★Mikroton Recordings
Five Lines
The meeting of heavyweights of electroacoustic improvisation from Europe and the Pacific United States happened during MKM trio tour in Northern America. This recording, at CalArts in 2010, yielded interesting results: a nervous displacement of noises and rich sonorous timbres. Casey Anderson, from Los Angeles, works with sound in a number of media from composition and improvisation to installations. On Five Lines he played a combination of digital and analog instruments of his own design…
Contour
Weird recording for Mikroton featuring a duo recording of Keith Rowe and Alfredo Costa Monteiro and a quartet recording of them with Ilia Belorukov and Kurt Liedwart, two recordings made at the same day at spina!studio in St. Petersburg during Teni Zvuka 2013 festival.
Keith Rowe is mainly known as the pivotal and crucial musician standing in the forefront of the first wave of the European free improvisation, co-founder of AMM in 1965 and inventor of tabletop guitar playing techniques whic…
Scuba
Angélica Castelló, Billy Roisz, Burkhard Stangl and dieb13 are the four musicians most respected and prominent in the world working in a wide area of contexts from rock and improv to electroacoustic improvisation and other forms of experimental music. They live and work in Vienna being the protagonists of Viennese klingtorgian scene as well as travelling and collaborating with musicians from other parts of the planet. You already know all of them due to our release of 'Klingt.org: 10 Jahre Bes…
Minimal studies
It all began with Study Ten. After releasing his 4th Static album, which included ten songs, about 15 musicians and which took almost 6 years till its release, Hanno Leichtmann had the wish to record an album in one go, without endless recording and mixing sessions. While experimenting with his modular system he discovered a method to compose that, what he later called Minimal Studies. A modular sample player which can be controlled manually, by a sequencer, LFO or any CV source would mak…
Mal des ardents / Pantonéon
eRikm, turntables, electronics, live sampling. Catherine Jauniaux, voice, bird call, cupule, cazoo. In the beginning, there are stories, sometimes dark, told by Catherine Jauniaux. With stunning ease, she invents imaginary conversations where several protagonists spring from deep in her throat, like rabbits out of a hat, like actors from Japanese Noh theatre. eRikm's electronic sounds fuse and infiltrate hers creating an unsettling environment Ð clearing the way or tangling it up in a so…
Here comes the sun
Barbara Romen, hammered dulcimer. Kai Fagaschinski, clarinet. Gunter Schneider, guitars. All music by B. Romen (AKM), K. Fagaschinski (AKM), and G. Schneider (AKM). Recorded by Christoph Amann at Amann Studios, Vienna, May 31st, 2008. Mixed and mastered by Christoph Amann with Schneider and Fagaschinski on October 31st, 2011. 300 copies.
We Who Had Left
Necks pianist Chris Abrahams teams up with electronic artist and sound artist Alessandro Bosetti for six introspective and mysterious tracks that mix Necks like progress with ambient electronics and curious monologs, and one waltz.The piano recital format number one: a pompous italian tenor, his round belly almost exploding inside his tuxedo, stands beside the gigantic grand piano, holding a hand on it while protruding forwards. Outside the stage, an imaginary oceanic audience is seated on hundr…
Echtzeitmusik Berlin
This compilation of Echtzeitmusik Berlin has been assembled and designed to become a companion to the book of the same title published in 2011 by Wolke Verlag, which reflects on a multilayered phenomenon within Berlin's musical culture, a phenomenon whose influence and meaning has effects that extend far beyond Berlin itself. Having emerged in the open spaces of the city's east side after the fall of the Berlin Wall, and rooted in a cultural coordinate system made up of squats and free im…
None Of Them Would Remember It That Way
Multi-reedist and sruti box player Lucio Capece and Necks keyboarist Chris Abrahams on FM synth recorded these thoughtful and thought-provoking improvised compositions over two years in Berlin. Limited edition of 300 copies
Live In Melbourne
Live in Melbourne represents something exceptionally unique in the on-going musical relationship that exists between Mark Wastell and Rhodri Davies. Not only is it their first — after nearly 20 years of playing together — published duo recording, it also captures the first and subsequently only time that the pair performed together using table-top apparatus and low-fi electronics. In previous (at the point of recording in 2005) and subsequent duo performances Rhodri has always used his ha…