We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Fate in a Pleasant Mood, recorded in 1960, finds the Arkestra at the very end of their Chicago days. The tunes still have that '50s Arkestra sound (great horn arrangements, prominent tympani), although there is an increasing use of dissonance and the arrangements are more spare, thanks to a dwindling Arkestra. Ra sticks to piano on these tracks, with excellent flute contributions from Marshall Allen and some fine trumpet as well, mostly courtesy of Phil Cohran. Gilmore shines on "Ankhnaton" and …
An excellent Sun Ra session from 1959! Ra and the Arkestra are playing in a fine mix of straight jazz and spacey styles, with Ra on electric piano throughout the entire set. A few tracks have some great chanted vocals – and we're not sure if they're sung by one of the Saturn doo wop groups, or by the ensemble – but they give the tracks a great sound, and the whole set has a good late 50's Arkestra sound.
Recorded in New York in 1962, this out-there disc sees Sun Ra and drummer / recording engineer Tommy Hunter experimenting to the max with wild use of home-made tape-loop echoes on the percussion pieces "Cluster Of Galaxies" and "Solar Drums". Also includes a lovely early version of the beautiful "Lights On A Satellite". Another essential reissue, complete with original hand-drawn artwork.
Saturn Research has just reissued one of the more harder to find LP’s in the massive Sun Ra catalogue that is pilling from reissue labels all over the world. With Saturn being the first label and Ra’s personal imprint, whenever a title gets pulled from the depths from them the Sun Ra community immediately takes notice. Saturn printed over a 100 different titles in Sun Ra’s vast body of recorded works from the early 50′s to the 80′s and early 90′s. The Soul Vibrations of Man is the LP Saturn is l…
2014 reissue. Of the Ra albums I've heard, this is by far the easiest to get into, and the only one I can recommend unreservedly. Attrition had brought the Arkestra down to a sextet, leaving more room for Ra's piano (the driving "Ankh") and the three remaining horns (all saxophones). When Marshall Allen isn't on sax, he's playing gorgeous piercing flute lines (in harmony with Gilmore on "The Bad And The Beautiful"). The one percussion showcase is rousing and joyful, with Ra adding Monk-like brit…
180 gram vinyl version. Tracklisting: Space Towers, Cogitation, Skylight, The Alter Destiny, Easy Street, Blue Differentials, Monorails and Satellites, The Galaxy Way. Recorded at Sun Studios, New York 1966 (a home recording).
Recorded in the 1960s with Marshall Allen featured on Jupiterian flute and Danny Thompson on Neptunian libflecto. The original LP was pressed in very small numbers at the end of the 60′s, with purposely mislabeled details in the liner notes in typical fashion to Ra’s output during that phase. The contents are believed to be from 1963-64, a period that produced some of the composers most revered works and an era when Ra relocated to New York from Chicago. What we do know about Continuation i…
180 gram exact 1972 repro reissue. Featuring John Gilmore (tenor sax) and June Tyson (vocal). Tracks: "Universe In Blue Part I," "Universe In Blue Part II," "Blackman," "In A Blue Mood" and "Another Shade Of Blue." The Universe in Blue is a fantastic set. The title cut is just a slow blues soloing showcase with Sun Ra's "intergalactic space organ," trumpet (not sure who), John Gilmore's tenor sax, and back to Ra. June Tyson takes center stage for &"Blackman", giving a particularly impassione…
Other Planes of There (1964) presents Sun Ra (piano) and his Solar Arkestra once again pushing the boundaries on five Ra originals. The exceedingly experimental works are marked by the performers as much as they are by the compositions. The opening title track is an expansive suite of sounds adhering only to the boundless limits of the combo's sonic canvas. Each soloist is given ample room to propel the piece between the inspired Arkestra interjections, which in turn clears the way for the next …
We Travel the Spaceways was recorded at a handful of sessions in Chicago from 1956-1959, possibly 1960. Although several of the tunes also appear on other '50s era recordings, as usual, personnel and arrangements differ from album to album. Many of the tunes are quite bluesy, with tympani, bells, and percussion adding an exotic flair, but the big event here is the appearance of the "space chant," which would become an Arkestra calling card for decades to come. The band was starting to she…
The first album on Saturn! Despite the futurism that the title of the set might imply, the material on this LP is actually some of Sun Ra's earliest, and dates back to the years when the Arkestra was first beginning to make itself heard in Chicago. That doesn't stop the material from being amazing, though, as these prime early tracks really show how strong Ra's vision was, even when it was being applied to material that might look more simple on the surface.
