★Moon Glyph
Seabed-Sunbath
Loris S. Sarid is an ambient composer and artist born in Rome but now resides in Glasgow. His previous release, "Music for Tomato Plants", was a quiet exploration of kalimba, glockenspiel and plucky synths. On his debut LP, "Seabed-Sunbath", Loris submerges into aquatic terrain with an expanded palette of virtual pianos, soft horns, kalimba, strings, synthesized voices, textural field recordings and a wide array of soothing electronic tones. On “Oats with Sarah” and “Lobster Island”, he also inc…
Structurally Sound
""Structurally Sound" is the fourth and final release by Baltimore/Australian band Smoke Bellow. Written over 2022 and 2023 at home in Baltimore, this record was born of the collaboration between founding members Christian Best and Meredith McHugh. "Structurally Sound" saw the duo partner with Baltimore percussionist Jen Kirby (Strange Times People Band) who had joined the band on many tours to promote 2021's "Open for Business" (Trouble in Mind).
"Structurally Sound" is the self-assured melding…
Normal Sounds
It’s not difficult to find beauty in the sounds of nature – ocean waves, birdsong, rainfall – but it's easy to overlook the charm and wonder of everyday anthropogenic sounds. Equal parts reverent and playful, Normal Sounds is built around field recordings of human-made, non-musical sounds: fridge drones, grocery store beeps, car horns. Lia Kohl alternately hallows and mimics them, offering them to the listener in a new light. Using a textural cloud of cello and synthesizers, with a few notable c…
Figures of Speech
Oval Angle is the moniker of Geran Knol, a Dutch multidisciplinary visual artist and musician based in Antwerp, Belgium. His instrumental electronic music blends mellow and playful tones, characterized by plucky, offbeat sound design and wavering, askew melodies. Geran’s composition process is akin to a sketch on paper, slowly evolving and mutating as elements are added, subtracted, and altered. His debut LP for Moon Glyph, “Figures of Speech”, utilizes circular, melodic repetition found in mini…
Wormhole
Nicolas Gaunin, the moniker of Italian experimental electronic musician Nicola Sanguin, returns with his latest full-length “Wormhole”. This record bridges the gap between naturalistic polyrhythms and more expansive, cosmic technologies. Contrasted to his previous rain-soaked “Hulahula Kāne” LP, “Wormhole” has even more emphasis on unusual rhythms; propulsive and abstracted yet immediate. The sonic palette is diversified as well, incorporating synthetic real-world timbres alongside crisp and mor…
Hidden View
Leaving is the left-of-centre, electronics project of Rupert Thomas (Erasers), based in Perth, Western Australia. With a focus on hardware electronics, Thomas conjures immersive worlds of mood-driven synthesizer compositions that range from deep, slow moving ambience, to dense rhythms and hypnotic melodies. Forming over a decade ago as a home recording project on Whadjuk boodja (Perth, Western Australia), Thomas documented his early sound through a steady flow of CD-R’s and tapes before releasin…
Canoga to Haʻikū
We live in places and they live in us. Sometimes we’re in the same place, linked together by the elements and our immediate surroundings. Other times, we push off into farther flung spaces, but stay connected as though telepathically, treasuring the closeness that once was and will someday be again. Most of the humble music that comprises ‘Canoga to Haʻikū’ was recorded in a single sitting by Carlos and Jesse in Carlos’ studio in California. A little later, Jesse departed for Maui, where an acqu…
Parayellowgram
“Parayellowgram” is a collaboration between M. Sage & Zander Raymond. Raymond is a visual artist & synthesist based out of Chicago and Sage is a musician & educator in Colorado. Their duo work is dewy and lush; trickling modular synths dance among piano, clarinet, field recordings, violin, percussion and baritone guitar. Exhibiting patience and measured thinking, 'Parayellowgram' adeptly crafts pastoral environments through intricate details and skillful variations, enhancing the repetition with…
Golden Pear
Moon Glyph Records head Steve Rosborough returns as Omni Gardens with a brand new album entitled “Golden Pear”. The fuzzy, warm and buoyant moog timbres of “Moss King” return but “Golden Pear” is a dreamier and more lush affair; incorporating a wider palette including mellotron flutes, vibraphones, marimbas and self-captured field recordings. A tranquil, pop atmosphere permeates the album as the songs flutter between bleary, unhurried tunes, warbly soundscapes and odes to lazy afternoons. Create…
Hot Plate Only
Honestly Same is an amplified acoustic and synthetic quintet from Chicago. They improvise patient, contemplative and distinctly contemporary music harnessing the sounds of cello, clarinet, electronics, piano, bass, recorder, percussion, synths and accordion. The group is Zachary Good, Lia Kohl, Mabel Kwan, Zach Moore and Sam Scranton. On their second album (and first LP), “Hot Plate Only”, the quintet finds a balance between airy and organic ambience alongside insistent rhythms and dynamic explo…
