★Splitrec
Mungo
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
Truancy
Jim Denley and Dutch musician Cor Fuhler first met at the Taklos Festival in Switzerland in the early 1990s and Cor's frequent visits to Australia over the years gave them the opportunity to occasionally play. In 2012 Cor moved to Sydney, allowing them to ramp up the duo - this is their first release together. Over 7 weeks at the end of 2013 they recorded weekly in Cor's backyard studio, eventually choosing take 9 and 12, titling them Skive and Wag. Their imaginative preparations and inventions …
Parasite
Tip! *2022 stock. 300 copies limited edition* Splitrec presents Parasite solo prepared guitar works by Rhys Mottley.
Submental
Tip! *2022 stock* 180º is a new group formed in August 2018 - Nick Ashwood acoustic guitar, Jim Denley bass flute, and Amanda Stewart voice and text. Amanda and Jim first met in the late 1980s, founding Machine for Making Sense in 1989, as well as performing numerous duos over the years — a long and fruitful association. They’ve always been interested in what their music instinct can learn from language and vice versa.
Nick is from the southern tip of Tasmania. Jim and Nick have been developing …
back, before
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
Switches and Hose
Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator, installation artist, educator, and community builder. His work aims to reflect an awareness of the dynamic nature of culture & the value of listening as a mode of knowing people & places. He is interested in finding fresh ways of presenting and making music, bringing creative communities together & shifting perceived boundaries of scenes, styles & artforms.
His first solo release reflects this diversity of interest…
Avocado
As listeners to the experimental, improvised, Jazz, Ethiopian and style-free music communities in Sydney will testify, Peter Farrar has been doing astonishing solos the last few years. He’s been honing techniques that use various extensions on his alto sax, (mainly plastic bags and bottles as mutes). Instead of an instrumental line, he produces startling layers of distorted tones and overtones with pervasive, insistent, generative rhythms. This is pioneering research — he has re-imagined the ins…
Tokyo 1972
Tip! *2022 stock* Some of the best recordings from Sydney's vibrant exploratory/spontaneous music scene ever released. Teletopa was “one of the earliest recorded examples of improvisation in Australia“. The trio was formed in Sidney in 1970 by Peter Evans, David Ahern and Roger Frampton, with various guests for each performance. Using conventional instruments like flute, saxophone, piano and percussion, Teletopa explored extended technique, unusual ways of playing, dissonances and silences, in …
A closely woven fabrik
For a number of years as West Head Project, we've been making site specific sound events and recordings at outdoor locations - initially these were held at West Head in Ku-ring-gai Chase National Park. We've gone on to play in special sites around Australia and this disc documents our work on Maria Island off the east coast of Tasmania where we were resident for 10 days, guests of 10 Days on the Island Festival and Parks and Wildlife Service Tasmania. Auditory transmogrification of Tasmani…
I/T selected poems
'It's an elegant CD and Book set of Amanda Stewart's solo work in sound, visual, concrete, political, and text-based poetry, covering a period of 16 years from 1981 - 1997. Those who know Amanda's virtuosic work in the Machine for Making Sense will be delighted at the intensity, clarity, and focus which pervades her solo work as well. Those who don't know her work will be amazed to discover a major voice in Australian composition. This CD-Book is clearly in the must-have category, both from the …