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1990 release ** "A classic of '90s avant garde jazz, True Live Walnuts features Italian percussionist Mauro Orselli joined by British saxophonist Evan Parker and keyboardist Antonello Salis for some of the most fascinating free music of recent years. Performing just two pieces live at the Europa Jazz Festival in Noci, Italy, the three bring about an extraordinary union of disparate voices in a coherent whole. Orselli is stupendous on percussion, where he interacts with Parker as a second horn. T…
1996 release ** "Recorded live in 1995, Italian woodwind specialist Stefano Maltese along with fellow countryman, percussionist Antonio Moncada garner the services of modern jazz/improvising superstars pianist Keith Tippett and saxophonist Evan Parker for this engaging affair. Here, some of Italy's finest team with two musicians who respectively helped shape the oft-fabled British free jazz movement for two lengthy improvisational pieces consisting of spurious dialogue, turbulent reinvention, an…
*2024 stock* This recording was made on the day of the fortieth anniversary of saxophonist Mario Schiano's first jazz concert. He is joined by longtime collaborators, trombonist Giancarlo Schiaffini and bassist Bruno Tommaso, all of whom engage in nine free excursions of the highest order. Schiano sounds as fresh as ever, his revolutionary fervor never diminishing. Performing on both soprano and alto saxophones, his bittersweet tone and focused flights of fancy mesh brilliantly with Schiaffini's…
*2024 stock* This concert was recorded live on November 29th, 1975, during "New Trends in Italian Jazz", a series of concerts held at the State University, Milan, and has never been released before.
Long deleted, few copies available for this 1977 album with Gruppo di Improvvisazione Nuova Consonanza members and associates "This is another fine date in Mario Schiano's deeply slung bag of atonal tricks. This date, an improv suite with various attachments, features our fearless Italian leader coming to arms with a quartet whose members carry with them not only most of the instruments in the orchestra, but an arsenal of noisemakers and percussion instruments and an endless round of techniques …