We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. Th…
The Miles Davis historical second quintet with Wayne Shorter - tenor sax, Herbie Hancock - piano Ron Carter, bass and Tony Williams - drums. A perfect coalition of young, creative individuals under Miles' direction. A turning point in the whole history of American Jazz. Recorded live in Germany in October 1964 this double album features hiper- adventurous renditions of classic tunes including Davis originals like "All Blues". "Milestones" and "Walking" and standards like Rollins' "Oleo" and Cole…
The magical encounter of three skillful players, right before their self titled debut on ECM. On September 1, 1978, the musical trio Codona performed live in Willisau, Switzerland. This Swiss FM broadcast captured Codona in full flight, with Collin Walcott on sitar, Don Cherry on trumpet, and Nana Vasconcelos on percussion. Their performance weaved a magical web of sound. The opening track, “New Light,” is a 16-minute journey of pure joy
The meeting between Terry Riley the father of American Minimalism and free jazz pioneer Don Cherry. Two contemporary luminaries who always shared an ear for non Western music and philosophies. Joined here by Stein Claeson on violin and el. bass, and Bengt Berger on percussion, these two giants give us an example of deep organic music based on the full integration of various materials. A beautiful example of true extended sonic democracy.
This is the one and only Rahsaan Roland Kirk caught Live in Paris in 1970 with one of his best lineups ever. A distinctive quintet featuring Ron Burton on piano, bassist Vernon Martin, drummer great Jerome Cooper, mostly known as member of the mythical Revolutionary Ensemble, and the colourful percussion work of Joe Habao Texidor. Rahsan displays a fine set list including original compositions like the anthemic "Voluntary Slavery" and a wide selection of standards, from Cole Porter to Stevie Won…
Temporary super offer! This is Archie Shepp caught live at two important European festivals in 1973. At the head of some sort of one-off line up featuring Dave Burrell on piano, Donald Garret on bass along with her partner Zusaan Fasteau on percussion, flute and vocals, and last but not least Muhammad Ali (Rashid's brother) on drums, Shepp, heard on tenor and soprano saxes and piano, delivers a full program of hot renditions of mostly standards by the likes of Ellington, Monk and Davis, plus a c…
Temporary super offer! ** Much-needed repress ** A marvellous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European Jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North-African deep flavoured Jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (p…
* Much-needed repress * Recorded live in Austria in 1972 this outstanding document marks an important event such as the meeting between Don Cherry and Dollar Brand. Here the modern jazz trumpet master and the great South-African pianist along with percussionist Nana Vasconcelos and bassist Johnny Dyani are caught in the middle of a sound ritual where Jazz elements and world music echoes appear as fully integrated in some sort of visionary, organic music form. A deep sensorial experience based on…
This is tenor sax giant Pharoah Sanders caught live in France in summer 1971, when the man was still in full post-Coltrane mood. At the head of a strong quintet featuring: Lonnie Liston Smith - piano, Cecil McBee - bass, Jimmy Hopps - drums, and Lawrence Killian - congas, Pharoah delivers two very intense yet serene versions of his milestone piece "The Creator Has A Master Plan" and "Let Us Go In The House Of The Lord", a traditional gospel hymn arranged by Lonnie Liston Smith. This is deep spir…
Recorded live on tour in Germany in 1986, here we have "Mystery Mr. Ra" leading a quite rare tentet version of the Arkestra featuring the historical reed section of John Gilmore, Marshal Allen, Eloe Omoe, Danny Ray Thomson and James Jackson, plus trombonist Tyron Hill and an electric rhythms section featuring Marvin "Boogaloo" Smith on drums. This is a beautiful document from an era when Ra, in addition to his usual sound explorations and space hymns, began to introduce a good number of jazz sta…
This is the dangerous tandem of Gil Scott Heron and Brian Jackson caught in action at the NYC Bottom Line in hot August 1977, just a week before the release of "Bridges" one of their best and durable efforts of the season. At the head of a super tight line up the two deliver a dense performance of politically conscious music based on unapologetic words and soulful sounds. Not just a stream of hits but dense, expanded renditions full of improvisation including timeless pieces such as "Home Is Whe…
Miles Davis gave two concerts at Amsterdam’s Concertgebouw in 1960 as part of a Jazz at the Philharmonic package, one on April 9 and the other on October 15. Stunning european live performance from Miles with his early quintet featuring the magic of a young and talented Trane. Miles Davis (trumpet), John Coltrane (Tenor Saxophone), Wynton Kelly (Piano), Paul Chambers (Bass), Jimmy Cobb (Drums).
*In process of stocking* "Recorded on the 1963 tour of Europe, this is the definitive John Coltrane Quartet at its musical peak. My edition of the Penguin Guide to Jazz suggests that the 1963 tour was ‘slightly anti-climactic’; on the basis of these tracks, I have to disagree. Although, compared with say, the Stockholm recording of the same tour, this set feels much stronger (even though the pieces are more or less the same, taken from the short set list that the Quartet toured in the October a…
Un Tentativo Sentimentale is the first film by the novelist Pasquale Festa Campanile, written and directed together with Massimo Franciosa in 1963. The film fits into the path traced by Michelangelo Antonioni with his "trilogy of incommunicability" in the early years of the decade, staging a bourgeois existential drama shot between the Roman districts of Parioli and Vigna Clara and the beach of Sabaudia. The original soundtrack is one of the most beautiful and particular among those composed in …
Winner of the Goldener Bär at the 1963 Berlin Film Festival, Il Diavolo is the third feature film by director Gian Luigi Polidoro, an Italian film irregular who has signed only a handful of films poised between comedy and eroticism between the '60s and '80s. Written by Rodolfo Sonego and interpreted by an Alberto Sordi in a state of grace, Il Diavolo takes up a theme already addressed by Polidoro and Sonego in Le Svedesi of 1960, that is the Italic myth of the Swedish woman and trips to Scandina…
WHP preset a reissue of Piero Piccioni's original score for Il Boom, originally released on CAM in 1963. Written by Cesare Zavattini, directed by Vittorio De Sica, and interpreted by Alberto Sordi, Il Boom can be easily considered as one of the most peculiar film comedies in the Italian post-war era. Premiered in the USA in 2017, more than 50 years after its release in 1963, the film has been described as something between Buster Keaton, David Lynch, and Billy Wilder. Some sort of very current d…