We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 15% discount on all available VOD Records items until Monday at midnight!

Pure Pleasure

Dance Of Magic
Recorded with a who's who of fusion titans including trumpeter Eddie Henderson, bassist Stanley Clarke, and keyboardist Herbie Hancock, Dance of Magic channels the lessons drummer Norman Connors learned in the employ of Pharoah Sanders, Sam Rivers, and Sun Ra, marshaling Latin rhythms, electronic textures, and cosmic mysticism to create nondenominational yet deeply spiritual funk-jazz. The sprawling 21-minute title cut spans the entirety of the record's first half, capturing a monumental jam ses…
Western Suite
*In process of stocking.* In late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album "Trav'lin' Light", his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played …
Shukuru
'Pharoah Sanders' "Shukuru" is noteworthy as being the album that reunited Sanders with vocalist Leon Thomas, who sang on some of Sanders' most endearing and powerful compositions-- among them the legendary "The Creator Has a Masterplan". Thomas only joins the band on two tracks-- "Mas in Brooklyn (Highlife)" and "Sun Song". The former gets a full calypso reading complete with steel drum sounds and chanted vocals traded between Sanders and Thomas. It's a lot of fun, but by and large, throwaway. …
Live In Tokyo (LP)
* Gatefold LP, 180 grams quality reissue * It’s incredible to witness this resurgence of Strata-East’s recordings over the last few years – an appreciation for the label’s ground-breaking approach to music-making, backed by a phenomenal catalogue, continues to attract listeners both new as well as its devoted faithful once again giving rise to its revered and cult-like status. The label’s return to prominence and its subsequent reintroduction to new audiences has been aided, in no small part, by…
Step by Step
Reissue of 'Step By Step' by trombonist John Gordon - a deep jazz classic on the legendary Strata-East label! Features the likes of Charles Tolliver on trumpet and Stanley Cowell on piano! John Gordon, a trombone master, brings us another gem from that most renowned of 70’s record labels, Strata-East. The trombone is a difficult instrument. In the hands of an artist like John Gordon, however, it can create vivid images and conjure up beautiful music.
Limited Stops Only
* 180g reissue. One of the rarest to find on the tiny Nimbus Label. The Music is Wonderful and colorful * This superb-sounding Pure Pleasure reissue (remastered by, yes you guessed it. Kevin Grey) brims with propulsive, almost manic energy, exemplified by the opening ‘Distant Vibes’ (a Kelly original). Sometimes, Kelly and his splendidly simpatico quartet let up the pace a little, but things never flag. There are covers of Strayhorn’s ‘Lush Life’, Herbie’s ‘Dolphin Dance’, Kern’s ‘Yesterday’ and…
Live at Lobero Vol 2
This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. Born in 1934 in Houston, Texas, Horace came from a musical family centered around his mother, Mary Malone Tapscott, who worked professionally as a singer and pianist. When Horace was nine, the family moved to Los Angeles. As a teenager in the late 1940's, Horace was surrounded …
Live at Slugs' Volume I
Where have you gone, Charles Tolliver? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement: "Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an Art in the hopes that the sacrifices and high level …
Live at Slugs' Volume II
Owning both this disc and Live at Slugs', Volume 1 is essential for hardcore Jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Charles Tolliver's compositional work with the touching John Coltrane tribute Our Second Father. Again Tolliver's trumpet is simply stunning. The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar f…
One Step Out
Nimbus West spirit jazz essential: the Creative Arts Ensemble's classic debut One Step Out. One of the most sought after and highly-regarded titles to have appeared on Tom Albach's celebrated Nimbus West imprint, One Step Out is a timeless work of spiritualized jazz. A true gem from the Los Angeles jazz underground, the album was pianist and composer Kaeef Ruzadun Ali's first recording as leader of the Creative Arts Ensemble, the only large ensemble group that emerged directly from Horace Tapsco…
Dial ‘B’ For Barbra
The best of pianist Horace Tapscott's recordings for the tiny Nimbus label is this 1981 LP which features him in a sextet with trumpeter Reggie Bullen, altoist Gary Bias, tenor saxophonist Sabir Matteen, bassist Roberto Miranda and drummer Everett Brown, Jr. The group stretches out on a couple of Tapscott's originals plus a 19½-minute version of Linda Hill's "Dem Folks." Although the music could be called avant-garde, its use of rhythms and repetition keep the results from being forbidding and t…
Compassion
I have to admit that I'm biased in favor of Charles Tolliver. He plays with a combination of strength and sweetness that goes beyond mere language. The fact that he is self taught is more miraculous. This particular recording has the best sound quality I've ever heard. The clarity is stunning and all the music is magnificent. The recording is so good, one can hear the sound of a musician's fingertips accidentally brushing across the bass strings, for example. Alvin Queen is always brilliant on t…
Two Is One
* 2021 Repress. Remastered. 180 gram LP * It seems that every major jazz artist has a one-off sort of record in their discography, be it with strings, voices, spoken word or - as in this case - a foray into the funkier side of jazz. Charlie Rouse (going here as Charles Rouse) gets his chance on Two Is One, a funky soul jazz excursion on Strata-East, the artist-run label where creativity and pushing boundaries was at the forefront. Playing mostly with a group of session musicians, Rouse put toget…
Musa
* 2021 Repress. Remastered. 180 gram LP * A passionate and personal album, more or less a piano only instrumental work that will attract all kinds of music lovers from jazz, classical music, avantgarde and progressive rock. Excellent performance with a great flow in the composition and breathtaking improvisations. Some kind of jazz version of Keith Emerson. Stanley Cowell, born in 1941, is a living legend as jazz pianist and his skills can be witnessed on his 1974 solo effort “Musa: Ancestral st…
The World of the Children
* 2021 Repress. Remastered. 180 gram LP * One of the rarest albums on the infamous Jazz label Strata-East from 1977 and it’s a spiritual soul jazz masterpiece. Sonelius Smith’s free piano comes together with Shamek Farrah’s heartfelt saxophone for a totally unforgettable journey into the meaning of sacred jazz. Fresh and imaginative, but not too improvisational. Rhapsodic but never over-indulgent and with a raucous, bold groove that’s in the real classic Strata East mold.Playful and wild but bea…
Expansions
When Lonnie Liston Smith left the Miles Davis band in 1974 for a solo career, he was, like so many of his fellow alumni, embarking on a musical odyssey. For a committed fusioneer, he had no idea at the time that he was about to enter an abyss that it would take him the better part of two decades to return from. Looking back upon his catalog from the period, this is the only record that stands out -- not only from his own work, but also from every sense of the word: It is fully a jazz album, and …
Blacknuss
Blacknuss was a trend-setting iconic contribution to jazz. Rahsaan Roland Kirk’s creative force helped to define musical culture. From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine", you know this isn't an ordinary Roland Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here. A…
Impact
Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London  Trumpeter/ flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, Impact contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format.  Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre throug…
Journey To The One
A later album by Pharoah, but one of his best! The record has a solidity that matches all of the soulful spirituality of his Impulse years with the a tightness that really sends the message home. Sanders on this LP is next to perfect
Visions Of A New World
Pianist Lonnie Liston Smith began his true professional career with Pharoah Sanders and then moved on to the very electric Miles Davis band before embarking on his own journey -- one that took him deep into the waters of pop music and disco by the late '70s. On "Visions Of A New World", Smith, accompanied by his working unit the Cosmic Echoes, digs deeper into the soul-jazz vein that he had begun exploring on "Expansions" and "Funk Extraction" in 1973 and 1974, respectively. In 1975, Smith was l…
1 2 3