabriel Iranyi composed between 2012 and 2022. It includes two string quartets and their unique extensions with human voice and the Chinese mouth organ sheng. Iranyi’s compositions explore profound musical spaces and subjective experiences. The album features the intense String Quartet No. 4, the intricate String Quartet No. 5, the emotive Four Love Poems by Paul Celan for soprano and quartet, and the captivating quintet for sheng and string quartet Th…
Felipe Lara’s music is a whirlwind of energy and motion, characterized by large, expressive brushstrokes that leave palpable traces. His works are in constant flux, pulsating with spectral harmonies and iridescent surfaces. This album includes the three ensemble works Chambered Spirals, Fringes and Ventos Uivantes, as well as Injust Intonations, a reflective solo piano piece. Each composition showcases Lara’s unique ability to combine intricate textures with dynamic, expansive gestures to create…
Elusive and illusory, Age Veeroos’ music captures a unique tension between focus and ambiguity. The album "Outlines of the Night" presents compositions in which, for example, violin and electronics, as in Schattenseele, evoke corresponding sensations of a “shadow soul” through obsessive, circling motifs. In Keha for bass clarinet, physical and biological processes are musically embodied, oscillating between registers. Fantasia “A Threadbare Chant” and Ma olen suur kuu su silmapiiril further demo…
With "Distant Fragments", Camilo Mendez presents an album of solos and duos that showcase his most intimate and reflective works, creating a rich sound tapestry. While Mechanical Resonance I: Iridescent Resonance explores cloud luminescence through prepared violin and viola, Five Fragments deals with the themes of variation and polyphony. Cancion de la Distancia, on the other hand, reflects the fleeting nature of memory and time, inspired by Arturo’s poetry. Recorded by Roberto Alonso, Linus Fun…
In the heart of 21st-century Japan, Yu Kuwabara emerges as a composer of remarkable versatility and resilience. Inspired by Japanese mythology, Buddhist chants, and Edo songs, Kuwabara explores the energy of the Japanese language through her compositions. Her works, such as Bai and Dharani and Toward the Brink of Water Or the Verge of Dusk, blend Western classical influences with traditional Japanese elements. Kuwabara’s research in traditional arts fuels her innovative approach, capturing the f…
Near Distant by Michelle Lou explores the intricate interplay of stasis, time and perception. Lou’s compositions challenge conventional interpretations, presenting music as a constantly evolving landscape. Through “static” or “stasis-variation” she reveals the complexity within seemingly unchanging sounds, inviting listeners to explore subtle transformations in pitch, timbre and dynamics. This album embodies Lou’s unique approach, emphasizing our active role in perceiving and transforming the in…
"Zensolence" embodies the auditory canvas of Osmo Tapio Räihälä, a synaesthetic composer who transforms the visual into the musical. For Räihälä, art forms transcend their mediums and speak a universal language through diverse expressions. His experience of colours, shapes and textures in music is reflected in this eclectic album, where the traditional meets the innovative. Räihälä draws inspiration from the abstract and translates it into a musical lexicon that is as diverse as it is distinctiv…
The album is inspired by the poetry of William Butler Yeats, in particular his work Sailing to Byzantium. The main composition, which features five recorder sizes from tenor to garklein, explores themes of time and transcendence, depicting a journey to an imaginary Byzantium where the poet is transformed into a golden bird. The four movements correspond to stanzas in Yeats’ poem, with recurring elements such as a lyrical refrain and a gyre reflecting the poet’s themes. The trajectory of the piec…
Futility by Rafał Zapała is a provocative album that reimagines the concert experience, fusing music with technology to challenge the traditional performer-audience dynamic. Through compositions such as No Meaning Detected and Futility, Zapała explores themes of control, engagement and the communal aspect of music in the digital age. This album invites listeners to an interactive journey, questioning the conventional boundaries of art and its consumption. This production demonstrates Zapała's in…
"The music of Toshio Hosokawa invites us on a poetic journey of knowledge he has made throughout his life by bringing the cultures of East and West into dialogue.” - Paco Yáñez
Inspired by the serene aesthetics of Japanese gardens and the avant-garde sounds of Edgard Varèse, Hervé’s work embodies a profound engagement with the environment, both natural and constructed. Featuring the compositions Germination, an ensemble piece with electronics that transcends traditional performance spaces, and Topos, an immersive soundscape blending music with the sounds of an imagined natural environment. The album concludes with Au Dehors, a composition that evolves like nature itsel…
Since the nineties, Elisabeth Harnik’s work as an artist is characterised by two aspects: improvisation and composition. For Harnik, these two activities, which are usually treated as entirely separate entities in music, are two sides of the same coin. This already becomes evident in her improvisational playing, in which she frequently works with piano preparations and extended playing techniques. Exploring, juxtaposing, merging and fusing sounds, she marks out different paths through the sounds…
This double album with compositions from the last two decades offers an insight into the diverse musical soundscape of Joël-François Durand. From Mirror Land (2005) to Geister, schwebende Geister... (2020), Durand’s work shows a unique development characterised by his use of microtonality. The poetic dialogues of the Fernando Pessoa-inspired Quatuor à cordes No. 2: Cantar de Amigo (2020) and Durand’s ongoing exploration of microtonal spaces in La descente de l’ange (2022) reveal a dynamic and tr…
The cycle Khôra, featuring saxophone quartet and microtonal accordion, explores the dynamic interplay between sound, philosophy, and space. Inspired by Plato’s Timaeus and Jacques Derrida’s reinterpretation of Khôra, the nine pieces challenge traditional notions of time and space. Performers from the SIGMA Project and accordionist Iñaki Alberdi create a fluid, immersive experience that goes beyond linear hierarchies. Capturing the essence of an ever-changing world, the album reflects Ernst Bloch…
Jason Eckardt’s composition Passage is a profound exploration of the unsettling history surrounding the CIA’s interest in sensory deprivation and its impact on human psychology. Divided into three movements – Subject, Ascension, and Testify – Eckardt delves into the dark legacy of interrogation techniques, shedding light on the use of sound and light as weapons in various global conflicts. In a separate work, pulse-echo, Eckardt transforms the piano into a resonant body, drawing inspiration from…
Tip! For José Manuel López López it is essential to approach the works on this album with an open mind and to explore other forms of instrumental expressivity and sonic emotionality. He draws significant conclusions from these seemingly fragile figures, gestures and minimal elements, which evolve and multiply to achieve a great expressive and formal perspective. All this affirms a hallmark that reveals a great continuity and coherence among the works included on this album.
“Not all artists manifest social and political ideals. This is a contradictory fact in itself, since they are committed to improving society,” says Salvatore Sciarrino in his album Paesaggi con macerie, which presents four remarkable recordings for ensemble or voice and ensemble, written between 1986 and 2022 and performed by mezzo soprano Monica Bacelli and Icarus vs Muzak conducted by Marco Angius.
Julia Purgina’s works tell musical stories. Abstract stories, which usually initiate her working process. It is her goal “to write works that are clearly located in the present through their musical language and by speaking of the present, but which both touch people in their innermost being and force them to reflect. In a way that would be ultimately timeless,” said the composer in an interview for the Ludwigsburger Kreiszeitung. Through the musical description of mysterious characters, clouds …