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“The latest work from Florian Hecker A Script for Machine Synthesis is an experimental auditory drama and a model of abstraction. A Script for Machine Synthesis presents a complex simplicity that spirals in an unending manner as an audio image of the uncanny valley. It is the third chapter in the trilogy of text-sound pieces Hecker has collaborated with the philosopher Reza Negarestani. A resynthesized voice outlines procedure as procedure itself unfolds. The suggestive encounter with a pink ice…
Rurale is the second chapter of Cristian Naldi’s solo project. Cristian Naldi is an italian guitarist, graduated from the Conservatory "Frescobaldi” in Ferrara in jazz guitar, who's behind the six strings for the impro-drone project FulKanelli, the "gentlemen punk band" Ronin and the ensemble Byzantium Experimental Orchestra. He also shares with Giovanni Lami the electroacoustic project Mise En Abyme. Rurale is the second chapter of Cristian Naldi’s solo project. Original…
The new solo record from Adamennon expands the paths of his previous MMXII, bringing the ideas and influences of Goblin, Frizzi and Rizzati to a whole new level. Le Nove Ombre del Caos is a (never shot) horror movie which Adamennon wrote the soundtrack to. The atmosphere is drenched in insanity, terror and a malevolent black veil of craziness.The music is heavy, a doom for the doomed, and it gives new lymph to one of the musical genres who made italian composers famous around the world. Think of…
'Selection des musiques traditionnelles d'Afrique' is a live recording session of ritual dance from Italian composer Luca Garino and the first release on tape of Details Sound. A fascinating musical document that incorporates percussion ensembles, rural soundscapes and improvisation taken from the traditional African heritage of C.N.R.S. and Ocora catalogues. The selection reveals the artistic practice and tireless research of the Turin based artist who is locally renowned for the most div…
Long in the making debut album from Modern Love’s most elusive operator G. Howell. Recorded with a DR550, a battered Charvel guitar + assorted pedals, recommended if you're into Stephen O’Malley, Autechre, David Lynch, Shackleton, NWW, Demdike Stare...From the disputed border somewhere between Lancashire and Yorkshire, G..H. claims a no mans land where he is free to decimate distinctions between black metal and concrète techno by drawing upon an elusive, metaphysical force that’s exclusively com…
Gareth Dickson is ghostlike. From the dark outskirts of Glasgow he has sent three studio studio albums in to the world - Collected Recordings (2009), The Dance (2010) and Quite A Way Away (2012). These albums have bewitched a growing inner circle, including some of the most innovative musicians around today - Juana Molina and Vashti Bunyan to name just two. Gareth has been the only constant member of Vashti’s touring outfit over the past ten years and latterly they have stripped down to…
Great horror work from Sante Maria Romitelli, the stunning score to this psychological thriller (also known as 'Il Rosso Segno Della Follia') directed by the legendary Mario Bava, the granddaddy of Italian horror films.– served up in a very nice mix of styles! Some of the tunes here share a spare, tense feel with other Italian composers of the time – while others veer a bit more towards the darker modes of late 60s American scoring – especially in the way the woodwinds are used, almost in an a…
Musica per un anno is a pivotal project by Italian pioneer of electronic music Enore Zaffiri. In 1968 Zaffiri devised a project to create music for each hour of the year, by providing precise instructions to organise various layers of sinusoidal sounds. Working in isolation but ideally sharing the same attitude of La Monte Young’s approach to sound in time and space of those same years, Zaffiri created some tape versions of his masterpiece. The version recorded in this album is a radically…
“Skylark” (Mercer/Carmichael) plays under different forms as The Skylark Quartet with Orlando Lewis, clarinet, Franz-Ludwig Austenmeiser, keyboard, Hayden Pennyfeather, bass, Roland Spindler, drums. Producer is Sam Sfirri with the help of Taku Unami.Strange jazz, highly conceptual.
