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Ubek returns. The mysterious Polish duo digs out a new collection of degraded echoes, salvaged from authority. Galvanised as if lost to the shock of formal experiments. Ubek III revises the present and takes us back to other versions of actuality.
Closing our unoficial New Weird Portugal tape batch on Sucata Tapes is Eosin aka Diana Combo with a mixtape of crackling and droney vinyl mixed with Field recordings recorded outdoors on a later summer afternoon in Alentejo. In Diana’s own words: ”This piece was made during a residency in Elvas (Alentejo, Portugal), in the context of the first edition of the festival A Salto, in July 2016. Each one of the invited artists for this residency was given a specific place where to develop a work to be…
From Sucata Tapes/Discrepant, comes Hour of the Wolf, a new project by Berlin-based artists Pedro Silva (turntable percussion) and Stefan Brunner (guitar and field recordings). Hour Of The Wolf is an improvisational piece based on an associative storyline, written by Brunner and divided into eight chapters. One is invited to look at the score at http://hourofthewolf.org while playing this tape. Recorded live at Ausland, Berlin.
Mini-album from Papillon (Gonçalo F Cardoso, Gonzo, Visions Congo) featuring contributions from Mike Cooper and Yannick Dauby. A precursor to Papillon’s swan song aka final album (Le Banco LP) to be released on main label Discrepant early 2020. For now recline on your burnt up sofa chair and enter the schizophrenic trip wonderland of Papillon’s Cercueill Flottant.
»Música para 10m2 de Relva Sintética« (Music for 10 square meters of synthetic grass) includes a live recording of the Niagara performing at MAAT museum in Lisbon on 9th April, 2020. The recording is taken directly from the concert, without any additional production or mixing. The set begins with strong nods to US minimalism before evolving into a quirky new age affair. Later, vocal experiments and some dreamy synth excursions set the tone. The gentle sound of water splashing is almost constant,…
*100 copies limited edition* In keeping with tradition, the new year brings another offering from Portuguese pianist and composer Tiago Sousa. "Organic Music Tapes Vol.3," the third instalment in Tiago’s ongoing series, continues to develop a freeform dual approach to organic and fluid compositions for Piano and Organ - this time adding a real church tube organ to the proceedings.
Evolving from the foundation laid in the first two volumes, Sousa introduces the pipe organ into his signature piano…
Originally commissioned by TBA during the COVID pandemic of 2020 as part of their Curfew programming O Morto, aka Mestre André now presents the full length version of his Lila composition, a collaboration with Moroccan musicians Ayoub ElAyady and Khalid Boulhamam. Lila is the Arabic word for night and is also the name of the liturgic ceremony manifested in a trance, as a process of healing and therapy, through a ritual of sensory immersion conducted by music (gnawa), incense, colour and dance. …
Tenerife, 2054: The parrots of a local zoo inexplicably go mad, spreading a deadly virus that only affects humans. Unable to contain the disease, authorities were forced to isolate the island completely, sealing its fate in a perpetual quarantine. Over time, the island transformed into a sanctuary for wildlife that now roams freely across its territories. Orcas and dolphins claimed the surrounding waters, while gorillas found their home in the mountains around Teide, once a popular tourist desti…
A more upfront and streamlined proposition than last year's 'Dias da Aranha' on Souk, 'Cornos' is a reflection of Serpente's solo live apparitions throughout this last year. A cycle tainted by tragedies and a maze-like feeling of loss, 'Cornos' mirrors both the urge of overcoming and its ghostly remnants through five digressions that pulsate with crippled rhythmic symmetries and loner harmonic motifs. Maybe just the sound of moving on with broken legs.
