★Spoon Records
Live in Keele 1977
The long-awaited release of a fan favourite, Live in Keele 1977, is the latest in Can’s series of live albums, released on Mute and Future Days. Live in Keele 1977 is the newest release in a series of live albums that have been unearthed from the Spoon Records vaults and from fan recordings, then painstakingly assembled by founding member Irmin Schmidt and producer and engineer René Tinner. This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Sch…
Live in Aston 1977
"Live in Aston 1977" is a completely new lens through which we can see a unique band with a seemingly inexhaustible energy for live performance. It comes at a difficult time for Can; their recently released eighth studio album, 'Saw Delight', was was poorly received and although posterity has been kinder, the reviews at the time of release have been savage. One might expect the live performances of this period to reflect some of the criticism levelled at the album, that they were slowing down, p…
Live In Paris
* 2CD. Includes audio download code.* Mute and Spoon Records present the next instalment of the curated Can live concert series, Live in Paris 1973—the first in the series to feature Damo Suzuki's vocals. The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. This record captures the band’s 1973 performance in Paris and features Irmin Schmidt on keyb…
Live In Cuxhaven 1976
Limited edition first pressing on Curacao blue vinyl. Includes booklet and sleeve notes. This carefully restored live album comprises the 1976 show in the format of a story with a beginning, middle and end, bringing Can’s performance to life. The album consists of four instrumental pieces – Eins, Zwei, Drei and Vier. These compositions reveal an improvisatory approach of Can. Each instrument contributes to the shamanistic nature of the music
The series was overseen by founding member Irmin Schm…
Soundtracks
* Limited Edition Clear Purple Vinyl * Soundtracks is a compilation album, first released in 1970, consisting of tracks written for film. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, to be replaced by new member Damo Suzuki. "She Brings the Rain", originally appearing in the 1969 film Bottom – Ein großer, graublauer Vogel by Thomas Schamoni, was later featured in Wim Wenders' 1994 film Lisbon Story, the 2000 Oskar Roehler film Die Unberüh…
Monster Movie
* Limited Edition Mother Sky Blue Vinyl* With the sounds of Jimi Hendrix, Captain Beefheart and The Velvet Underground ringing in their ears, Holger Czukay and Irmin Schmidt left behind their careers in academia to form the influential group in the late 60s. Together with Michael Karoli, Jaki Liebezeit and American singer Malcolm Mooney, they recorded their debut album Monster Movie in a castle near Cologne in 1968.
"Are we there yet? After 25 years of critical reappraisal and at least 15 years…
Live In Brighton 1975
*Packaged in a 6-panel digisleeve with 16-page booklet.* "Live In Brighton 1975" is the second album of a curated series of Can live concerts. Available in full for the first time on triple vinyl, double CD and digitally. Originally recorded on tape, this carefully restored live album comprises the entirety of the show in the format of a story with a beginning, middle and end, bringing CAN’s performance to life.
