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*200 copies limited edition* A 'monolithic' experiment in extremely minimal non-music constructed in two long parts. If the first part is dominated by a background based on a single sound rich in harmonics that oscillates on its own wave-like vibrations, resting on a substrate of what can be at the same time a synthetic pink noise or the real 'capture' of a natural quasi-silence, in the second part a few sounds of a more overtly electric/electronic matrix, a tangle of faint high-pitched looped e…
*200 copies limited edition* "Notturni", Germinal's second album, deepens and pays tribute to more distinctly dark ambient influences while maintaining a firm focus on compositional minimalism. Forgotten loops and samples, buried melodies, rattling refractions and mysterious litanies delineate misty country settings and dreamy urban situations, which can be traced back to a minimum denominator: nocturnal landscaping.
A stark and contemplative tribute to composer and intellectual Alain Pierre (1948-2024) by Belgian artist Tim Onderbeke. Published shortly after Pierre's passing, this volume collects 69 black-and-white photographs taken on June 1, 2016, at Pierre's residence and studio, located behind the iconic VRT building in Brussels. Presented without captions and arranged in a purely figurative sequence, the photographs document Pierre in his most natural state—moving through his home, engaging with his ar…
BIlingual Edition (Texts in French and English) An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.
"Under the acronym of STEM, education in the many disciplines of science, technology, engineering and mathematics has been harnessed to the relentless demand of the neoliberal economy for knowled…
BIlingual Edition (Texts in French and English) Double issue of the journal of popular music studies, with a feature on the sound factories of the global South, and a look back at the 20th anniversary of Volume!. Volume! The French journal of popular music studies is the only peer-reviewed academic journal dedicated to the study of contemporary popular music. It is published biannually by the Editions Mélanie Seteun, a publishing association specialized in popular music. The journal is in French…
French Language Edition A tribute to Derek Jarman manifold and vital practice. Gathering together newly commissioned essays by international art critics and scholars devoted to specific—and sometimes lesser-known—aspects of the artist's life and work and extensive portfolios spanning his successive bodies of works, this monograph offers an accessible overview of Derek Jarman, one of the legendary cultural figures of the second half of the 20th century. Conceived as a reader, this volume include…
BIlingual Edition (French and English) Paolo Gioli (1942-2022), a central figure in the Italian experimental cinema of the 70s, developed, from his initial training as a painter, a body of work of over thirty films between 1969 and 2017, that parallel and intersect with his internationally acclaimed photographic work. Gioli's eminently “savage” approach to filmmaking, developed with limited resources, offers us a composite visual universe of fragments, but also “cinema-effects” in their natural…
Azimuth is the first full-length collaboration from Tyresta (aka Chicago-based Nick Turner) and cellist Simon McCorry (Gloucestershire, UK), featuring a quintet of impressionistic arrangements that combine swells of harmonic guitar with delicately composed strings and accents of modular synth. The resulting formations convey both the acoustic resonance of chamber music, and the experimental wash and warmth of shoegaze, making for a unique creation that is equal parts meditative and narrative.
“S…
Most intros to a Richard Ramirez album mention he's an artist that needs no introduction. Presenting a brand new album with five tracks of harsh noise, low end drone thrumming, crunchy textures and good old fashion sleaze. Further indication that Richard remains one of the most consistent and important artists in noise.
Temporary Offer. Recorded for Berry Gordy's short-lived Workshop Jazz imprint and recorded at the Hitsville USA studio, Roy Brooks (joined by fellow Detroit natives George Bohannaon and Hugh Lawson, along with Blue Mitchell, Junior Cook, and Eugene Taylor) injects a Motor City soul-jazz groove into the hard-bop root of this engaging 1964 album. Manufactured at Third Man Pressing in Detroit MI 180g audiophile quality vinyl
Temporary Offer. These 1969 recordings (released 5 years later) combine Archie Shepp’s free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III lead the way on stand outs including “New Africa” and “Spoo Pee Doo.” This Verve By Request LP features transfers from analog tapes and remastered on 180-gram vinyl, pressed at Third Man in De…
Masma Dream World, the experimental project of Devi Mambouka, returns with Please Come to Me, an album steeped in mysticism and raw emotion. Sounding by turns meditative, tortured, and exultant, it transmutes the abyssal language of devotion and the divine feminine through cavernous electronics, spine-chilling noise, and a powerful voice that succumbs to forces beyond her control. It makes the void sound like an embrace, and the embrace immortal.
