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As with the transformations brought about by recording facilities,this CD features a shift of emphasis from real time performance to the consideration of various stages and assorted sources in sound production as valid ingredients. The use of synthetic or processed fibers, thus prompts new behaviours -give, grain/counter grain- in the fabrics obtained.
Electroacoustic trio weaving sampled and live sounds as part of a single continuum, encompassing a rich range of sonorities. The outlook, featuring oriental timbres and recalling contemporary music conceptions, unfolds in slow circular sequences that, nevertheless, create a narrative thread. Their poetics proposes a deceiving play on mirrors, the instrumental roles dismantled through that very multiplying of reflections, the sound quality creating an endless kaleidoscopic impression of elusive d…
This 1998 date featured British saxophone and improvisation deity Evan Parker with Copenhagen's Ghost-in-the-Machine trio and Martin Klapper on electronics. This traditional quartet -- saxophones, bass, drums, and piano -- added Klapper to extend the sonic possibilities of all the instruments, which were amplified by microphones. The results are studies more in texture, atmospherics, and sonic constructions than they are in spontaneous composition.