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Cuacochi in Nahuatl language means “to sleep in a tree”. As a wind player myself I have always been particularly fascinated by the sound of the air through my instruments. As a performer and improviser I have developed a big palette of wind sounds, mixing them with related sounds such as static radio noise and white noise. The „cuachochi“ series are pieces about air and noise.... and sleeping The Tree weights the nest The wind weights the tree and fate the rest (Burkhard Stangl) For 9 players o…
"Botanica" is the first work published by Cristiano Carosi whith his real name. Moving to this new vest there's the idea of "uncovering" unseen relashionships between sound objects, the research of new intersections and combinations through electronic instruments and synthesis filtered by effects and magnetic tapes like a diaphram for a fotographer impressing his film. "With my filters I dose the materials i play, find and record, different elements and couples of sounds, reproduced and …
From an idea of Manuel Cascone and Francesco Petricca. A travel through the human body into the mysteries of the digestive system. Everyday inside our organism the food is subject to a very long travel, arduous, a chain of transformations which provides us with nutrition and in many cases we get benefits from. The thirthy minutes of "gASTRO" are the input for an estrangement effect into the surreal journey of the food from the moment we ingest it until its last passage. The adventures of the che…
Filtro was born in 2016 from the meeting of Angelo Bignamini and Luca De Biasi already active in the Italian psychedelic and noise scene (The Great Sanuites, Sukkia, Satantango, etc). In the grammatic of Riflesso magnetic tapes articulate with modular synthesizers and improvisation that the duo manipulates till they get a canvas of twines and multicolour stitches curves and corners sound scraps calibrated and polished get born again and find new context in the shape of patterns repeated sequence…
Recorded between summer 2012 and spring 2013. Second work of audio composition by Herbal Research, Cristiano Carosi solo project. 15 minutes of assembled sounds split on 2 sides, divided in small distinct chapters where he creates new connections between familiar sounds and noises of the western musical language of our days; audio fragments, re- contextualized and masked in digital editing. Voices, synthesis and percussions filtered and debased during the process of sampling using a delay…
First official release from French artist Julien A. Lacroix, Uruk Romantic Tales #2 is a concept album based in a supposable Mesopotamian landscape, hanging between past and future recalling nor one or the other.Born in 1984, Julien Lacroix works with instrumental recordings since several years. He recently improved his composing technic including pseudo-historical paradigms, short fantasies, acoustic & processing experimentations.He picks fragments and ruins scattered on the ground, puts them t…
Terzo Mondo (Third World for the ones unfamiliar with italian) was recorded in roughly five months, after researches and several attempts to give a follow up to 300mq, a mix of fractions of sound recorded, chopped, chewed, sampled and put in fermentation. The solution in the end went for the abandoning of the multitrack recordings for a sound that is dry, dehydrated, just Mono, ten live sessions captured on an ideal support coherent with the title of the album they have delivered. What co…
Another lovely release from Upside label, responsible of the "fantastically primordial soup of dismantled and unstable rhythmic electronics and fractal synth patterns" as Boomkat said while reviewing Nastro / Here’s a very mysterious one-sider from Italian duo CYMBLS, their debut, so information about them is scant. There are five tracks on here which mix Italo-horror atmospheres with an earthy, freewheeling avant-minimal aesthetic as they melt between passages of bright, reverby organ, breathy …
**Limited edition of 300 copies on acid yellow wax with photocopied A4 insert** Rome, Italy's Sea Dweller make a gorgeous racket on their heavenly 2nd album of shoegaze dreampop. Returning to Upside Down Recordings after 2008's 'Underwater Town', they've seriously refined their sound in line with their too-obvious-to-mention influences. Head-flossing melodies made from reverb-effected and delayed guitar treatments swoon about vintage Alesis drum machines in clouds of old Crumar synths and…
restocked, very last copies around **Limited edition of 100 hand-numbered copies housed in die-cut jacket with tessellating artwork insert** A fantastically primordial soup of dismantled and unstable rhythmic electronics and fractal synth patterns by the tightly intuitive duo, Francesco Petricca and Manuel Cascone, aka Nastro. The title of '300 mq' alludes to the size of their recording space in Rome which they were contractually obligated to tear down "with their bare hands" (remember, t…
"Sound non sound" is a 15 minutes long session of samples, toy beats and synthetic waves that travels back in time to investigate some of the unexplainable mysteries of the recent Italian past, made of disappearing aeroplanes and exploding train stations by the hand of no one.A deeply describing music that manages to stimulate undefined images and shapes to the mind of the listener.
I've first heard TELEFONO BALAFONO a few years ago on a (now)preistoric myspace website and i almost fell from my chair. A raw and plastic collection of music compositions recorded on a "broken 4 track cassette recorder" as stated by the artist that mixes unknown keyboards and drum machines with a no wave twist that for the time of the recordings was already predicting the economical-ethical crisis we're living in the now. Each fragment doesn't exceed the 3 minutes of lenght creating short a…