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*2024 stock* The Wind (music by Scott Clark, lyrics by Laura Ann Singh/Scott Clark)Dawn & Dusk (music by Scott Clark, lyrics by Laura Ann Singh)Silent Singing (music and lyrics by Scott Clark)Above The Gray (music by Scott Clark)
Tracks 1-4 recorded August 16, 2021 and mixed at Minimum Wage Recording by Lance Koehler.Tracks 5-8 recorded live March 28, 2022 and mixed at Spacebomb Studio by Curtis Fye.Tracks 1-8 mastered at Minimum Wage Recording by Lance Koehler.Album art + design by TJ Huff (huf…
*2024 stock* Clamor rethinks the notion of 'women's work' as a space for both collaboration and singular voice. Just as our ensemble is limited and enabled by the written score, so might be individual enunciations of how gender norms limit agency. Clamor utilizes a collective, improvisational vision that prioritizes an intentionally fluid style by employing indeterminacy, navigated by the performers via time-based scores. These principles are balanced with metered notation to shape the overall f…
Andrew Barker - drums, percussion William Parker - bass, b flat pocket tuba, gralla Jon Irabagon - tenor saxophone, sopranino saxophone
Recorded by Andrew Barker January 3rd, 2022 at Phantom Ear Studio, Brooklyn, NY.Mixed by Andrew Barker.Mastered by Steve Silverstein.
Sweet World was recorded in the summer of 2023 in Brooklyn. It features a book of songs that my trio with drummer Nathan Ellman-Bell, and cellist Christopher Hoffman performed for a year or so leading up to the recording. I wrote most of these songs with Nathan and Chris in mind. I tried to bring my whole musical self to this project. I love so many kinds of music. Improvisation is central to everything I do. The written material for these pieces all fit on one or two pages and each of them crea…
What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…
The first time the band that became LuMiSong ever played together was during the Great Lockdown of July 2020. The others wore masks while I stood twenty feet away with the door behind me open to a Gowanus side-street. I hadn’t shared a sound or negotiated an eighth-note with anybody for months and the experience overwhelmed me with emotion. (The most basic facts of collective music-making are the most profound.) We all brought in music to that session and to the many that followed. Matt and Sant…
"I had a little chuckle after Michaël Attias handed me his LuMiSong album at an early May show in Brooklyn. I’ve seen the bandleader perform numerous times, and have long felt his skills at creating reflective music were just as potent as those he uses to wax expressive. Meaning an Attias hush, whether curt or prolonged, often provides the emotional impact of an Attias explosion. The expertise required for each resides in the Israel-born, Paris-raised, Minneapolis-schooled, New York-wisened saxo…