We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Michael Fischer is a musician, composer andinstant composition conductor. He works on the immanence of language within sounds, their sculptural and dramatic evidence, on the tenor saxophone, the violin, on cd-player setting and conducted instant compositions, in improvised and experimental music / noise / soundscapes. Collaborations in literature - focus experimental poetry, dance, performance, installation, video. Next to his long standing collaborations such as duo Bagg*Fish with drummer Marco…
Frank Gratkowski studied woodwind instruments at Hamburg University. He constantly works on extending the repertoire of his instruments: solo and in various groups, large or small. He uses unusual techniques to play his instruments and sees himself as working in contemporary improvised music. Composition and improvisation are both equally important. In 1995 he founded the first Frank Gratkowski trio with Gerry Hemingway on drums and Dieter Manderscheid on bass. Since then, he is part of various …
Mark Holub’s (Led Bib, Blueblut) new band Anthropods returns with their second album. This follow-up to the warmly received self-titled debut album, described by Jazzwise as a, “richly eclectic set of enjoyable and unclassifiable music celebrating the joy of collectivity”, brings the band into new directions, exploring the spaces between composition and improvisation. The composition of the suite began at the culmination of two years of working together, Holub elaborates: Anthropods for me was a…
May is a double-LP collection of recordings made between 2020–2023 by Arianne Churchman & Benedict Drew (AC&BD), whose ongoing series channels, inhabits and transmogrifies the vast corpus of traditional English folksong celebrating the most fertile of months. An auditory tapestry, May employs at its base a flank of analogue synthesizers, field recordings and Churchman’s layered vocals, each combining to form a beautifully dizzy sonic collage that often spirals out across long durations into hypn…
Initially founded in 2015, after a period of shuffling members and names, Halcyon Daze settled on its final lineup by early 2016 of then-high schoolers Ivan Cunningham (saxophones), George Adzick (woodwinds), Nicholas Christenson (guitars), and Samuel Stroup (drums). At this point, the band entered its peak of activity within the Twin Cities jazz scene of the time, performing at many of its most prominent venues and DIY spaces while building up an extensive songbook of original compositions and …
Triple LP edition, packaged in thick PVC cover with a foldable double sided poster and download card. Celebrating the 20 year anniversary of highly revered Jazz collective, Build An Ark from Los Angeles, California. Formed in 2003 and releasing albums between 2004 and 2010, the Carlos Niño co-ordinated project included contributions from luminaries such Phil Ranelin, Big Black, Miguel Atwood-Ferguson, Adam Rudolph, Derf Reklaw, Dexter Story, Dwight Trible, Gaby Hernandez, Mia Doi Todd, Munyungo …
For this brand new chapter in the highly acclaimed Wamono series, DJ Chintam goes digging into the vaults of one of the most revered Japanese labels, Trio Records, and unearths some killer drum breaks, dope bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981!
Recorded in 1968 and intended as a tribute to her late husband, Alice Coltrane is supported in her first solo outing by Pharoah Sanders, Jimmy Garrison and Rashied Ali — all members of John Coltrane’s last quintet. While initial reviews to the album were lukewarm upon release, looking at it in the context of her larger body of work, A Monastic Trio serves as a delightful foreshadowing of what was to come. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.As the lat…
Compilation of tracks originally recorded for DSS side projects Opus Vix Inchoatum and A Secret Person during the early 1990s.
All sounds generated with an Ensoniq EPS
Cover photos and artwork by Paolo Beltrame
We are delighted that Kosmoloko 3 becomes a reality on Galakthorrö’s 30th birthday. The concept hasn’t changed: Kosmoloko 3 is still a label sampler. Like its predecessors, it features only artists from the Galakthorrö label. No leftovers, no duplicates, no rehashes, ten tracks of exclusive material, no title has been released in any form before. Karl Runau’s contribution comes as a surprise after countless years with no signs of life. As a colleague from the early days of Galakthorrö, his contr…
The debut EP Kelc’h-Lizher is now followed by Mode In Gliany’s first full-length album Amer Armor on Galakthorrö. The unique synth wave of Boris Völt is freed from all exhilarating characteristics. The minimal wave pleasures of the early days are making way for that melancholy that is inherent in the music of Mode In Gliany anyway. Nourished by Boris Völt’s deep connection to his home on the north coast of Brittany. Instead of blood, the cool water of the seas flows through his veins, cold wave,…
The third album by Da-Sein fits seamlessly into the duo’s previous sphere of work. A gloom-ridden sound panorama, packed full of pulsating bass frequencies, swathes of feverish synths and noise-rhythms, spreads itself out before us. The voice of Kas Visions combines the manifold creative streams of Da-Sein to a cohesive whole. No matter how cold and unemotional the voice is, on this album it’s often the last human signal before the blackness absorbs the listener’s soul. Power electronics violenc…
Sühne Mensch has no musical past history. This is seldom in times when a trace is left behind early, even if it is merely digital. But this debut album is in no way the work of a beginner. The brain behind Sühne Mensch has collected many experiences even if primarily from other musical fields. Now he impressively channels all his knowledge into this very different music. Schmerzportrait is incredibly rounded and mature, complex yet compact, fitting in perfectly with the Galakthorrö style, but po…
Keiji Haino is, without question, one of the truly iconic artists to rise beyond the dusk of the 20th century. An artist focused singularly of the beautiful visceral promise of music, his practice is a many headed beast taking in movements from the gentlest of guitar play, through free improvisation and noise. As divergent as the work might be, it is held tightly by his unique way in sound, one that exists moment to moment with a force like no other. 20 years since its first release, Black Blues…
The first LP by the Taj Mahal Travellers was recorded at Sogetsu Hall in Tokyo on July 15, 1972, which became the title of the work and was released the same year by CBS Sony Records. A live performance celebrating the 50th anniversary of this album was held on July 15, 2022. The only original members of the Taj Mahal Travellers who attended were myself and Seiji Nagai. This is because two of the six members passed away, two are religiously active and they can not play music according to their b…
I stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.
This album that comes out of my interest in sonic "degradation and rebuilding". I treated the guitar and synthesiser in a lot of new …
I was waiting for the bus to arrive at the stop when the rain started pouring. I quickly escaped into a chapel nearby, and that’s where the idea of this album came to be. Inside the chapel, I was reminded of the scent of Mauritius, where my father was from, and the pillars of dampen woods mixed with the ritualistic frankincense. The rain continued to hit violently on the metallic church roof as the road outside grew overwhelmed with angry drivers, honking their way through, their frustrations ec…
Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets. On a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string. I designed the two recent aeolian instruments heard on this al…
Tip! This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure …