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*100 copies limited edition* On their debut album (ii), London & Vienna-based duo Bara & Isa present their singular version of devotional music. Described by the duo as a "sort of document of personal development, and also the struggles of everyday motions", this is music which embraces contradictions. Themes of reflection, acceptance and care sit side by side with notions of spiralling and falling, as Bara & Isa explore the nuances and complexities of quotidian life.
Working with a rich sound p…
While the Aurora Borealis, or Northern Lights, is largely celebrated as a breathtaking natural wonder, it also has a more eerie, unexplained, and sinister side that has perplexed and unsettled observers for centuries. The strange, flickering lights have long been steeped in mystique, inspiring tales of supernatural forces, spirits, and even foreboding omens. In the quiet of the Arctic night, where the lights can seem to pulse with an almost otherworldly energy, it’s easy to understand why ancien…
Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks. The album features performances by Hancock on keys, Freddie Hubbard and Joe Newman on trumpet, Phil Woods and Joe Henderson on sax, Ron Carter on bass and Jack DeJohnette on drums. R…
Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version o…
Francesco Serra (Cagliari, 1980) is a self-taught guitarist living and working in Bologna. His research focuses on identifying performance practices aimed at extending the timbre qualities of the guitar and emphasising the evocative potential of sound. Throughout his musical journey, particularly in the three albums released between 2008 and 2019 under his solo project Trees of Mint (Micro Meadow, Trees of Mint, and NW, released by Here I Stay and Trovarobato Parade), he has progressively decons…
"Mogador" stands as a compelling exploration of the intersection between seemingly irreconcilable musical worlds: the experimental realm of analog electronic music and the deep-rooted tradition of Gnawa. This project is more than just a juxtaposition of styles; it’s a meeting of minds where the ancient and the modern, the analog and the organic, are woven together into a seamless auditory dialogue.
What truly sets "Mogador" apart is the way Pedro Vian’s use of the EMS AKS Synthi and Buchla doesn…
Big tip! Sing Me a Song of Songmy is an album-length composition by avant-garde Turkish composer İlhan Mimaroğlu, released in 1971. Principal performers include jazz trumpeter Freddie Hubbard and Mimaroğlu himself. The piece includes a chorus, strings, recitations of poems by Fazil Husnu Daglarca and other texts, organists and tape-based musique concrète, as well as Hubbard's jazz quintet. It is considered as one of Hubbard's most experimental albums.
“Florian T M Zeisig returns to his home at enmossed with an LP of new material titled Mossed Capable of Being Observant under a new moniker, Angel R. On this latest sonic offering, Angel R arranges the recordings with an undertone of hope, letting the aural dramaturgy unfold sans forced melancholia typical of the genres contemporary cliches. Zeisig’s signature attention to the circular gravity of the loop is again showcased, but Angel R takes the dynamic to another plane for Mossed Capable of Be…
Antonio Della Marina is an electronic music artist and composer who has been working for over twenty years almost exclusively with sine waves, focusing his research on the exploration of the physical properties of sound and on tuning systems derived from the laws of natural harmonics. Active in a liminal space between music and visual arts, his compositions are conceived as actual sound sculptures, for which he uses mathematical abstractions and self-built generators. For several years he has be…
“Not only are the galaxies spinning, but also the stars within the galaxies, and the Earth is spinning, and the Earth around the sun and the moon around the Earth. Pretty much the whole universe is spinning.”"This statement by the astrophysicist Noam Libeskind together with the aphorism, attributed to Heraclitus, "Panta Rei" (everything flows) and especially the Poem of the Atoms by the Sufi poet Rumi were the sources of inspiration for my new musical project. Jalal al-Din Rumi was also the foun…
Up To 23 is an electronic music duo formed by Marco Buffetti and Francesco Fincato. “Hydor LP” is a sonic journey diving into the ever-changing nature of water. From vast seascapes to the depths of the underwater world, the album aims to capture the power and tranquility of this elemental force, shifting between dark tones, ethereal visions and cinematic moods. The last two tracks feature a collaboration with Enrico Coniglio, whose guitar parts lay a foundation for fluid and hypnotic soundscapes…
In ‘Punti d'Incontro’ the sound is fragmented and broken up, just like splinters or bits of broken glass, into infinite pieces. Through the stages of duets and trios, Eugenio Sanna, Lucio Bonaldo and Michele Scariot give life to buzzings, high-pitched sounds, like pinheads looking at and observing each other with caution, forming strange, gelatinous agglomerates; bewildered melodies that are swallowed up through a visionary plot and enter, swallowed up, into the gaps of an infinite space, in a r…
Tip! "Due scritti imperfetti" contains three compositions meticulously put together by Giancarlo Toniutti, Deison and Massimo Toniutti. The location chosen for this collaboration was primarily the recording studio in Udine where, in a two-year timespan, the authors met to discuss, compose, record, trim, listening back, sifting out sounds and adapting their electro-acoustic mixtures.The music or rather 'musics' that emerged during this progress, represent different versions of ongoing experiments…
If during the early years of his long and prolific artistic activity, Fabio Orsi made extensive use of acoustic and concrete sound sources in his music, often painting very 'earthly' environmental realms, more recently he has definitively 'taken off', abandoning the earth to search for scenarios made of a purely synthetic matrix, building a myriad of dense electronic textures and pulsations, projected into the infinite and unexplored spaces of the universe.
This double CD collects a series of "s…
Tip! "Below/Light" by Filer Coleman is a selection of ambient works by Jim Filer Coleman. It represents an antidote, or perhaps a counterpart, to the more aggressive music that he may be more known for such as Cop Shoot Cop and Human Impact. These tracks were recorded over a span of a few years, slowly evolving and seeking definition. Electrocoustic in nature, the approach was always exploratory and playful, searching for balance and connection with the natural world.
Jim Coleman was an instrume…
There is no longer any turning back is an excerpt from ”The Aphorisms of Zürau”, a posthumous work by Franz Kafka. The work represents a path without obstacles, a descending abyss toward ourselves, toward the roughness of our deepest selves that we cannot explain and probably cannot confess. The individual track titles make up another excerpt by David Foster Wallace from an interview with David Lipsky: «The part of me that thought I was different or smarter or whatever almost killed me.»
All tra…
*100 copies limited edition black vinyl* The re-release of the 2 seminal psych/prog albums by San Michael’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progre…
*100 copies limited edition black vinyl* The re-release of the 2 seminal psych/prog albums by San Michael’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progre…
CD gatefold mini LP replica with obi & Japanese insert. The third and last album from Wolfgang Dauner's Et Cetera, for the very first time available on double CD / an incredible live studio album captured in 1973 by Et Cetera, a band fronted by Wolfgang Dauner, one of the foremost pianists in contemporary and experimental jazz in Germany. The quintet took their 1970 ECM masterpiece "Output" to the next level, infusing it with vibrant Indian/eastern and trancey elements that elevate the experienc…
CD sized paper sleeve album replica, with obi-strip and insert of notes mostly in Japanese. The album was recorded at the Catoca studio in Rome in a week, under the name of Etna, and contains some absolute pearls of Jazz Rock, with completely personal and absolutely Mediterranean flavors and musicality. The album is a perfect blend of rock, jazz, funky, free, played with great technique and vituosity, with many references to Bitches Brew era Miles Davis and early-70s Soft Machine
In this album y…