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My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows is the debut album by psychedelic folk band Tyrannosaurus Rex (later known as T. Rex). The release of the album was planned for early May but delayed until 5 July 1968 by record label Regal Zonophone. The album was recorded at Advision Studios in London, England in April 1968 and produced by Tony Visconti. Advision was one of the first studios in the UK with eight-channel recording equipment. Tw…
Fear is the first of Cale's three studio albums for Island Records, all of which were released in a period of just over a year. During this time Cale was also producing records for other artists, working on albums such as Horses (1975) by Patti Smith, one of the most influential of all proto-punk records. In addition to his lead vocals on Fear, Cale also played keyboards, guitars, viola, violin and bass, and was joined by Fairport Convention's Richard Thompson, Roxy Music's Brian Eno and Phil Ma…
The End is the fourth studio album by German musician Nico. It was recorded in summer 1974 at Sound Techniques studio in London and produced by John Cale. It was released in November 1974. The End is her fifth collaboration with John Cale and second with him as producer. It carries the same harmonium-based sound heard on The Marble Index (1968) and Desertshore (1970), with the addition of Brian Eno's synthesizers and electronic instruments. The song "You Forget to Answer" tells of the misery fel…
*2024 repress* One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical …
*2023 repress* There can be little more exciting or rewarding than listening to a band playing live and firing on all cylinders at the absolute peak of its powers, and the live performances presented here by Nucleus are no exception. They capture the group in arguably its finest incarnation right at the start of its long career, exhibiting a staggeringly high level of musical discipline matched by an equally impressive ability to improvise and solo.
Nucleus began its long jazz-rock journey in 19…
Transa is the fourth album by Brazilian musician Caetano Veloso, released on 1972 by PolyGram. Like its predecessor, it was recorded while the artist was exiled in London, though he returned to Brazil shortly after completing it. Evocative, eclectic, intimate, and rhythmically complex, Transa contains everything that has made Caetano Veloso the most distinctive and, arguably, most important voice in modern Brazilian music. The record was cut in 1972, shortly after Veloso's return from political …
2022 Reissue. Gatefold sleeve with original real peelable banana design. Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Morning," "Venus In Furs," …
2018 repress. Although Warhol, who was listed as producer on the album, allegedly gave the Velvets free reign over their sound, it was on his insistence that Nico
performed on this album. However, this does not detract from the fact
that when this album was made the Red Sea parted, and the Velvet
Underground crossed into the Promised Land. Deluxe gatefold jacket with
peeling banana and "Chelsea Girls" bonus track on B5
2018 repress; 2008 release. While 1967's Velvet Underground & Nico was a part of Andy Warhol's global artistic vision, 1968's White Light/White Heat
was free of all Warholian influence, so in a way it could be thought of
as another debut album. Here the music was left to fester on its own,
with no artistic visionary interfering or trying to create a soundtrack
for his pop art, and the Velvets filled that void with an album that is
an aural subway car full of drunkards, junkies and whores ru…
"..Along with the fascinating cover art - which finds the middle ground between the lurid, low-budget, exploitation cinema of filmmakers like Jean Rollin or Mario Bava, with the higher aspirations of gothic literature, ala Edger Allen Poe - the literal English translation of the title suggests further hints towards the notions behind the album, with A Divina Comédia (ou Ando Meio Desligado) interpreted as The Divine Comedy (or I Walk a bit Disconnected), with the reference to walking disconnecte…
Sun Ra was an extremely prolific artist and while hundreds of recordings exist of Sun Ra, there are only a handful where he can be heard playing solo. This amazing and rare solo performance recorded live in 1977 at the world-famous La Fenice opera house in Venice, and featuring Sun Ra playing a mix of standards as well as his own material on piano, is a rewarding journey into the repertoire of one of the most controversial and unorthodox musicians in the history of jazz.
Decades before his time, political and musical revolutionary, Sun Ra, developed a new plane of cultural existence where black people were all-powerful beings from outer space, sending their intergalactic message through jazz music. Recorded live in 1975 at Cleveland's legendary jazz club, the Smiling Dog Saloon, when Sun Ra and his Arkestra descended on the city for a week-long residency. You can imagine how the uninitiated's jaw must have dropped when Ra and his 15 musicians marched out onto th…
Decades before his time, political and musical revolutionary, Sun Ra, developed a new plane of cultural existence where black people were all-powerful beings from outer space, sending their intergalactic message through jazz music. Recorded live in 1975 at Cleveland's legendary jazz club, the Smiling Dog Saloon, when Sun Ra and his Arkestra descended on the city for a week-long residency. You can imagine how the uninitiated's jaw must have dropped when Ra and his 15 musicians marched out onto th…
Decades before his time, political and musical revolutionary, Sun Ra, developed a new plane of cultural existence where black people were all-powerful beings from outer space, sending their intergalactic message through jazz music. Recorded live in 1975 at Cleveland's legendary jazz club, the Smiling Dog Saloon, when Sun Ra and his Arkestra descended on the city for a week-long residency. You can imagine how the uninitiated's jaw must have dropped when Ra and his 15 musicians marched out onto th…
The highly influential composer and improviser recorded live in Lisbon at the Festival Dos Capuchos, 16th July 1995. "This gorgeous set of piano improvisations reflects minimalist composer Terry Riley's lifelong study of Indian music. It is an outstanding recording which captures Terry Riley at an inspired peak. Performances of such spontaneous and beautiful music are scarce and even less-frequently performed by the composer himself at such a late stage in an extraordinary career. To soun…