Shame File Music
A very interesting private label from Australia.
#freakinmeout
2025 stock "Strange music by Clubsoundwitches, but there is something in there that I found very captivating. Maybe this is the new dance music?" – Vital Weekly #1237
The Interstices Of These Epidemics
2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly …
Brown Paper Business
2025 stock Suddenly, there was a stick to dig a hole. Now countless years into the future, we await, anticipating more than competition and violence. I am drawn in, and ultimately mesmerised. Later that night, I began to clearly see the de-centralised nature of an awakened awareness, baked to a crisp by a relentless sun on the inside AND the outside. Unobserved, the need for acknowledgement will run away with the spoon leaving nothing to chance. It must be said that no two instances are ever the…
Vestigial Gamelan / Blue Plum Bloom
Launching into the new year with some serious heat, Shame File Music returns to their longstanding explorations of experimental music from Australia and beyond, with “Vestigial Gamelan”, the third in Ian Andrews’ Astasie-abasie project’s “Gamelan” series, and “Blue Plum Bloom”, the debut full-length from the all-star trio David Brown, Tony Buck, and Magda Mayas. Each plumbing the radical possibilities of small and discreet sounds in remarkably singular ways, each of these startling creative stat…
Vestigial Gamelan
Tip! *100 copies limited edition* This album is the third in a series of experiments exploring the magnification of the insignificant sounds. The chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills/screwdrivers. Astasie-abasie is a project of Ian Andrews which evolved out of a long running perfo…
Blue Plum Bloom
*150 copies limited edition* Blue Plum Bloom is the debut album from the improvising trio of David Brown (prepared guitar, electronics), Tony Buck (drums, percussion) and Magda Mayas (piano, objects). The trio is an expansion of Buck (The Necks) and Mayas' long-time Berlin-based duo, Spill, but with the expansive addition of Melbourne-based Brown (Pateras/Baxter/Brown, Western Grey, Stone Echidna, Dumb & the Ugly, and countless other sonic explorations) making the ensemble behind this album a un…
A Conduit
*100 copies limited edition* A Conduit consists of three linked works honed from Green’s recent explorations of broken Walkmans playing themselves.
Loose internal speakers from the Walkmans are positioned between the spindle and play-head. The parts cling together magnetically, yet are agitated by the turning spindle, creating not-quite-regular rhythms punctuated by magnetic/electronic interference. Green gently nurtures this kinetic and sonic phenomena by changing the positioning of the Walkman…
Relativity/Only
*2023 stock* In conjunction with long-standing Australian outsider music label and mail order Shame File, Nice Music presents a new full length recording from Clinton Green. 'Relativity/Only' is Green's clearest refinement of the dutiful and curious work he has cultivated over several years in recording his gently automated percussion experiments. Green conjures a celestial zoom view of a very private cosmos, using turntables as a source of movement and various static or suspended instruments an…
Corpse
*100 copies limited edition* Shame File Music and Albert’s Basement follow up the critically-acclaimed 2022 reissue of seminal Melbourne band Ad Hoc's Distance cassette with the band's obscure barely-released (perhaps six home-dubbed copies) live cassette Corpse - available digitally and on a limited edition of 100 cassettes from September 2023 (pre-order now). Differing dramatically from Distance, Corpse captures the trio presenting a wall of almost self-playing instruments live to a bemused Cl…
Some Technical Drawings
*100 copies limited edition* Ross Manning is a contemporary new media artist from Brisbane, Australia. He focuses on alive instrument practises, kinetic and sound composition. He is is an obsessive creator of systems that are driven by their own logic, exploring the rhythm and the recycling energy of them.
Manning’s new album is a collection of four new works created by his kinetic sound sculptures, sometimes solo, sometimes in concert with each other. The effect is of being in the room with the…
I Thought It Was Colourful, But They Said It Was BLACK
*100 copies limited edition. In process of stocking* "This album was created unintentionally during the past two years. I was mostly at home by myself. At times, energy needed to let out and flow. Making sounds channeled my anxiety, boredom, happiness, and nameless feelings. A lot had happened, yet nothing really happened. A lot of the sounds were created either on my double bed, in the wardrobe, or in my living room, a small part of it was possibly recorded in the bathroom.
The album was record…
Molecular Gamelan
*2022 stock* Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance …
Elliptical Gamelan
Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performin…
Young Women Of Asia
Tip! *50 copies limited edition. 2022 stock* Turntables prepared with misplaying flexi-discs of Japanese and Pakistani folk music, mediated into precise collages of whirling voices and broken melodies. Specifically composed for the 7” vinyl format, available in a limited edition of 50 lathe cut 7” singles, with full colour hand-numbered covers, each intricately sliced for a kaleidoscopic effect.
Relativity/Only
'Relativity/Only' is Clinton Green's clearest refinement of the dutiful and curious work he has cultivated over several years in recording his gently automated percussion experiments. Green conjures a celestial zoom view of a very private cosmos, using turntables as a source of movement and various static or suspended instruments and repurposed objects, captured in a softly endless world of binaural ambience. Unable to repeat a single step or rhythm given the mostly hands off methods Green emplo…
Distance
*100 copies limited edition* Shame File Music and Albert’s Basement present a reissue of Ad Hoc’s 1980 release "Distance". Ad Hoc (James Clayden, Chris Knowles & David Wadelton, and at times David Brown) were an obscure Melbourne outfit of the late 1970s/early 80s who stood curiously apart of from many of their more-storied contemporaries, but whose haunting ambient instrumentals sound remarkably contemporary four decades later.
"Distance", their sole release besides some compilation tracks, has…
At the Salt Museum
In December 2015, these three Melbourne musicians camped at Murray Sunset National Park in northern Victoria, Australia, sounding various sites and performing ritualistic actions. This album documents our interactions with rusted salt harvesting machinery discovered at the outdoor 'salt museum' on the shore of the Lake Crosbie saltpan.
Hootonics
MILESTONE! After being mooted for several years, the soundtrack to Arthur and Corinne Cantrill's 1970 feature-length film Harry Hooton is finally available. Features the groundbreaking music/sound created using a variety of musique concrete/tape techniques, collage, and treated recordings of early CSIRO mainframe computers. Hooton was a poet, futurist and thinker associated with the Sydney Push, and a formative influence on the Cantrill's artistic view, as detailed in Arthur's liner notes. T…
Chromatic Mysteries: Soundtracks 1963-2009
'Chromatic Mysteries: soundtracks 1963-2009 CD by Arthur Cantrill. Arthur and Corinne Cantrill have been making stunning, innovative films for fifty years. Yet little attention has been paid to their soundtracks. Many were realised by Arthur Cantrill using a range of ingenious methods on the cutting edge of electronic and environmental music development in Australia. Chromatic Mysteries documents a selection of Arthur's soundtracks from as early as 1963 through to his most recent work. These ele…
Artefacts of Australian Experimental Music: Volume II 1974-1983
2025 stock The story of Australian experimental music continues with Artefacts volume II documenting the explosion of Australian experimental music practice from the mid 1970s; from the use of synthesisers and computers, through to the radical fringes of post-punk, and to the beginnings of industrial and dark wave. The double CD set complete with 16 page booklet features one of Warren Burt’s first compositions completed in Australia, the Loop Orchestra’s first performance, South Australian indus…