★Warner Bros. Records
Live/Dead
Gatefold sleeve. Includes a 4-page booklet. Live/Dead is the first official live album (and fourth overall) released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording. "The Grateful Dead's fourth title was likewise their first extended concert recording. Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real t…
Mwandishi
After releasing their Warner Bros. debut, the Herbie Hancock Sextet underwent a major transformation in the early '70s. Over the course of a year, every member was replaced (except Herbie Hancock himself and bassist Buster Williams) and each adopted Swahili names. (Williams even led the group in occasional sessions of Buddhist chanting.) Hancock chose the moniker Mwandishi (meaning 'composer'), and the Sextet became unofficially known as the Mwandishi Band. The lineup's first album -- simply tit…
If I Could Remember My Name...
One word describes the CD If I Could Only Remember My Name from David Crosby...awesome! A real acid folk masterpiece whose inclusion in this catalogue might surprise some of the soundohm website visitors, but here it is. Originally released at the pinnacle of CSNY’s fame—singer-songwriter David Crosby’s 1971 solo debut is a transcendent tour de force that allmusic.com calls, “among the finest splinter albums out of the CSNY diaspora.”
Transfiguration
2015 repress. In 1966, she replaced pianist McCoy Tyner in her husband John Coltrane's group. Coltrane's work became a spiritual wellspring for her, but she surely developed her own style on piano, organ, harp, and later, Indian instruments such as the tamboura. After Coltrane's death in 1967, Alice began recording under her own name for Impulse!, leading groups that included at various times saxophonists Pharoah Sanders, Archie Shepp, Joe Henderson, Frank Lowe, and Carlos Ward, double bass play…
Of Rivers And Religions & After The Ball
This German Warner Bros. reissue is a nice repackaging of the late John Fahey's 1972 album Of Rivers Religion and his wonderfully genteel 1973 release After the Ball from his all too brief sojourn with the label. These recordings represent a shift for Fahey, playing both solo and with an ensemble. On Of Rivers Religion, the ensemble included many of the New Orleans players who performed on Walt Disney's Song of the South film soundtrack. Gorgeous, slow, ringing slide and fingerplucked tones esta…
Happy Ending
Happy Ending contains the soundtrack to Joel Santoni's Les Yeux Fermes (1972), reissued together with Lifespan (1974) as Les Yeux Fermes & Lifespan (Elision Fields, 2007). The soundtrack itself consists of two lengthy pieces: the grave Journey From A Death of a Friend for organ and piano (the highlight of the album), and the lightweight Happy Endings for piano and saxophone (reminiscent of Poppy Nogood). Only copy available.