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2014 repress, originally released in 2007. Includes mp3 download. This is Reykjavik-based composer/producer Ben Frost's first release for the Icelandic Bedroom Community label. From the ominous darkness and intensity of its opening moments, one might expect a death metal album to break out in an instant, but Theory Of Machines is an album whose design is as symphonic as it is confrontational -- the tempo doesn't pick up, no hooks or vocals arrive, and when the drums finally kick in, they're…
LP version; presented in a laser-cut full color bronze and black sleeve with full color insert. Includes download code. The Summoner comes four years after the last Kreng album Grimoire (MIA 016CD/LP) and three years after the massive retrospective box set Works for Abattoir Fermé 2007-2011. A lot has happened in the interim, and The Summoner can be seen as quite the departure from the aforementioned works. Pepijn Caudron's most personal album to date, The Summoner was created after a year in wh…
**Edition of 300 with 6.5" x 6.5" illustrated lyric sheet included** Genius art-rock pop shots chipped from Officer!'s '8 New Songs By Mick Hobbs' (AAA, 1983) tape by avowed fans, Blackest Ever Black. Making their first appearance on vinyl following BEB's issue of 'Dead Unique', they give two sublime glimpses of Hobbs' gift for "ambiguous, ecstatic, anguished" songwriting and arrangement that may well have lain undiscovered by the rest of us otherwise. A-side finds the confessional cathar…
"Is there a better all-around bassist with a bow than Barry Guy? That query may scream sycophantic hyperbole, but in taking stock of the British improviser's discography it's an interrogative that can't help but manifest repeatedly.
On Guy's end the distinction of best isn't even a peripheral consideration or goal. He's placed his instrument in near-countless contexts, bringing to it a perfect sense of pitch and dynamics. Five Fizzles for Samuel Beckett is right in line with that sterling…
The first installment in Unrock's new string wringer Saraswati Series presents two of today's most extraordinary guitar maniacs captured on location. While Bill Orcutt, "Re-inventor of the Blues," falls from abstraction into acoustic hardcore serenade on his wooden 4-string guitar, the Kali-inspired Sir Richard Bishop improvises elegantly and calmly through a feverish 17-minute variation of "Zurvan." Limited edition of 700 numbered copies. 180 gram vinyl, ncludes a solid cardboard info s…
Split LP, released in an edition of 300 numbered copies on splattered orange/black translucid vinyl, and packaged in silver ink silkscreened cardboard covers with an insert. Richard Pinhas, guitarist from French cult band Heldon, is accompanied by his son Duncan, Oren Ambarchi (SunnO))) and Erick Borelva. Tamagawa plays number of songs that are totaly stripped from subtlety. A suite of audible haikus bring to mind the sound of footsteps in the water... a distant waterfall.
3rd LP from NYC street performer & avant-garde/minimalist composer, originally released in 1957. Perhaps the least accessible of his early releases, this album is made up of percussive jams, usually on instruments of his own creation, street sounds, poetry, & Far East melodies, despite opening w/ a swinging number that is, oddly, the most bizarre thing on the album.
Doxy presents a reissue of "Les Concerts du Domaine Musical", originally released by the French label Véga in 1956. Le Domaine Musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973. Boulez intended to provide opportunities for new music, after a general musical migration from Germany and Austria to Paris in the wake of those countries' legacy of war-torn decades without music. Le Domaine Musical created an exciting milieu in which the best an…
"Musicawi Silt" is the best known Ethiopian song from Addis Ababa's golden era of 1970s pop music. The insistent drive of the rhythm and the mighty blast of the horns - a sublime, angular burst - are unmistakable. Hailu Mergia's concept for the Walias first LP "Tche Belew" was to include compositions by various band members. Since Girma Beyene, a member of the Walias, wrote this addictive song in the mid-70s and the Walias band began including it in their sets, it has spread around the wo…
"This is a magic record!The new release of The Striggles holds a secret: If you repeatedly listen to the songs on the total of five singles, it becomes clear: These songs are changing... They do not sound like the last time you’ve been listening to them! A refined technique in the preparation of the records makes it possible: The song, as you’re recalling the memory of the last time you’ve heard it, takes a completely different turn the next time you listen to it. On each of the five colou…
