We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
* Newly remastered, limited edition pressing * In the 1920s, Tau Moe (pronounced mo-ay), a Hawaiian musician, arrived in India and introduced Hawaiian music to the Sub Continent. After settling in Calcutta in the early 1940’s, Moe and his family performed, taught and introduced Hawaiian music by building and selling guitars to the local musicians. Indian filmmakers and composers quickly fell under the spell of these instruments and sounds and made them suitable for playing ragas— the melodic p…