Babau is the pantropical project of Artetetra founders Matteo Pennesi and Luigi Monteanni in which a fascination with exotica, world music 2.0 and field recordings meets the compositional and improvisational techniques of computer music. Their latest work, the album »Stock Fantasy Zone«, was recently released on Discrepant and they have been nominated Shape artists 2023. The duo has participated in various Italian and non-Italian festivals such as Fusion, Club to Club, Nextones, Outernational Da…
Outstanding fever dream collage of Moroccan field recordings and curiously pitched synthesis by Portugal’s O Morto - an addendum to his new album that surely holds up on its own, riveting merits.
*100 copies limited edition* As its now tradition we start the year with yet another fluid album from Portuguese pianist and composer Tiago Sousa. Presenting now the second volume of his ongoing series Organic Music Tapes, Tiago now adds the electric organ to his trademark piano compositions, broadening his palette of sounds into an even more fluid and organic world with references to American minimalism of the 60’s, in particular Terry Riley and Steve Reich’s influence both looms heavily over t…
Tip! Originally conceived as a mock live bootleg for Turn Us Alias 2020 (Macao’s Saturnalia festival online edition), Stock Fantasy Zone is the new album by Babau dedicated to the unearthly delights of unconscious reticular motion, wacky 2D shredding and daily side quests. Directly from inside the Stack, finally imagine a zone where all activities are possible but purposeless, all primary objectives are achieved without even moving and the game-logic has finally disappeared leaving back a virtua…
Third and probably last volume from Gonçalo F. Cardoso’s most disillusioned moniker, Prophetas. Where the first tape, Reveal, Accept, Remember, Forget, revived mid 50’s ideas of weird hope (UFO sightings, suburbia, space race) and the second, Maury Island Reverie, explored early 90’s disillusionment through a sound world of mall culture, late night cable TV and rampant consumerism, this new work concludes de unplanned trilogy with a more randomised yet no hope approach to the sentiments and conc…
*100 copies limited edition. In porcess of stocking* Andean inspired home recordings from Tomás Tello - solo and with friends. ACA (roughly translated as right here) is a new project by Tomás Tello enabling him to collaborate with whoever crosses his paths creating a truly mystifying journey of highland mysticism crossed with late night bonfire jams, whichever way you look at it Tello keeps the South American experimentalism torch flying high above in the starry sky. Tomás had this to say about …
*100 copies limited edition* “A Magnetic Road to Hell” is Robert Millis and Bardo Todol’s first release as a duo. Recorded transcontinentally throughout 2021 and 2022 they traded sounds and ideas between Cordoba, Argentina and Seattle, USA with a stop in Mexico along the way: screamings, rivers, kids, radios, mellotron, records, 78rpm shellac, wax cylinders, field recordings, birds, electronics, guitars, percussion, haze, static, a destroyed Indian piano, talkative violins, talkative people from…
*100 copies limited edition. In process of stocking* Odd and fluid tape manipulations by Gonçalo F. Cardoso’s most bizarre moniker, Hannibal Chew III. Grabbing the deteriorated recordings left over from his 2017 trip to the island and letting his imagination and machines run free, the journey here is hectic: mud, rain, radio jingles, crickets, confusing conversations and random mall music resulting in an eternal looping impression from whatever was ingrained. A dream logic that doesn’t want to m…
A pre-lock down project by Laurent Kink Gong Jeanneau, given a new impetus whist home bound in 2020/21. Starting with a detuned Santur (Persian dulcimer) and then expanding the concept and playing techniques to various detuned acoustic guitars, first by raising 2 or 3 strings above the neck whilst hitting them with chinese chopsticks. With the worldwide lock down of 2020 Laurent took this tecnique to its logical conclusion, by banging everything percussive with strings and exploring the various …
“I first met Jerry Blue when he left Oregon for northern California’s East Bay 25 years ago. He’s recorded and performed in numerous collaborations and iterations over the years, including guitar contributions for my Porest project. Naturally, in the USA, one must resort to unthinkable crimes in order to carve the time and space required to create art or music. Among other crimes, Jerry makes loads and loads of home-studio recordings. At age 42, he had a pacemaker installed and finally decided t…