Born in Gabon and shaped by a multicultural upbr…
Orange Vinyl edition with OBI strip, Hand Numbered. RuinsZu is fusing the original core of Rome’s ace Zu bassist Massimo Pupillo and saxophonist Luca T Mai together with drummer Yoshida Tatsuya, founder of the Japanese band Ruins. An Italian-Japanese cooperation of outstanding artists in the loud extreme of avant-garde music produces Jazzisdead Live. Bass guitarist Massimo Pupillo from the band Zu teams up with saxophone Luca T. Mai (of Ruins and now Ruins Alone) and drummer Tatsuya Yoshida. The…
180g Vinyl LP! Pressed at Third Man in Detroit! Marion Brown ended his '70s stint at Impulse! Records with this serene and colorful album. It features musicians such as drummer Ed Blackwell and bassist Reggie Workman, plus Stanley Cowell on acoustic piano and Fender Rhodes. While Brown wrote the blissful coaster Vista, the five other compositions are well-chosen, starting with an inviting version of Cowell's "Maimoun" and an impressionistic and deeply meditative take on Stevie Wonder's "Visions"…
*2025 stock* "A “meeting of spirits” between Greek singer Savina Yannatou and legendary free jazz bassist Barry Guy recorded live in Amsterdam, May 2010, where they performed at the famous Bimhuis Club. The music consists of free improvisations and a composition by Barry Guy, alongside two traditional songs arranged by Savina Yannatou and Barry Guy.The architects Ilya and Emilia Kabakov imagined a vertical opera space of several floors to be built within a cooling tower at the Zollverein Collier…
*2025 stock* "“We are the place in which we dwell.” In a universe such as improvised music where, particularly in an ensemble, chance plays some kind of role, Agustí Fernández and Barry Guy did not by chance name this opus Some Other Place, paradoxical as it may seem at first sight. Much rather, it is a deliberate plight to give to this composition a title that brings up the notion of otherness, which is markedly present in both their careers. Many areas were scoured, at times under the command …
*2025 stock* "There was a sense of excitement as the trio opened their first set in Birmingham of a mostly north England tour. Adjectives such as spiritual, energized, even devotional all come to mind. The meeting with Ken Vandermark in a classic trio formation of Saxophone (doubling clarinet), bass and percussion was suggested by Mark Sanders reacting to a tour proposal by the indefatigable organizer of Jazz events in the U. K. Tony Dudley-Evans. The music was like an initiation, a very special…
Tip! In March 2022, here at Monday Press, we began receiving long emails from an anonymous account belonging to someone we barely knew. These letters were sent from deep underground—so deep that we weren’t even sure if it was safe to reply. They told an insider’s story of a world in the process of being erased: the anxiety, the fear, and the longing for something that was vanishing right before the author's eyes. Over the course of a year, we received four letters and a series of photographs (ta…
*2025 stock* When Evan Parker, Barry Guy and percussionist Paul Lytton renewed their association at l’Auditori in Barcelona in March 2006, they chose to call the resulting CD ZAFIRO, or “Sapphire”. The following day, the trio was joined by Catalan pianist Agustí Fernández at the same venue to record the Topos album. The chemistry changes to an almost microscopic world of shifting colours and densities prompted by Fernández’s mercurial articulations of the piano keys and the strings inside the in…
*2025 stock* One live improvisation of over an hour that zips by with the velocity of a three-minute single, Zafiro confirms that one of improvising music’s most enduring partnerships – 25 years and counting – is still a potent and electrifying force. Refining their interaction every time they play together – saxophonist Evan Parker, bassist Barry Guy and percussionist Paul Lytton don’t lack for other gigs, but express instinctive rapport here. Veteran British improvisers, the three use a variet…