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New Arrivals

Three For Shepp to Gesprächsfetzen „Revisited“
"Marion Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespächsfetzen Revisited. Brown’s opening “New Blues” and Archie Shepp’s closing “Delicado,” though compelling,are relatively orthodox expressions of mid 1960s NewThing. The four tracks they bookend, however, are distinctive even today. Brown’s exquisite “Fortunato,” though it sounds like nothing Pharoah Sanders ever wrote, inhabits similarly pretty terrain as Sand…
Mephistopheles To Orgasm (Revisited)
“He was nomadic. The strongest and most lasting thing you can say about Alan is that he was an original, as original as you can get. He didn’t want any academic guidelines to equip him to reinvent the wheel. If he saw something like that, he’d go the other way.” – Wayne Shorter
The Legendary Trio At Birdland 1960 (Revisited)
Temporary Super Offer! "This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village."  – Chis May
At Antibes 1960, Revisited
Temporary Super Offer! "Mingus the visionary composer. Mingus the virtuoso bassist. Mingus the volcanic bandleader. As the 1960s began, with the new decade bringing a radically expansive new view of the possibilities of jazz expression, Charles Mingus, by virtue of his brilliantly nonconformist creative imagination, willingness to take risks along experimental paths, and (because of, or in spite of) an oft-times confrontational rebellious nature, had established himself among those in the forefr…
At The Village Vanguard 1961, Revisited
'Mention of Motian and LaFaro brings us to this disc, perhaps belatedly. But other  than observing that the music is presented here following immaculate and unprecedented  sound restoration, what more needs to be said about it? What more, usefully, can be said? The performances are as close to perfection as makes no difference, and as close to  immortality, too, and if you are still reading thesenotes, you will not need to be told why.' – Chris May Executive producer’s notes: 'Once you start to …
One Step Beyond To New And Old Gospel (Revisited)
Temporary Super Offer! "One Step Beyond is rightly seen as a pivot point in Jackie McLean’s evolution, but its adventurousness was not without precedent. As A.B. Spellman noted in Four Lives in the Bebop Business, “Quadrangle” – the opening track for 1959’s Jackie’s Bag; it was first recorded as “Inding” for Lights Out!, a 1956 Prestige date – “involved an elaborate group construction that [McLean] was afraid was too far-out,” so he used “I Got Rhythm” changes to mainstream it, which he later re…
Eric Dolphy At The Five Spot To Iron Man (Revisited)
Temporary Super Offer! "Eric Dolphy’s legacy is well represented by these performances from The Five Spot and the sessions supervised by Alan Douglas. They confirm him to be an artist who  straddled the divide then so deep in jazz, drawing sustenance from the music’s past  as he cleared a path to its future. Dolphy’s was a sensibility that could celebrate  Fats Waller and honor Jomo Kenyatta, its inclusiveness rare in the polarized early 1960s. Fortunately, his example has not simply endured, bu…
At The Golden Circle Stockholm (Revisited)
Temporary Super Offer! "For the followers of Ornette Coleman’s music, 1963 and 1964 were the lost years. His final session for Atlantic Records, Ornette on Tenor, was in March 1961, and though he played sporadic club dates in ’62, his self-produced Town Hall concert in December was to be his last significant appearance until he accepted a Village Vanguard gig in January 1965. The reasons for this hiatus, apparently, were personal, economic, philosophical, pragmatic, and artistic, all at the same…
Thelonious Monk With John Coltrane 1957 (Revisited)
Temporary Super Offer! “Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would sit at the piano and show me the answers just by playing them.“ – John Coltrane
Celebrating 75 Years Of His First Recordings
Temporary Super Offer! Thelonious Monk devised a new theoretical basis for his compositional aesthetic, an unorthodox, deconstructed and reinvented pianistic approach that defined his music’s unique rhythmic and melodic parameters. The piano was the vehicle of expression for his compositional mindset. - Art Lange
Eric Dolphy Outward Bound To Out To Lunch Revisited
