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Edition of 100. Recorded, mixed and mastered at the Outside Inside Studio on a Sunday afternoon in October 2013 by Matt Bordin, who also plays guitar an mandolin. Squadra Omega is a psych/avant/kraut rock collective devoted to free improvisation, psy…
Off-beat musical explosion, friendship-fueled bootleg tape. These are drafts and demos for 72-Hour Post Fight's 1st album we played together in Milan in 2017.
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He
got interested in musique concrete by listening to a German radio
programme when he was 10 years old. In 1965, at the age of 18, Asmus
started experimenting with tape loops a…
Before The Residents became the Residents, they were a group of friends
from the San Francisco bay area. On this collection, a lot of different
people are involved. No one remembers how many or who they were. The
recordings were made in the late 1…
Born in Pontypridd, South Wales to a musical family, Thighpaulsandra
developed an interest in modern classical and electronic music at an
early age. Whilst still in school he formed an avant-garde rock group
incorporating influences from his admir…
Some artists like Cluster, Tangerine Dream and Klaus Schulze have become quite popular and synonymous with the Kosmische Electronic music that rode the wave alongside the Krautrock explosion, but also nestled within the explosion of creative electron…
The cassette release Bichon Frisé features 4 tracks of atmospheric and eerie New Age music, made by Børre Mølstad, Danielle Dahl, Niklas Adam and Anders Vestergaard at the beautiful peninsula "Nesodden" outside of Oslo back in 2013. The sound is bot…
Brussels’ based media saboteur Yann Leguay operates with conscious ambiguity at the intersection of music, sound art and installation. Depending on the context you could as well describe him as a performance artist, a musician or a visual artist. He …
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he …
Changes was the first solo-album of Peter Sjardin, made in the mid/late 70s "He played all instruments by himself: percussion, guitar and keyboard. The recording came from the late seventies, 1978 according to some sources. The title song is based on…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he …
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he …
"About the best one can say about 1974's Bluejeans & Moonbeams is that it's not as bad as his other release of the year, Unconditionally Guaranteed. In fact, there are two tracks, the pretty reverie Observatory Crest and the stomping blues-rocker Par…
**Limited to 50 hand numbered copies** In 1994 the activity of the Slaughter Productions becomes more and more frantic, releasing countless tapes. In the same year, leaving four important works of Atrax Morgue on cassette, the first of which is “Coll…
** numbered edition of 300 copies, deluxe wooden box** Marco Corbelli’s artistic journey began in the early 90’s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was “The pleasure agony”, follow…
"Voice and Sky provides both a look at a previous work, On the Breeze – a series of public space interventions and text / sound installation – and an extension of that work in the form of a book and CD publication. My view is that an installation or …
When improvisers turn to electricity and imposing volume levels, the results are sometimes as intense as they are tedious, because they forget that it can quickly become a stodgy, lumbering mess that bleeds out way too soon. Not so here, as the music…