Scry
*2023 stock* Cole Pulice is a composer, saxophonist and electroacoustic musician from Oakland-via-Minneapolis. Following their debut album "Gloam" and two duo collaborations with Lynn Avery and Nat Harvie, Cole Pulice returns with their sophomore album "Scry". The sound is deeply contemporary, incorporating saxophone/wind synth with live signal processing and modern electronics/software. It drifts between electroacoustic experimentalism and more traditional forms of song-like beauty, casting a w…
Aliens Are Real
“Aliens Are Real” is the debut album from experimental ambient artist UFOm. It was submitted as a demo by the artist, who wishes to remain anonymous due to their involvement with a low-profile religious organization. Sonically the album drifts between heady atmospheric meditations, spaced-out ambient processionals and ecstatic otherworldly vignettes. The artist utilizes a plethora of synthesizers alongside digital bells, harps, rhodes, lap steel, marimbas, flutes and their own captured field rec…
Moss King
*2023 stock. 150 copies limited edition* Omni Gardens is the experimental ambient/new age project by Moon Glyph head Steve Rosborough. Recorded at home in Portland during the early days of covid, "Moss King" is relaxed home listening for difficult times. The first Omni Gardens release, “West Coast Escapism”, was expansive with a broad selection of soothing synth tones and morphing samples. In contrast, "Moss King" is a smaller, more intimate affair, full of fuzzy new age moog drifters and self-c…
Carpet Cocoon
*2023 stock* Iceblink is a homespun, intimate project conjured by Lynn Avery in Minneapolis. As a trans woman, everything she creates is about her experience and Lynn describes "Carpet Cocoon" as her comfort album, music to retreat to in the winter. Informed by her passion for mixtapes, oddities and crate digging blogs, the album is eclectic yet cohesively spun around the aesthetic of a bedroom new age album. Sonically, it has a fuzzy and rounded vibe incorporating nylon string guitars through v…
Body Pillow
Sam Scranton is a composer and percussionist based in Chicago. His latest album, "Body Pillow," marks an aesthetic investment in the immediacy of improvisation. Simple and spontaneous forms make way for complex sound worlds to gather and accumulate into immersive and dense environments. To make the record, Sam employed a multi-faceted approach, combining contact mic'd balsa wood resonators, pure data patches, general midi presets, a variety of synthesizers, and live percussion. Sam's musicality …
Amethyst: New Sounds From Moon Glyph Records
*2023 stock* Moon Glyph is pleased to present a compilation of new, unreleased tunes from established veterans of the label and newcomers alike. Staying true to Moon Glyph’s transportive aesthetic, “Amethyst” spans across abstract genres from ambient, psychedelia, jazz, electronic, fourth world percussion and more. Across its 17 tracks, you’ll hear Cole Pulice’s hypnotic overlapping saxophones, Vic Bang’s intricate arrangements of micro samples, IE’s patient desert landscapes and Starbirthed’s s…
Milk In The Sun
*2023 stock. 150 copies limited edition* "Milk in the Sun" is the return of Parker Sprout, an artist with a deep connection and history to Moon Glyph Records. His jangly, dreamy Minneapolis outfit Velvet Davenport was the first band signed to the label, releasing two cassettes and an LP. Returning now as a solo artist, Sprout retains his effortless ability to craft psychedelic and weirdo pop ear-worms but now expands even further into the outré sounds of sonic collage and electronic experimentat…
Sea & Forest
*2023 stock* Atoris is the live electronic trio of H.Takahashi, Kohei Oyamada and Yudai Osawa from Tokyo. The group began as the duo of Takahashi (owner of Kankyō Records) and graphic designer Osawa who knew each other from their experimental ambient quartet Unkown Me. Soon after, their mutual friend Oyamada was added to round out the trio and record their self-titled debut, released in 2020 on JJ Funhouse in Belgium. For their sophomore followup, “Sea & Forest”, the group focused their bubbling…
Distance
*2023 stock* Erasers is the duo of Rebecca Orchard and Rupert Thomas out of Noongar boodja (Perth, Western Australia). Their sound is buzzy and earthy; awash in humming synthesizers, droning organs, zoned-out vocals and hypnotic melodies. Their latest, “Distance” was written and recorded at home over a few weeks in mid 2021 and like its title suggests, the tones evoke vast open topography; rolling deserts and misty, endless coastline. Differentiating from past releases, the duo’s sound expands o…
Soft Science
*2023 stock* Matt Evans is a percussionist, composer, and experimentalist in Brooklyn, NY. Zoning his latest record, “Soft Science” is like reading through a biology textbook as if it were a collection of poetry and watching the letters slowly re-arrange until it reads more like science fiction. The album is a “mostly-not-chill” collection of brightly-hued maximalist miniatures, combining squiggly free drumming and alien synthesizers. The album sews together equal parts millennial iconography (m…