Temporary Super Offer! In his comprehensive 1966 Jazz Monthly article, “Eric Dolphy,” Jack Cooke reported that the advance buzz aboutduet passages for bass clarinet and bass, “Something Sweet, Something Tender” approximated the hinge-like ballads that were a perennial feature on Blue Note A sides. Given its dedicatee – the flutist renowned for recording works like Varèse’s “Density 21.5,” which Dolphy performed at the Ojai Festival in 1962 – “Gazzelloni” is surprisingly boppish, ending the side w…
Miles Davis with Tadd Dameron Revisited
"In the spring of 1949, the music was ready to undergo a transformation. Both Miles Davis and Tadd Dameron were experimenting with their larger groups, but they were also presented with the opportunity to travel to Paris, to present a programme of new music at an international jazz festival there." - Brian Morton
The Way Ahead - Kwanza - The Magic of Ju-Ju, revisited
Temporary Super Offer! Allow me to expand on a much restated quote from Albert Ayler: "Coltrane was The Father, Pharoah was The Son, and I was...The Holy Ghost.” If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by his tenure in the early 1960s with Cecil Taylor, Shepp was baptized into what we now call a modernist approach. In meeting Coltrane, a man always searching for a…
Lost Performances 1966
Temporary Super Offer! "Rare performances and concerts. The Sound of the Munich Filmprodction and the concert of Helsinki are first releases. The Rotterdam concert was available in the Holy Ghost bootleg box." – Werner X. Uehlinger. "Albert Ayler’s late 1966 tour of northern Europe was, happily, well documented in one way or another, though not always with the best sound quality, something this reissue series is attempting to address (and doing very well). The recording at hand includes 3 tracks…
Thelonious Monk Quartet: Live Five Spot 1958, Revisited
Temporary Super Offer! Johnny Griffin came to Thelonius Monk with a reputation as a speed demon – double-timing the tempo was his default mechanism, elaborating melodies with a mixture of mellow swing and complex bop phrasing. Their contrasting nature – Griffin’s fluid extravagance and Monk’s percussive dissections – intensified by Roy Haynes’ forceful divisions of the beat, generate a tension unlike any of Monk’s subsequent groups' – Art Lange
Ornette At 12 Crisis To Man On The Moon Revisited
Temporary Super Offer! "The title Ornette at 12 is something of a misnomer. Although Ornette is Denardo’s middle name, why wasn’t the album called Denardo at 12, his age at the time of the concert? Is there a hidden meaning related to Ornette’s own childhood? According to John Litweiler’s book A Harmolodic Life, he was either 13 or 14 when he received his first horn. If the year 1956 is meant to represent a significant event in Ornette’s musical life, it does mark his meeting with Don Cherry and B…
New York Art Quartet "Revisited"
Temporary Super Offer! "If we just could have hung on for another year,” Rudd said of both NYAQ and the Jazz Composers Guild, “things could have turned out much differently. Things were about to flip, in a good way. A lot of government programs were starting up that we could have gotten  grants from. There was a change in perception about the music that was happening. People were starting to consider it as art. The music was moving out of the bars and coffee houses  and into museums and concert …
Four For Trane To Live Newport 1965
Temporary Super Offer! Four For Trane became one of the classic, iconic albums of the post-bop era. The explanation is three-fold. First, the material. Rather than follow Coltrane’s lead into the most extreme of his free-blowing anthems, Shepp selected three songs from the Giant Steps album, and one from Coltrane Plays The Blues (although “Cousin Mary,” from the former release, is also a twelve-bar blues). This is significant because it illuminates the two sides of Archie Shepp’s conceptual persp…
Summertime To Spiritual Unity Revisited
Temporary Super Offer! Summertime from the LP My Name Is Albert Ayler made me discover Albert Ayler. His unique interpretation of Summertime motivated me to go to Lörrach crossing the border from Switzerland to Germany to listen to the concert of the Albert Ayler Quintet in Lörrach on November 7, 1966. This experience has indoctrinated me forever for the music of Albert Ayler. In 1975 I created the label Hat Hut Records and in 1978 I had the chance, thanks to the support of Joachim Ernst Berendt…
Adam’s Apple To Super Nova "Revisited“
“The word ‘jazz,’ to me, only means I dare you.” - Wayne Shorter