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*2025 stock* New York City-based, Puerto Rican-born composer, guitarist, and visual artist Gabriel Vicéns releases his fourth studio album Mural, a recording devoted to his chamber works.
Vicéns continues his musical journey by releasing a record of contemporary classical music including pieces for piano trio, wind quintet, Pierrot ensemble and more; featuring some of today's finest performers of the New York City classical scene.
The immersive and mood-inducing music on this record spans a four…
"The CD entitled Contrappassi sees the two protagonists, Leonardo Zunica on piano and Leandro Lo Bianco on electric guitar, engaged in compositions by contemporary authors, with pieces that find poetic-musical inspiration in the fascinating and complex world of Dante. A program with broad musical visions that transport you to an unexpected soundscape, with the two performers who give life to moments and atmospheres of surprising suggestion.
The CD's lineup opens with the Sonata n. 1 "Dante Sonat…
Fabio Selvafiorita is a composer known to the public of experimental music for his massive musique-concrete work Death by Water composed with Valerio Tricoli. This CD is neither musique concrete or “extreme” experimental music: it's a CD of music for solo classical guitar. Consistent to the baroque guitar literature and its short musical forms, Fleurs d'X consists of musics written for a bard of an imaginary future kingdom's court. This is the best way to imagine this astonishing collection of m…
Performed by Michele Marelli (basset horn): Traum-Formel (1981); Evas spiegel (1984); Susani (1984); Die 7 lieder der tage (1986); Freia (1991); In freundschaft (1977).
Die Schachtel, for voices, chamber orchestra & tape by Franco Evangelisti / Performer: Valentina Barbarini, Elena Sorbi, / Conductor: Marco Angius / Orchestra: Ensemble Prometeo. Written in 1962-1963 and performed at the Lenz Teatro di Parma. 27’ 4’’.
Pierrot Lunaire, Op. 21 by Arnold Schoenberg / Conductor: Marco Angius/ Orchestra: Ensemble Prometeo/ Written in 1912 in Wien. Performed at Auditorium Paganini di Parma. 3’ 21’’.
Fausto Romitelli had a postmodern awareness, principally the result of his encounter with the Spectralism of Hugues Dufouet and Gerard Grisey, and the peculiarities of sound and form associated with that approach. Spectralism proposes that sound is not something carved in stone, but a force field. Sound exists because it is a piece of space-cum-time. Romitelli accentuated the way in which allegory and fantasy can be linked to this conception of sound.
CD reissue of the ultra rare Multhipla related (on its sublabel Fonia) LP from 1981 - the works of Giorgio Battistelli (b. 1953) are often linked to the theater, and even his instrumental works are highly dramatic, with various instruments and elements considered as 'characters' in a drama. For the past 20 years, 'Experimentum Mundi' has been one of the most-performed works of 'musique concrete,' i.e. music made with everyday objects instead of conventional instruments. In this work, 16 everyday…
Persephassa is a piece for six percussionists composed by Iannis Xenakis in 1969. The piece was commissioned for the first-ever Shiraz Festival (organized by the Empress of Iran), held at the historic desert site of Persepolis. The title refers to the goddess Persephone, "the personification of telluric forces and of transmutations of life." Persephassa gains much of its effect from having the six percussionists distributed around the audience. The treatment of space as a musical parameter is on…
It is scored for two flutes, violin, viola, cello, bass clarinet and electric organ. This is a really beautiful piece of tranquil music, full of touching sweetness.
The first in a series of recordings devoted to the music of Giacinto Scelsi, devised by Stradivarius in conjunction with the Isabella Scelsi Foundation. The series comprises new, original recordings made in 2005, marking the hundredth anniversary of the composer's birth.
2008 release ** Lohengrin, Salvatore Sciarrino's "azione invisibile", is both a gloss on Wagner's opera and a sly debunking of it. It was conceived by its composer as an opera with action invisible, for one singer/actress who assumes all the charactersn Sciarrino's monodrama, based on one of Jules Laforgue's Moralités Légendaires, episodes from the story are viewed through the distinctly jaundiced eyes and ears of Elsa, the woman Lohengrin marries and then deserts. A single voice narrates and ta…
Gérard Grisey's cycle of compositions, Les Espaces Acoustiques, is considered one of his most significant works. Written between 1974 and 1985, it consists of six discrete pieces, for ensembles ranging in size from a solo viola with resonators to an orchestra of 84 players. In the cycle, the pieces progress from the smallest ensemble to the largest, and Périodes (1974), for seven players, is the second. The piece is a relatively early example of spectralism, a method of composition developed by …
On 30 June 1999, the ensemble Alter Ego performed a concert of works by Philip Glass at the Opera Paese Gallery in Rome, one of the most innovative musical venues in the city and where Alter Ego has played regularly since 1996. Glass himself was present at this performance which was a replica of his own famous debut concert at the New York Film-Makers Cinemateque in September 1968. Under the guidance of Pietro Fortuna, the artists of the Opera Paese Gallery faithfully reconstructed the geometric…
Sciarrino's work is avant-garde, and he is known for his use of isolated sonorities, extended playing techniques, frequent silences, and ironic or confrontational quotation of previous music (for instance, American pop music) or stories (such as in Lohengrin). His works include a large body of chamber music, including many pieces for wind instruments, five piano sonatas, and several operas or theatrical works: Da gelo a gelo, Infinito nero, Macbeth, Perseo ed Andromeda, Lohengrin, and Luci mie t…
Alberto Savinio was a very particular figure of poet, writer, musician, painter of primarily surreal subjects. His dramatic poem, "Les Chants de la Mi-Mort", played in Paris in 1914, seems to prefigure the mannequins that appear in so many of De Chirico's works: "voiceless men, without eyes or faces".
Minimal music and its strangely fascinating suspended sound animation has long held cult status in the musical world. On this CD Fabrizio Ottaviucci offers more new innovations with Terry Riley's 'Keyboard Studies #1' and '#2'. The keyboard studies are a few pages with short musical formulas and a long 'user's guide' requiring a lot of thought and organizational energy before things can be put into practice. The pianist soon recognized that one interpreter alone couldn't realize the tricky polyp…