New Arrivals

Oblio, a brand new imprint dedicated to reissues from the moodier spectrum of Italian experimental music, launches into action with the first ever fully remastered vinyl reissue of Maurizio Bianchi's 1982 private press masterstroke “Regel”. A seminal cornerstone of early '80s Italian experimentalism, Industrial music, and noise - long hunted by collectors - that is regarded as one of Bianchi's most definitive works - bristling various sound sources, electronics, and synths - more than 40 years o…

Pianist-composer Abdullah Ibrahim ( formerly known as “Dollar Brand“) has long ranked among South Africa’s giants alongside Hugh Masekela, Miriam Makeba and the late Kippie Mokoetsi. A master of improvisation with a distinctive African edge, the exiled Cape Town musician has developed a musical style over the past 30 years that defies categorization.Rather, it is a fascinating mosaic of diverse traditions including African rutal and township rhythms, classical jazz, and gospel. South African fol…

Kicking off what will be an Alice Coltrane year with more releases to come in the next 12 months, is a previously unreleased, killer live recording from 1971.  Recorded live, by Impulse! at a charity gala given at Carnegie Hall for the benefit of the Integral Yoga Institute in 1971, this incredible set never saw commercial release until now. The gala concert was one of two halves with the first two transcendental tunes by Alice taken from the album she had just released on Impulse! and then two …

The long-awaited LP reissue of the avant-garde pop band Noizunzuri, acclaimed as the Japanese Neu!, is here. This first album, originally released in 1985 through Telegraph, features the enigmatic participation of Jun Togawa on vocals. It's a bizarre record that represents indigenous Japanese rock originating from Kyoto.

Leo Genovese - Piano, saxWilliam Parker - BassFrancisco Mela - Drums Recorded November 13, 2020 by Jeremy Loucas at Douglass Recording, Brooklyn, New YorkAssistant engineer: Juanma TrujilloMixed and mastered by Jeremy Loucas at Sear Sound, New York City

Shinya Lin: Piano, prepared pianoFrancisco Mela: Drums Recorded October 24, 2021 by Yushu Bao and Hao Jen Lam at Berklee College, Boston, MARecording assistants: Qi Wang, Yimu Feng, Ziyan WangMixed and mastered by Yushu Bao

"Teiku arranges our unique family Passover melodies into vehicles for sonic exploration. This ancestral music, much like the tradition of Creative Music through which we interpret it, is liberation music. As its humble stewards we offer it as a call for justice for all oppressed peoples; as Jews, we decry the senseless violence, displacement, and killing perpetrated in our name." - Josh Harlow and Jonathan Barahal Taylor, bandleaders  Teiku’s origin story feels almost pre-ordained. Co-leaders pi…

*100 copies limited edition* Compositions for imaginary landscapes. Revisiting landscapes through music. The concept of landscape is a personal subjective case for each of us, as it exists from the moment a sensory frame is first observed and created through our gaze. The connection with a landscape is directly related to its sound environment, either from sounds that naturally pre-exist in it, or from sound interventions or music that enters it, creating a dynamic relationship. However, the way…

*250 copies limited edition* Marco Bertoni, musician, composer and producer from Bologna, protagonist of the Italian new wave of '77, after "Live in Trentville" (2022) publishes this "My Easy Piano Pieces (A Ridiculous Legacy)" for Silentes. A collection of pieces of music that he has written since he was 15 years old. Over time they have been kept locked in a drawer but never forgotten. Some of them have been used for songs by the Confusional Quartet, or published on his first solo album "18/8/…

Tip! *200 copies limited release* 'Early Experiments in Recording, Vol.1 (1976-2021)’ is a celebratory collection of early recordings by experimental artists from across the UK and Europe. Limited to 200 copies on vinyl, these 21 tracks were recorded between 1976 and 2021, using DIY home recording equipment from dictaphones to early laptop microphones. Almost all of these now-celebrated musicians were teenagers at the time. For most, these were the very first recordings they made. For others, th…

Tip! *50 copies limited edition* Recorded at Cafe Oto.Sagome event on the 3rd of December 2022. London, UK. Contains live versions of the tracks previously released on Faitiche and Muscut labels.