After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of Grandbrothers), Daniel Brandt and Paul Frick (both of Brandt Brauer Frick) and John Kameel Farah release their interpretation of Steve Reich's "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it. The…
Laraaji’s sublime zither improvisation, Celestial Vibrations (1978) forms nothing less than an early archetype for new age ambient music. It was originally issued as a privately pressed meditation aid and sold in limited numbers around NYC until, that is, Brian Eno famously stumbled across Laraaji doing his thing, and the rest, as they say, is laid out in the ambient history books. That fateful meeting with Brian Eno - interestingly enough in the same year that Eno compiled the definitive …
Reissue of a cassette released in 1991 by La Légende des voix. A sound self-portrait harsh and tortured also using some texts.Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages, electro-acoustics and noise. His compositions rely on dense, rapid-fire montage and wed cacophony and dynamics, emphasizing both the elements of discontinuity and continuity. Why the nickname « Brume »?: he…
100 copies clear. French industrial music from 1987. Drawing their influences from Suicide, The Residents, Throbbing Gristle to Joy Division or Bauhaus to name a few, Urbain Autopsy their own way of combining power electronics, industrial, experimental, cold wave, post punk.
Leif Brush (b. 1932) is a pioneering sound artist who for over five decades has built something of a vast labyrinth of an artistic presence, in a certain sense having existed on the fringes of the more esoteric strands of early sound practices. During his time as a student at the School of the Art Institute of Chicago in the late 60’s, Brush explored large scale installations that would often utilize the city’s landscape as a platform for steel-strand based sounding constructs. After going on to…
In 2015 Hey Colossus released two albums on Rocket Recordings, In Black and Gold in February and Radio Static High in October. Dedicated to Uri Klangers is a look back. It's best summed up by the 3000 words that can be found on the inner sleeve of the record, the tale begins: "The 2xLP comp that's in your hands now was initially released on cassette by S.O.U.L for our 10th anniversary show, September 2013, about 50 tapes were made and sold on the night. We thought a BEST OF would be hilar…
Resting in a Fold of the Fog includes two Michael Pisaro's pieces for percussion, guitar and laptop.They are performed by two Dedalus Ensemble members Stéphane Garin and Didier Aschour, and by Michael Pisaro himself. Pieces titles are inspired by a poem (Fog) written by Mei-mei Berssenbrugge, a chinese poet living in New Mexico (USA).Michael Pisaro comments his own pieces: '"First piece, Grounded Cloud, depicts the very gradual gathering of fragments of noise and tone into a more or less conti…
Lasse Marhaug, electronics. Kim Myhr, electronics, electric guitar. SOFA is proud to release “On The Silver Globe” – the debut album of the duo of Kim Myhr and Lasse Marhaug. The album originated as a commission from the MetaMorf art biennale in Trondheim for the two musicians to collaborate on a 8-channel piece for the 2016 edition. The morphing of Myhr and Marhaug proved to be a good match, the two had known each other for years but never worked together, and in the process of making “On The S…
Henrik Olsson, objects, friction, piezo. Martin Taxt, microtonal tuba, electronics. Håvard Volden, guitar, tape-loop.Muddersten is a type of mudrock whose original constituents were clays. It looks like hardened mud and, depending upon the circumstances under which it was formed, it may show cracks or fissures, like a sun-baked clay deposit. Fertile clay and fat soil, compressed, dried out and turned into stone. Still delicate flowers will find their way through its cracks and fissures, prosper …
Robin Hayward, Microtonal F-tuba. Peder Simonsen, Microtonal C-tuba. Martin Taxt, microtonal C-tuba. Bite of the Orange is Microtub’s third album on SOFA. On ‘Bite of the Orange’ the three tuba players dig deeper into the sphere of just intonation. Robin Hayward has composed two new pieces for the group focusing on the 11th and 13th harmonics, resulting in a strong microtonal character. The canadian music critic Stuart Broomer picked Microtub as one of the highlights of the FIMAV festival inVict…
Håvard Skaset / Jacob Felix Heule / Guro Skumsnes Moe / Lasse Marhaug. Recorded at Tunnelen, Oslo, May 2014. Mixed at the best studio in Oslo, 2015–2016. A collaborative LP of acoustic improvisors SULT (Håvard Skaset: guitar / Jacob Felix Heule: percussion / Guro Skumsnes Moe: double bass) and Norwegian sound artist Lasse Marhaug. The source material is performed by SULT, while the album was constructed and produced by Lasse Marhaug. In the hands of Marhaug the already dense and visceral express…