Live Stuttgart 1975
** Issued in a 6-panel Digisleeve with a 16-pages booklet ** Mute and Spoon Records are delighted to announce the release of Can Live in Stuttgart 1975. Originally recorded on tape, these carefully restored live albums will comprise the entirety of each show in the format of a story with a beginning, middle and end, with Can's performances taking on a life of their own. Can Live in Stuttgart 1975 will be available on limited edition triple orange vinyl and will include a booklet with extensive …
The Singles
* 2021 small repress * This unique document is the first time Can's singles have been presented together and shows the breadth of their influential career, from well loved tracks like Halleluwah, Vitamin C and I Want More to more obscure singles such as Silent Night and Turtles Have Short Legs. "Turtles Have Short Legs," was the band's third single released in 1971 and never appeared on a studio album. This was recorded around the time of the Tago Mago sessions with the line up of Holger Czukay,…
Future Days
* Limited Edition, Gold Vinyl Edition. Embossed sleeve. ncludes high definition audio download code * An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's invasive bass, the remastered versions of 'Spray' and …
Delay 1968
Reduced Price * Limited Edition Pink Coloured Vinyl. Embossed sleeve. ncludes high definition audio download code * Although recorded in the late '60s, the material included on Can's Delay...1968 did not appear commercially until 1981. A collection of cuts featuring early vocalist Malcolm Mooney, these seven songs are among the very first Can tunes ever recorded; while nowhere near as intricate or assured as the group's later work, the visceral energy of tracks like the deranged "Uphill" and "Bu…
Nocturne (live at the Huddersfield Contemporary Music Festival) LP
**Limited to 1000 copies worldwide. Double white vinyl. Live album from the legendary founder of Can.** Irmin Schmidt goes back to his Stockhausen roots with a new live album. Nocturne (live at the Huddersfield Contemporary Music Festival) comprises three pieces performed live on a partly prepared piano, along additional pre-recorded soundscapes. The live performance of 'Klavierstück II' is a pensive improvisation using essential elements of the original piece. 'Nocturne' starts with the ambient…
Electro Violet
Electro Violet is the career spanning retrospective from legendary avant-garde composer Irmin Schmidt, out on Mute / Spoon Records on 20 November 2015. This 12 CD deluxe box set takes you on a journey through his entire solo work from 1981 to the present day. Irmin Schmidt is a founding member of Can, the German band whose unparalleled genius remains unquestioned, timeless and immeasurably influential. When all Can members decided to part and explore new sounds, Irmin teamed up with Swiss jazz a…
Tago Mago
** Remastered edition on translucent orange vinyl ** You couldn't do much better than beginning with 1971's Tago Mago, freshly reissued in vinyl format. It's a colossus of an album, the product of a band that was thinking huge, pushing itself to its limits, and devoted to breaking open its own understanding of what rock music could be. The core of Can was four German musicians from wildly different backgrounds-- when they initially came together in 1968, two of them had studied with composer Kar…
Ege Bamyasi
**Limited heavyweight green vinyl LP** The group's fourth album, from 1972, originally issued by United Artists. "The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usual power and ability. Liebezeit, at once minimalist and utterly funky, provides another base of key beat action for everyone to go off on -- from the buried, lengthy solos by Karoli on 'Pinch' to the rhythm box/keyboard action o…
Landed
If you got a quid for each time Can were referenced as influencing a given band or artist, we'd have taken the Bank Of England down years ago. Remastered to a clarity that will come as a shock to those who've been suffering the original cd releases, 1975's 'Landed' is notable for marking the return to Can's debut line-up (barring Malcolm Mooney of course), following the love-sick Damo Suzuki's departure. Their 7th full-length release, 'Landed' also saw the band getting their mitts on a 16 track …
Flow Motion
The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a ne…
Saw Delight
1977's Saw Delight is the German progressive group's farewell. Percussionist Reebop Kwaku Baah and bassist Rosko Gee from a late-era lineup of Traffic to add a sort of Afro-Cuban jazz feel to their sound. Similarly, Rosko Gee's handling of the bass duties (which he performs superbly throughout, adding an almost Mingus-like rhythmic intensity to even the loosest songs) frees Holger Czukay to add electronics and sound effects to the proceedings. The opening "Don't Say No" recalls the controlled fu…
Out Of Reach
All but unknown to most but the most hardcore Can fanatics, 1978's Out of Reach is one of the group's rarest albums. This is due in large part to the fact that bassist Holger Czukay left the band before the recording sessions, and drummer Jaki Liebezeit has a greatly reduced role, leaving most of the rhythm duties to percussionist-come-lately Reebop Kwaku Baah. As on the group's proper swan song, 1977's Saw Delight, new bassist Rosko Gee largely leads the group, and his jazz-inflected playing is…
Can 1978
Mute brought back more Can than any krautrock fan could possibly handle with the 'Can Vinyl Box', which featured seventeen Can records reissued in one bundle; now each record is stepping out on its own. The self-titled 'Can' is the band's eleventh record, released in 1978 and unfamiliar to most. Like 'Out of Reach', little of the music, if any at all, is attributed to the band's founding member Holger Czukay, who stepped back in the writing and composing department. It would be Can’s last album …