"Inferno" is a 1980 film by Dario Argento, generally considered one of the masterpieces of the Roman director. At that particular time, the artistic partnership established with Goblin, who wrote the soundtracks for "Profondo Rosso" and "Suspiria", had essentially crumbled, while in the UK Emerson, Lake & Palmer had just disbanded; Argento was therefore able to make a dream come true: to collaborate with an artist from the English prog-rock scene. Keith Emerson was then invited to reach Dario Ar…

Ramuntcho Matta offers us a new vision of his music and, by extension, of his world. Time for oneself and for others. Of the raw and the real. Most of the tracks were recorded with a dictaphone, so as to stay as close to the music as possible. It's a return to basics and simplicity that reveals a voice that is both dense and sub-tile, husky and sensual. Ramuntcho Matta keeps his finger on the pulse, the instant, the present.   Adopting the technique of the Japanese painters - observing before cr…

*2024 stock* Excited by Véronique Vincent & Aksak Maboul’s acclaimed ‘lost’ avant-pop opus, a host of artists from all over the place have launched into reinterpretations of the songs from Ex-Futur Album. The result is 16 Visions of Ex-Futur, a full album containing 16 reinterpretations (covers and reworks) created by: • Jaakko Eino Kalevi (the young Finnish artist, whose albums of strange elegant pop are out on Domino) • Forever Pavot (the illegitimate son of Ennio Morricone and The Zombies) •…

*150 copies limited edition* "For years, fans of Connecticut’s post-industrial doomgaze two-piece Have a Nice Life have restlessly awaited the band’s second gloom-fueled, autobiographical meditation. Now, San Francisco label The Flenser is proud to unleash The Unnatural World. With eight songs clocking in at 47 minutes, The Unnatural World is Have a Nice Life’s most monumental release yet—a colossal, perfectly orchestrated work that leaves listeners comatose on the ground beside their record pla…

Nuclear decay occurs when the nucleus of an atom is unstable and spontaneously emits energy in the form of radiation. The result is that the nucleus changes into the nucleus of one or more other elements. These daughter nuclei have a lower mass and are more stable (lower in energy) than the parent nucleus. “(...) Ábris Gryllus, known for his performative works with choreographers, sculptors, and dancers, creates music of decay and resignation. Nucleus of the Decay is shorter than its 2020 predec…

This album features Fairport Convention's 1974 live recording from their USA tour, making its debut on vinyl. The band, founded in 1967 by Richard Thompson, Simon Nicol, Ashley Hutchings, and Shaun Frater, evolved through lineup changes, with Sandy Denny steering them towards traditional British music. Liege & Lief marked the inclusion of fiddler Dave Swarbrick. By 1974, Dave Pegg replaced Hutchings. This vinyl release captures a pivotal moment in the band's history during their USA tour.

*2024 stock* Part hexagonal lube-pool, part peatman’s gallbladder; EEL marks an encephalitic (onward) plowter for both of us. Like intractable flagellations hoisted through individual druse romps, staminate bleachfields give way to unillustrated gonging, in chiefly 12V 3A veinlets. EEL – acronymised in ‘pen scrape’ – decontaminates, in our eye, four key baronial globoids, expunging gladly by 5 pin toddy ladle. In the torrential burn below, head hair, jaw hair and clothes sticky, stinking and gre…

Bluesy, aggressive, typically expressive. Splashes (subtitled Tribute to Wilbur Little) is an album by saxophonist Archie Shepp's Quartet which was recorded in Holland in 1987 and released on the L+R label. With Horace Parlan (p), Harry Emmery (b), and Clifford Jarvis (d).  It's one of those deep European records that gets missed because Shepp was recording so much and in so many ways overseas in his later years. The style here is a great distillation of the modes he was exploring in the years a…

Archie Shepp, a saxophone tenor icon, collaborates with keyboardist Jasper Van't Hof - of  Toto Blanke's Electric Circus (it was while with Blanke that van't Hof co-founded a group called Association P.C.)in a creatively innovative record. Jasper incorporates elements from his 70s electronic work into the song, blending them with acoustic piano in a way that resonates well with Archie's spirit, a departure from his previous style.

