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New Arrivals

1973
The "1973" album continues in the same vein as "Ball of Eyes", though it's definitely funkier and head boppin' than the debut. The real-ear grabber is the superb Moog soloing by Moulin. Placebo is grooving your socks off in the first half of the album and a more concentrated jazzy swing can be found on the second half
Raga Jaijaivanti
*2024 stock* "Beautiful music, splendidly played on the ancient and noble rudra veena. Highly enjoyable."- Anonymous
Four Dhuns
*2024 stock* "Imaginitive and playful light classical Hundusthani bansuri" - Megan Vance
Raga Patdip, Pahadi Dhun
*2024 stock* "Pandit Hariprasad Chaurasia has excelled himself in the rendition of raga Patdip in this album. His melodious alaap and creative phrases as only he can, take the listener to the lush meadows of ancient India."
Raga Bairagi Bhairav, Raga Shuddh Sarang, Raga Madhuvanti
*2024 stock* Born in Mumbai, India, Aruna Narayan Kalle is a renowned sarangi maestro.
Raga Yaman, Raga Bhupali
*2024 stock* Italian master of Hindustani classical music in collaboration with tabla player Giuseppe Fiore.
Ragas Purvi & Joyiga
*2024 stock* "Two other beautiful interpretations by Ustad Asad Ali Khan, whose mastery of his rudra veena must be blessed by the gods."- Anonymous
Placebo
** mini LP replica with OBI & Japanese insert ** First time ever on CD around the world. Marc Moulin (1942 - 2008) was a Belgian musician and journalist. In the early '70s, he was the leader of the Jazz-Rock group Placebo. Moulin was one of Belgium's jazz legends, making jazz-influenced records for over 30 years. Marc Moulin's three Placebo albums are the 'Holy Grail' for the rare groove crowd, a sector of music fans who love that unique '70s style of cool.Placebo's eponymous third album is glos…
Silances
Digging deep into the legendary Igloo Records catalog, Holidays Records returns with the first ever vinyl reissue of the imprint's sixth outing, the Belgian composer Henry Krutzen’s astounding 1981 LP, “Silances”. An entirely singular gesture at the borders of sound poetry, musique concrète, and radical electroacoustic practice that draws upon disparate elements of drone, jazz, minimalism, ecstatic tribalism, and various traditions of music from across the globe, decades on from its original rel…
Raga Shuddha Todi
*2024 stock* Zia Mohiuddin Dagar was the pre-eminent master of the Rudra Vina, and his profound artistry and understanding of Raga -- and the states of consciousness embodied in them -- is evident on this album. If you appreciate North Indian music, you will probably already know of Dagar Sahib's work. If you are new to the genre, this album may seem abstract if you don't have the knack of going below the usual mind-stuff (with which most of us are preoccupied) to the deep meditative state which…
Raga Darbari Kanada / Dhun In Raga Mishra Pilu
*2024 stock* "A splendid document of this remarkable culture's main art." - Allan Evans
Raga Marwa
*2024 stock* "This music conjures up an entrancing, tranquil world that most of us would be the healthier for exploring."
Three Ragas For Solo Violin - Rāga Sarasvatipriya / Rāga Vasantapriya / Rāga Śivapriya
Tip! *2024 stock* "This CD defines tastes, intelligence, control, musicality, creativity, and performance excellence. Subramaniam's mastery is confirmed in these revelatory ragas, revelatory in the vision that they impart and also as a demonstration of his amazing ability. It's Dr. Subramaniam all alone. No tabla. No guest artists from the jazz world. Just solo violin against a gentle backdrop of tamboura. You hear see it all here. This CD clearly shows why he is one of the world's greatest viol…
Rag Jaijaivanti, Rag Kedar, Rag Gorakh Kalyan
*2024 stock* 3 raga from one of finest sarod's master.
Rāg Bhimpalāsi
*2024 stock* "...the opening alap, dreamy and haunting, is most satisfying, whereas in sitar rags, the closing gat is more exciting. Fans of Indian music should welcome it." - The Birmingham News
Answer 81'
Here we have an early live recording of the legendary Japanese noise band Hijokaidan, commonly known as the "King of Noise," which was made during their performance at the "Answer 81" event that took place in 1981 in a location known as "Kyoto TakuTaku." Although the recordings of this event were originally featured on their first album, "Zouroku No Kibyou," even though it was only a section of the album, it has now been finally made accessible as an independent work together with the entire rec…
終末処理場 = Syumatsusyorijo
The long-awaited first analogue reissue of the legendary noise compilation album 'Doomsday Processing Plant', released in 1980 on Unbalance Records, which was headed by the late Naoto Hayashi of INU - Auschwitz! This album features three bands active in the Kansai underground scene at the time, which is referred to as so-called noise and industrial. The album was released two years before the famous "Hijokaidan" album "Zouroku no kibyou" (1982), so it is regarded as their first album. "NG" is a …
Raga Yaman
Tip!!! 2024 Stock. Zia Mohiuddin Dagar (14 March 1929 – 28 September 1990), (aka Ustad Zia Mohiuddin Dagar and popularly known as Z. M. Dagar), was a North Indian (Hindustani) classical musician, one of the 19th generation of Dagar family dhrupad musicians. He was largely responsible for the revival of the rudra vina as a solo concert instrument
Raga Lalit / Raga Bairagi Bhairav
2024 Stock. Ravi Shankar's son, Brij Narayan, learned to play the sarod, an Indian plucked guitar with a softer sound than its sister, the sitar. He trained with both his father and Ustad Ali Akbar Khan. The eerie Lalit and the peaceful Bairagi Bhairav are played here in the early morning. Lalit is given a 25-minute alap that is played slowly and without accompaniment, and the great Zakir Hussain plays the two pieces for 25 minutes. The shorter Bairagi Bhairav is a treat, full of memorable, beau…
Ragas Kannada, Kalyanavasanta, Natakuranji, Ranjani, Des
2024 Stock. The most famous exponent of Hindustani flute music is off course the great Hariprasad Chaurasia playing the bansuri (the bamboo flute) and to a lesser extent Ronu Majumdar. In the West, North Indian music has always overshadowed South Indian (Carnatic) music, which is a pity as the latter is as profound and beautiful as the former. North Indian music has changed through the Middle Ages by the Arabian, Turkic and Persian influences the Mogol Invaders brought with them. It had become m…