New Arrivals
Killing Sound
Oblique sound-system murderers from the trio of Amos Childs, Seb Gainsborough (Vessel) and Sam Kidel -- members of Bristol's noted Young Echo collective. Killing Sound make their full recorded debut on this self-titled 2x12", with four tracks cut obnoxiously loud across four sides by Matt Colton at Alchemy.
Dead unique
Blackest Ever Black presents to you Dead Unique, an album by Officer! recorded in 1995 but - outrageously, inexplicably - never before released into the public domain. This then is not a reissue or a revival; it’s a new record that just happens to have been maturing in the cask for, oh, a little shy of 20 years. It also happens to be a lost classic of English art-rock, and the crowning achievement in the career of its mercurial creator, Mick Hobbs. Londoner Hobbs’ roots are in the fecund RIO sce…
Second launch
Mind-shattering double LP of dysphoric space-rock minimalism from two luminaries of the Swedish punk underground. Second Launch follows Bremen’s self-titled debut of 2013 and comprises 11 controlled improvisations, reinforced with overdubs, that take clear inspiration from the dark side of kraut and progressive rock, early electronic and drone music, whilst also owing something to the fathomlessly bleak interior landscapes conjured by Nico/Cale on The Marble Index and Desertshore. The complex di…
Will to be well
Will to be well is the new studio album by Dalhous, their second for Blackest Ever Black. This double-LP, due to be released on June 30th, reflects writer-producer Marc Dall’s continued interest in the life and arcana of R.D. Laing, but also alludes to more universal and enduring mysteries: the relationships between body and mind, illness and wellness, the physical and the metaphysical. The fifteen tracks assembled here also showcase the maturation of a uniquely gifted and expressive composer: D…
Dark pool
Dark Pool is the new studio album from Black Rain, the project’s first in 18 years. Produced in New York City by Stuart Argabright, Black Rain’s founder and figurehead, Dark Pool is a work of hard-edged sonic fiction rooted in cyberpunk's quintessential neo-noircityscape/dataspace but projecting into a farther future of biotechnological advancement and alienation. Partly inspired by the writings of Philip K. Dick protégé K.W. Jeter (particularly 1996’s Edge Of Human, which picked up where Ridley…
Babylon
Turkish free-improv group KonstruKt was formed in 2008 by guitarist Umut Çağlar, and since their inception, they’ve gained notice through their collaborations with such old-guard stalwarts as Evan Parker, Marshall Allen and Peter Brotzmann. The latter introduced them to the legendary Joe McPhee at the Krakow Jazz Autumn festival, and after striking up a friendship, they invited him to join them in Istanbul for a concert in March of 2014. Babylon was recorded the day after he arrived, w…
Stallgewitter
Lovely collaborative work by Daniel Löwenbrück and Marcellvs L. on Ideal Recordings, edition of 300 copies. 45RPM LP for maximum sound quality. Composed of field-Recordings captured in Thailand, Iceland, and UK. Mastered and cut by Andreas 'Lupo' Lubich at Calyx, Berlin. Marcellvs L. (b.1980) is a renowned Brazilian Video- and Sound-Artist currently living in Berlin and Seydisfjödur, Iceland. His particular and radical production attracts attention by the intensity with which it associates philo…
Saman
This album is about resonance: on 'Saman', which means 'Together', Hildur melts her voice with her cello, connecting the two instruments together. The result is a highly involving and moving album, recorded, mixed and mastered in Berlin. Hildur's sylph-like vocals contrast beautifully with rich cello tones, resolving the tension between light and dark to produce a unique listening experience. Renowned bassist Skúli Sverrisson guests on 'Heima'. This is Hildur's 4th album for Touch, after 'Withou…
Altar of flies
All compositions by Mattias Gustafsson: magnetic tape, field recordings & electronics, recorded to tape 2012-2013. Altar of Flies is back on iDEAL with this new, untitled album, his first since 'Permanent Cavity' (2010). Mattias Gustafsson's industrial, Mjölby-style musique concrète is deeply personal and even though the music is often sparse and minimal, it always contains restrained energy explosions and psychic tensions. This, his fifth proper LP (and a long line of nice releases on hot label…
Accelerated standstill
Accelerated Standstill is an assembling of locked grooves found on customary vinyl records. The records have been collected and performed live between 1997 and 2013. Locked grooves normally functioning as a 'barrier', avoiding the needle coming into contact with the label at the centre of the record. All grooves sound different, depending on how dust has effected and transformed the soft surface of the vinyl.
