New Arrivals
Massacre
In "massacre" Wolfgang Mitterer presents us with a passionate analysis of a timeless threesome: power, religion and violence. An opera for five singers, nine musical instruments and electronics.Based on Christopher Marlowe’s drama »The massacre at Paris«, Wolfgang Mitterer paints an acoustic picture of destruction, conspiracy and the thrill of power. His protagonists virtually rid themselves of their identities, turning into typological representations of different points of view. The concrete e…
Vignette Amplifié
The first ever collaboration between prolific american composer Tomas Phillips and prominent italian newcomer Luigi Turra, "Vignettes Amplifie" presents a sequence of subtle sound constructions characterized by minimalistic and contemplative approach. Quiet field recordings, soft acoustic sounds and organic electronic arrangements builds panoramic view on two levels. The acoustic gestures like bells, manipulated objects and drone fragments are coming from silence and disappearing after some time…
Tasogare: Live in Tokyo
Recorded live on April 10th and 11th, 2010, Tasogare: Live in Tokyo documents the performances of five 12k artists at two temples in Tokyo, Japan. Komyoji Temple (April 10th) saw the first-ever performance in Japan by Australia’s Solo Andata, known for creating deep, textured music with found objects, homemade instruments and very little in the way of electronics or software tricks. The duo was joined by 12k veteran Sawako whose voice and delicate computer work were accompanied by guitarist Hofl…
Beam Stone
Per Anders Nilsson (computer and synthesizer), Sten Sandell (piano, prepared piano, electronics and voice) & Raymond Strid (percussion). Beam Stone was founded a year before this October 2007 recording. The trio consists of three free improvisers, each with a distinctive personal sound. Their aim with Beam Stone is to explore sonic territories with the guidance of different pre-defined concepts. Listening and sonic exploration are considered the essential points of departure.
Rekviem MB-JMI
A "classic" minimal ambient album; just one long track, a bit obscure, of a static nature but unarrestable as a matter of fact and slowly developing, built with layers of soft and “round” sounds, heavily processed and effected, whose origin seems to be an organ... "Atypical" for sure, if confrontated with the huge and widely diversified productions of Maurizio Bianchi, this new album is probably one of the last and not to be missed releases signed by “M.B.”, since he has already announced his de…
Sunrise
Comprised of pieces from the band's original score for F.W. Murnau's 1927 silent masterpiece "Sunrise: A Song of Two Humans", My Education has discovered the perfect forum for which to flex their compositional muscles, achieving ever-transcendent musical heights in the process. This original score was perfected over the last two years through live scoring to the film, performed at sold out shows throughout the USA. Just as the music provides new context to the film as a live accompaniment…
Perdition Hill Radio
2nd full-length from self-styled black ambient guitar overlord. Like Earth's seminal "Hex" before it, this invokes the ghosts of a lost America & drags the rotting carcass of country music through a swamp of noise & drone. The chugging, blown-out treble & isolated darkness of Xasthur is all present & correct, but there are also echoes of William Basinski & Deaf Center hidden amongst the clouds of radio static.
The Fat Is Gone
Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This is the European free-jazz underground at its best. A devastating, blasting, raw, ferocious sonic assault on all senses. And beautiful, painfully beautiful.
Hum Crackle & Pop
"The 2nd Digital Primitives release (Cooper-Moore, Assif Tsahar, Chad Taylor) digs in deep to fuse a new sound from blues, folk, jazz & funk, with accents from the music's African antecedents."
Invisible ear
Two decades ago, saxophonist John Butcher abandoned his doctoral pursuits in theoretical physics to pursue a life in improvised music and has since become one of the genre’s leading instrumental and structural innovators. Butcher’s pursuit of extended techniques has yielded and continues to yield, as indicated by this most recent solo outing, a treasure trove of unfathomable timbral and dynamic possibilities for an instrument whose role in experimental music seems to consistently teeter o…
to r.s.
Awesome solo release by a former Amuleto band member (on the die schachtel Musica Improvvisa box)...Wanke continues to amaze us with his sensitive, detailed and spacious sound works. "to r.s." follows up his lauded debut "Caves" on Sedimental with another stunner. For “to r.s.”, Wanke uses electric and acoustic guitars, acoustic piano, objects and natural sounds. The 53 minutes of this unique piece divided in four parts combine static compositions, drones and looped music. Structurally viewed a…
Sjunga Slutet Nu
Sjunga slutet nu (Sing the End Now), the new long-awaited project by Hans Appelqvist, consists of both an album and a film. The work is about the angst and silencing of death and the meeting with the final end. The film and album have the atmosphere of a fairy-tale that feels both natural and original, a world where talking levitating spheres seem as ordinary as man. In it, we meet Theodora, an elderly woman that lives in a lonely house by a lake somewhere in Sweden. We also meet her friends: th…
Somethingtobesaid
Specially written for the John Butcher Group, this is the first full performance of somethingtobesaid - recorded live at the Huddersfield Contemporary Music festival in November 2008. Chris Burn (piano), John Butcher (saxophones & pre-recordings), Gino Robair (percussion), John Edwards (bass), Thomas Lehn (synth), Dieb 13 (turntables), Clare Cooper (harp-guzheng), Adam Linson (bass & electronic processing).
Trax to Trax
Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…
Works For Percussion Vol.5
World Premiere Recording: Hungaroton Studio, 2007 Ensemble – Amadinda Percussion GroupPercussion – Aurél Holló, Károly Bojtos, Zoltán Rácz, Zoltán Váczi
Night within
Guest contributions include David Sylvian, Daniel O'Sullivan (Miracle and Ulver), Duke Garwood and many others with the two creators, Daniel Lea and Matthew Waters, both taking a directorial role. The album was sculpted in Reykjavik by Ben Frost, enhanced by his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to "geometric" bowed cymbals and metallic percussion.But more than simply music, the multidisciplinary L A N D draw o…
Selected passages / Set.grey
Selected passages : During the winter of 2008, I stayed on the campus of a small college in Vermont where I had previously recorded the material for a piece titled 'intervals'. When I first arrived I made recordings of a small radio which was in my room, I would listen to that radio throughout my stay and captured many different sounds from it. I also spent quite a bit of time both indoors and out recording the environments, and made recordings playing some of the pianos which are in vari…
Aleph At Hallucinatory Mountain
The long-awaited Aleph at Hallucinatory Mountain is Current 93's first album in three years, following their double-platinum-selling Black Ships Ate the Sky. Spinning around epic series of verses written by Current 93 founder David Tibet, the new album sees Tibet back with a new 1972-style supergroup comprised of himself on vocals and July and Gorgon guitars; guitar hero James Blackshaw on 12-string guitar and piano; counter-culture guru William Breeze on electric viola and viola-controlled samp…
Vessel
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.' Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands. For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …
The Full Use Of Nothing
Awesome reissue! Here sensitively remastered by Denis Blackham from the original master tapes at Skye Mastering and with a beautiful facsimile mini LP style sleeve, made in Japan.The Full Use Of Nothing was the first serious publication of music by Andrew Chalk/Ferial Confine on cassette in 1985. Early experimentation in acoustic percussion and primitive multi-tracking techniques shaped the sound and spirit of these formative recordings, somehow very tentative but leading to an on-going …