"I Am the Last of All the Field That Fell: A Channel" is perhaps the most uncategorizable album in Current 93's catalog. Though it employs a vast array of musics, it strategically integrates them in new ways and dynamically adds elements of improvisational jazz to the mix. Founder and frontman David Tibet's present lineup includes regular collaborators -- James Blackshaw, Andrew Liles, Ossian Brown, Antony Hegarty, and Nick Cave -- as well as new ones: Comus' vocalist Bobbie Watson, the Groundho…
Exact repro reissue of Cecil Taylor's first album for the Candid label, originally released in 1960. Featuring Cecil Taylor (piano), Buell Neidlinger (bass), Dennis Charles (drums), Archie Shepp (tenor saxophone).From the opening patterns of Denis Charles' drums on the title cut, the listener knows he/she is in for something special. One can only imagine what the reaction of the average jazz fan was in 1960 when this session was recorded. This is a wonderful document from early in Taylor's ca…
Faust for all. The Krautrock legends lay down the musical foundations for everyone else to make something of their own. "j US t" -- pronounced "Just Us" -- is the new album from legendary Hamburg band, Faust. Founding members Jean-Hervé Peron and Zappi Diermaier have laid down 12 musical foundations, inviting the whole world to use them as a base on which to build their own music. The tracks presented by Peron and Diermaier are clearly, intrinsically typical of Faust in their own right, ye…
Kye is proud to present the eponymous debut LP by Australia's Food Court. Centered around the core trio of James Rushford, Joe Talia and Francis Plagne - (alongside contributions from Yuko Kono, Chloë Smith, Alexander Garsden, Nat Grant, Simon Charles and Callum G'Froerer) - Food Court present two live interpretations of Solage's 'fumeux fume par fumee', driving the curious nature of the original composition into radical and extreme new open space. 'Food Court' arrives in a Karla Pringle designe…
After providing one of 2014’s standout albums 'Wilderness of Mirrors’, Lawrence English returns to penetrate that most desolate zone of the psyche with an incredible suite of treated and layered field recordings made in Patagonia and Antarctica in 2010. “In the summer of 2010 I had the chance to visit Antarctica under the invitation of the Argentine Antarctic Division. It was nothing short of breath taking as I am sure anyone would suspect. Upon departing from Buenos Aires, the Hercules transpor…
Double LP version housed in a thick, embossed gatefold sleeve. Subtitle: Esoteric, Modal and Deep Jazz from Around the World, 1961-79. Until it was swept aside by the pop explosion of the 1960s, jazz was the most popular modern sound on earth. From the New World and the Caribbean to Africa, across the Soviet Bloc and the British Empire to the Far East, jazz music was embraced, adopted, played and enjoyed. Having examined spiritual jazz as it was expressed in the U.S., and followed its mess…
Realized over a four year period, Sean McCann’s Ten Impressions for Piano & Springs is a document of transition and maturation. Slow moving cloud forms over corporeal landscapes, these impressions whisper of McCann’s imminent & decisive lean towards classical & avant-garde musics, culminating in 2013’s Music for Private Ensemble on his own imprint, Recital. Less a final statement on ambient music, more a meditation on change, discovery and process.
Helena Hauff and F#X finally unleash their second record as Black Sites. Returning to PAN following 2013's Prototype EP, the two hardware fetishists and resident DJs at Hamburg's iconic Golden Pudel club turn out two cauterizing, long-form acid/techno cuts on Unit 2669 EP. A-side "Unit 2669" is built around a narcotic, modulated 303 line and protean drones, while on the flip, "Mockba" is an exercise in tape manipulation and visceral mechanics; with its circuitry corroded by parasites, the …
“Hidden Cities” is the second LP from Baltimore’s Horse Lords. Over the two years since their critically acclaimed self-titled debut, Horse Lords have become fixtures on the American DIY scene, touring with Matmos, Guerilla Toss, and Guardian Alien, and playing festivals such as Hopscotch, NXNE, and Fields Fest. Recorded and mixed by Chris Freeland (Wye Oak, Lower Dens), on “Hidden Cities” Horse Lords square the circle, making music that is alternately tight and loose, real-time risky and …
Outstanding!! A confirmation of their ascension to the highest level of improvising ensembles, Konstrukt recently shared the stage with such names as Evan Parker, Marshall Allen, Joe McPhee and Peter Brotzmann showing their great ability to adjust their instantly composed music to the presence of a guest.
And we can only say that this latest collaboration with the legendary American double bassist William Parker is another evidence of their prowess. The live recording of their show at NazÄ…