By using a triple vinyl deck set-up this (analytic auditory observations of) ending gro…
First Electronic Chillout Music
The LP contains "Music Out Of the Moon" and "Perfume Set To Music" one of the first electonic chillout music composed, originally released in 1947 and 1948 on 10" 78RPM. An unusual mix of different styles and musics represented by the 3 men who contributed to the album: Dr. Samuel J. Hoffman played theremin in several sci-fi and horror movies during the 40s and the 50s, masterpieces as "Spellbound" and "The Day the Earth Stood Sill"...Les Baxter "The Father of Exotica" and his dreams of Pacif…
Live in Kabul 1976
Outstanding archival recordings by Hartmut Geerken. German author, poet, composer, film-maker, performer, and gifted musician who collaborated with John Tchicai, Sun Ra (he was the first to bring Sun Ra over to Egypt in 1971), Embryo, Michael Ranta, Art Ensemble Of Chicago, Takeisha Kosugi and many more. This is an incredible live recording of a concert hosted by the Goethe Institut of Kabul on September 22, 1976. More than sixty minutes of convulsive jams - and hypnotic obscure interludes to …
Hysterie off music
At the beginning, Hystérie off Music was conceived as a catalogue record, an open field where the author could play with all musical genres and their stereotypes, but then evolved rapidly into an uncompromising clash of field recordings, sampled instruments and Tazartès' incomparable vocal eclecticism, made of emotional psalms and shamanic hymns. The Encyclopédie of genres turns into a childish - and sometimes scary - play and the song titles mislead the listener introducing him to a c…
Check Point Charlie
Double LP edition, seminal album recorded in 1989 and originally released by Aaya in 1990, Check Point Charlie is the first work by Ghedalia Tazartés conceived for the compact disc format and its different time boundaries. Check Point Charlie is a collage journey where Tazartès pulls out all the stops to captivate and confuse the listener: street recordings, pseudo-enticing dialogues, sampled instruments, real instruments, rapid-fire splices, and that uncanny voice of his reciting, yodeling, sc…
I Don't Feel At Home In This World Anymore
"I'm sorry, but any record that opens with a vintage rebetika track is pretty much sold for me, and since this record does, the rest doesn't really matter, it's already awesome. Yep the first track on this killer re-issue is from Marika Papagika and sets the pace (and standard) for the rest of the album, which is a showcase of music recorded in the USA between 1927 and 1948 but rooted in other cultures. So from the initial blast of gorgeous Greek folk, we're thrown into Calypso, Appalachian folk…
Last Kind Words (1926-1953)
The first Mississippi compilation, in print again for the first time in over 7 years. Here we have some of the absolute best performances of country blues and ballads ever put out, dating from 1926 - 1953. Early 78's that speak of the universal human condition in a profound way. Artists include Geechy Wiley, Blind Wille and Kate McTell, The Blue Sky Boys, Lottie Kimbrough, Robert Petway, Memphis Minnie and much more. No typical blues riffs or boring standards here - just truly unique artists tra…
Ghost Woman Blues : Country Blues 1927-1952
Compilation of absolutely must-have country blues from Mississippi. A mix of well known artists playing their signature songs and more obscure musicians. Highlights include Bukka White's elemental "Fixin' to die", Lottie Kimbroughs' seldom heard "Don't Speak To Me", George Carters' haunting "Ghost Woman Blues", Willie Browns' existential "Future Blues", Monroe Moe Jackson's wild "Go Away From My Door" and many more hits. The real stuff and some of Mississippi Records all time favorite tunes.
The Crying Princess - 78rpm Records From Burma
Sublime Frequencies enchant with a collection of super rare Burmese popular music dating between 1909 and 1960. Entirely gathered from dusty, almost forgotten 78s discovered by Robert Millis and Alan Bishop on their various trips to the region (now known as Myanmar), 'The Crying Princess' is like a magical portal into a another world, at least from our contemporary western perspective, and further builds on the wealth of obscure music rescued from the country on 'Princess Nicotine', 'Guitars Fro…
The Journey
South African pianist and composer Abdullah Ibrahim (aka Dollar Brand) featuring Hamiet Bluiett (baritone sax) and Don Cherry (trumpet). Exact repro, originally released in 1977.
Ieri Oggi Domani (Original Soundtrack)
Original soundtrack from the film directed by Vittorio De Sica in 1963.