This lovely session from the 1980s features saxophonist Archie Shepp and pianist Horace Parlan, who both initially recorded in the United States but eventually discovered a more accommodating environment in Europe (they crossed paths many times while recording in Europe) Shepp began his career as a dedicated avant-garde player, but he eventually discovered the joy of applying his modern approach to more conventional material, such as these well-known ballads that Parlan paints with delicate, sou…

German pianist Wolfgang Dauner's early session sounds as fantastic as the title suggests! The "dream talk" component comes from Dauner's gentle, yet modern approach to the keys, which is clearly learning from 50s modernists like George Russell or Bill Evans but is stretching out here in some of the bolder freedoms of the European scene at the time. It's a precursor to later modes on MPS and Saba, but performed here with more restraint. The record is acoustic and inventive, with a "set free" soun…

The album called "Fish Inn" was originally released in 1984. The leader of the band Michiro Endo anticipated departing from punk rock and created this work, exploring a sound inclined towards psychedelic music, a challenging move that seemed to self-denounce The Stalin's previous style. Higo Hiroshi from Friction was also involved in the band as bassist during this recording. Endo reminisced later about the album as: "More specifically, the main theme was how to kill The Stalin." Following this …

"Favorite Recordings returns with the second edition of its compilation series: Fusion Global Sounds. Comprising eight rare and hidden tracks produced between 1976 and 1984 in various parts of the world, this hot-off-the-plate comp delivers a mighty-fine array of dynamic, soul-feeding jazz, soul, disco, jazz and funk delicacies. As a fine collector of jazz-funk and fusion for many years, curator Charles Maurice can be credited for sourcing the ingredients for and cooking up this fine spread of f…

NM presents 'Soundtrack', the second album from LOU (aka. Sarah Hardiman - ex-Deaf Wish, Moon Rituals, Brick Head). Taking huge leaps onward from the eternal glimpses of reduced rock washout on their much loved debut 'For The Morning' (2021), 'Soundtrack' offers us a more plaintive, intricate set of arrangements and unexpected instrumentation. First and foremost a wildcard guitarist in the truest sense, Hardiman's sequencing on 'Soundtrack' sways between wicker basket/pastoral acoustic picking a…

*2024 stock* Ship to Shore PhonoCo. – in association with Cadabra Records – are very proud to announce the release of Frizzi Beyond Fulci – Volume 1, a compilation of selected works by the Italian maestro! Despite being best known for his horror scores for the Godfather of Gore Lucio Fulci, Fabio Frizzi’s output over the years has reached a legendary status for its eclectic nature. From the electro-style Italian chart-topper Mastermix – which wouldn’t sound out of place on one of the classic Str…

6LP box set containing original studio albums from 1957 - 1965. Remastered directly and lacquers cut from the original analog tapes, 180gm vinyl and housed in reverse-board deluxe sleeves. Extensive book with foreword from Brandee Younger, comprehensive liner notes by Shannon J. Effinger and previously unseen photographs and ephemera. Housed inside book-shelf style slipcase with silver-foil detail. New Land are proud to present the first multi-disc box set from one of the most overlooked artists…

Keplar presents the first-ever vinyl edition of the 2003 album "From Tokyo to Naiagara" by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, "From Tokyo to Naiagara" followed up on her two seminal Mego albums and marked a turning point in both the artist’s c…

Legendary and rare folk-psych private press record from 1967 that holds up well. Furthermore, the LP is legendary in a literal sense: until recently, few collectors really even knew it truly existed. And Roger Salloom? imagine Jack Kerouac, John Belushi, Lord Buckley, and Lenny Bruce, then throw in Leadbelly, Jimmy Reed, Lonnie Johnson, and Geoff Muldaur… all rolled into one person, and you have a glimpse of poet, singer-songwriter Roger Salloom.

Edition of 100. forms of minutiae and TBA21–Academy present "upstream ensemble", a communal happening and aqueous sound piece initiated and composed by field recordist, artist, and f–o–m co-founder Pablo Diserens.  During the 2022/23 digital residency hosted by TBA21–Academy’s Ocean-Archive.org, Pablo Diserens launched an open call inviting members of its online platform ocean comm/uni/ty (and external enthusiasts) to venture into the world and record aqueous sonic encounters. The aim of this co…

Mangled surf-rock samples and washed-up suds of everyday oddities define Shallow Buoy, the newest release from remote duo Stumped. Consisting of Berlin-based Page Swanson and Pennsylvania-confined Adam Buffington, Stumped strain field recordings and borrowed sounds through various analogue and electronic processes, resulting in a sonic puree that's never stodgy.