40th volume in the BYG Actuel series; gatefold sleeve, 180 gram vinyl. "'A wild and passionate interstellar mix of free jazz, solo synthesizer and hard rocking cosmic philosophy specifically commissioned by the BYG/Actuel label (and apparently recorded in New York between 1970 and 1971)... this material 'would prove to be one of the cornerstones of the entire Sun Ra/Arkestra career'... with Kwame Hadi, Akh Tal Ebah, Ali Hassan, Charles Stephens, Marshall Allen, Danny Davis, John Gilmore, Danny R…
180 gram vinyl version. Tracklisting: "Circe," "The Nile," "Brazilian Sun," "We Travel the Spaceways," "Calling Planet Earth," "Dancing Shadows," "The Rainmaker," "When Sun Comes Out." First two tracks probably made during the same session at the Choreographers' Workshop, late 1962 or 1963. Remaining tracks recorded during different sessions around the same period. The master tape of side B is in stereo; all known pressings of the album are in mono, however. The master tape also includes …
180 gram vinyl version. Tracklisting: "Circe," "The Nile," "Brazilian Sun," "We Travel the Spaceways," "Calling Planet Earth," "Dancing Shadows," "The Rainmaker," "When Sun Comes Out." First two tracks probably made during the same session at the Choreographers' Workshop, late 1962 or 1963. Remaining tracks recorded during different sessions around the same period. The master tape of side B is in stereo; all known pressings of the album are in mono, however. The master tape also includes a rejec…
A pretty darn incredible record from Sun Ra -- with a soulful, spiritual approach that's missing from most of his other albums of the time! The album features Ra playing a good deal of organ (dubbed "intergalactic organ" in this case!) -- grooving soulfully on some short tracks that almost hit a soul jazz mode, and which recall the late 60s experiments of organist Freddie Roach.
Sun Ra was a innovative jazz composer, pianist, synthesizer player, poet and philosophiser who was fascinated by cosmic philosophy. Ra’s fascination with all things ‘cosmic’ combined with his instrumental ability lead to the creation of off-kilter, avant-garde and highly experimental music. ‘The Night of the Purple Moon’ originally cut in 1970 showcases Sun Ra playing the Roksichord (a then state-of-the-art solid-state electronic keyboard manufac…
Early work by Ra and the Arkestra, recorded in 1958 in Chicago, but not issued until the end of 60s, as one of the best rare sides on Saturn Records! The material's fairly straight, but with a cool off-kilter groove, and some very nice arrangements. The lineup's as classic as can be, and include Gilmore, Pat Patrick, James Spaulding, Marshall Allen, and Hobart Dotson. Hattie Randolph sings on 2 tracks, and Ra plays a bit of celeste. Titles are mostly all standards, given the Ra twist -- and titl…
One of the key but underappreciated episodes in avant-garde jazz, Sun Ra's Atlantis sounds far out even today. Rather than a full-on assault on the senses, Atlantis is an exercise in build-up, with long, almost forlorn passages of Ra on electric keyboards setting a vast echo chamber for his Arkestra to spring forth within. Captured during one of the most adventurous periods for Sun Ra, *Atlantis* features the orchestral perfection of the best big bands of the century-and then proceeds towards mu…
One of the key but underappreciated episodes in avant-garde jazz, Sun Ra's Atlantis sounds far out even today. Rather than a full-on assault on the senses, Atlantis is an exercise in build-up, with long, almost forlorn passages of Ra on electric keyboards setting a vast echo chamber for his Arkestra to spring forth within. Captured during one of the most adventurous periods for Sun Ra, *Atlantis* features the orchestral perfection of the best big bands of the century-and then proceeds towards mu…
Back in stock! 1966's Strange Strings is the zenith of Sun Ra's analysis of string instruments and, as its title suggests, the album documents Ra's exploration of their outer limits, charting a kind of vivisection of the timbral make up of the traditional string section. The introductory piece 'Worlds Approaching' sets jolting cellos alongside plodding timpanis and some wild brass and woodwinds which out-weird anything on the string front, but by the time we get to the more overtly exploratory t…