Daniel M Karlssons Mapping the valleys of the uncanny is an investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. This music and text-based work examines the roles and signifiers of instrumentation and timbre as they unwittingly conspire to designate access, power, status, work and ultimately class. Paradoxically, Karlsson uses this critical-analytical standpoint as a means to build a large-scale i…

In this book Tim Stüttgen considers the paradigm of (post-)slavery as an important epistemological break within predominantely white Gender and Queer Studies, as well as within critical Film and Cultural Studies. Departing from what E. Patrick Johnson has proposed as a specifically intersectional »quAre«, instead of an »unmarked white queer perspective«, this book contrasts Deleuze’s cinema theory with Frantz Fanon, queer theories of color, the history of the African diaspora and utopian quAre f…

Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore takes us on a captivating journey into the intersection of Afro-funk and the Italian soundscape during the six years between 1973 and 1978 - a time when disco was looming on the horizon and the nightclub market was rapidly expanding. Before reaching Italian shores, the infectious sound originating from African and Afro-Caribbean roots traversed both the Mediterranean and the Atlantic, landing o…

"The Nigerian establishment labelled Kalakuta Republic inhabitants as — ‘hooligans’, ‘hemp smokers’, etc. Noise For Vendor Mouth is Fela’s indifference to that name calling because, for him, people in Kalakuta are really a bunch of hard working citizens, trying to survive in a society riddled with corruption and mismanagement. He adds that the real hooligans are those in authority who resort to political gangsterism, and sometimes military coups in order to resolve constitutional issues. He cons…

The deepest song here is the second track, ""Mr Grammarticalogylisationalism Is The Boss,” which ridicules the notion that speaking ""proper"" English demonstrates superior intelligence, and bemoans the fact that doing so is, unfortunately, a requirement for upward mobility. As the chorus repeats the line “Him talk oyinbo pass English man” (“He talks English better than an Englishman”), Fela lays it down: “The better oyinbo you talk, the more bread you get, school start na grade four bread, B.A.…

"The Kalakuta Show album release was Fela’s undaunted manner of extracting revenge on the military regime that attacked and brutalized him in 1974. The second of such attacks in a space of eight months, Kalakuta Show was an attempt by the Nigerian police to influence the cause of justice. After the first police raid on Kalakuta in April 1974, Fela was charged to court for: ‘possession of dangerous drugs’, and abduction of ‘minors’. However, the evidence presented by the prosecution was easily ex…

Also featuring Ginger Baker, the title track is among Fela’s first overtly political lyrics. His political perspective had evolved during the 1969 / 1970 tour of the US, largely through his friendship with the black-rights activist Sandra Izsadore, who introduced him to the writings of Malcolm X, Stokely Carmichael, Angela Davis and other revolutionary thinkers. By the time Fela wrote “Why Black Man Dey Suffer,” his songwriting and public statements were becoming increasingly critical of the pow…

Hyperdelia is proud to present “splitter musik” - the first Splitter Orchester album solely consisting of the ensemble’s own music. Previous recordings have highlighted the orchestra’s vast genre-bending output in collaboration with George Lewis, The Pitch and Felix Kubin. This 3CD release aptly titled “splitter musik” showcases for the first time the orchestra’s very own musical process. In contrast to other large scale improvising ensembles, Splitter Orchester has no central leader and is orga…

Hyperdelia is happy to present Sun Kit’s debut record All The Patterns Inside. Sun Kit is an experimental band, formed in Berlin in 2021. The band consists of Jules Reidy (guitar) and Andreas Dzialocha (bass) and fuses both artists' singular sounds. Their debut album All the Patterns Inside is a moody and ecstatic ride that navigates distance and closeness, breaking and re-forming. The record was produced completely self sufficiently at home, the two sending each other recordings and sketches ba…