We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*32 copies limited release* side a performed by Пурпурный дядя and Dolphin Hospital, recorded live @ Secret Place Tbilisi on December 4th 2022 by Andrey Kside b performed by Mårble and Dolphin Hospital on 4/20 2023 @ Seret Place Tbilisi
*23 copies limited edition*
Jean Bordeaux- Synthesizers, Tape Manipulation and Live Patching dolphin hospital - synths, drums, tapes, fx, mixing design by daniil borisov special thanks to kebab showroom /// this is an official release by Nazlo Records number 200! marking the new era! this doesn't really mean anything but we just wanted you to know ///
*40 copies limited edition* All music recorded by Mårble in Dilijan, Armenia 2022. Cover artwork by Alisa Gvozdeva, design and layout by Daniil Borisov. Released by Nazlo Records Berlin 2023 in the name of all living creatures' prosperity.
2023 Reissue. Taking up the gauntlet thrown down by New York's no wave scene, many Italian bands of the early '80s, playing far from the footlights of the world's stage, began creating compelling, and often cutting edge, hybrid sounds. This kind of experimenting soon went viral along the entire peninsula: from Southern Italy to the Alps, creating a brave new Italian take on post-punk. From the nervous white funk of Neopolitans Bisca, to the instrumental explorations of Confusional Quartet, to th…
Obscure British prog-rock band Mighty Baby evolved from a Mod group called The Action, but moved heavily into experimental psychedelia in 1969, when they cut an incredible debut for the Head label. Glastonbury Fayre Festival 1971 captures the legendary group in live action, ‘A Blanket In My Muesli’ being a free-form jam that remains their best-loved effort; ‘India’ is a similarly hefty instrumental mega-jam with lilting flute amidst the bluesy guitar work, and there are awesome renditions of ‘Vi…
Multifaceted San Francisco psyche-delic band It’s A Beautiful Day drew on aspects of folk, classical, jazz and world music, their outstanding differences driven by the lead vocalist and violinist David LaFlamme, his keyboardist wife Linda, and harmony singer Patti Santos. This engaging compilation joins the anthem ‘White Bird’ and the spirited ‘Hot Summer Day’ with ‘Don And Dewey’ (based on ‘Wring That Neck’ by Deep Purple, who nicked one of their musical themes for the intro to ‘Child In Time’)…
Assiko Golden Band de Grand Yoff is the sprawling drum collective tearing up Dakar’s nightlife scene. Senegalese poet Djiby Ly (Wau Wau Collectif) is backed by fourteen different percussive instruments plus horns, winds, balafon, and the occasional accordion, combining Count Ossie’s spiritually elevated polyrhythms with Fela Kuti’s orchestra and Tony Allen’s groove. Based in the impoverished neighborhood of Grand Yoff and operating as a mutual aid group for the larger community, the band builds …
“You are the last survivor of a tribe of fierce barbarians. The evil Death Viper has slaughtered your people with deception and his thugs. You are the only survivor: now you are the last of the barbarians in your lineage and thirst for revenge!”
"Silver Sword, the Wrath of the Ultimate Barbarian" is the name of a video game designed in Japan in 1990 for the 16-bit Vortex console. Due to issues related to the bankruptcy of the software house - a sub-label of Taito - the game never saw market rele…
Not for the faint of heart! Predating both Sonic Youth and Swans’ debut albums by a year, Zourokuno Kibyou, initially released in 1982, quickly vaulted Kansai noise rockers Hijokaidan to indie music fame. Compiling their early, borderline grotesque, extreme live performances, Zourokuno Kibyou is as much a historical document as it is one of the heaviest noise albums to ever come out of Japan. With cover art by legendary horror manga artist Hideshi Hino and a booklet containing photos from the wi…
a-Musik, the Cologne-based bastion of sonic exploration, unveils a new chapter in their quest for boundary-pushing sounds. Timekeepers II, a split LP featuring recordings of two duos by Marcus Schmickler with Jaki Liebezeit and Hayden Chisholm. Side A bears the imprint of Liebezeit's rhythmic flow fusing with Schmickler's digital Shepard Tone interpretation. A studio recording taken before a performance at Moers Festival in 2014. On side B, Schmickler's electronics converge with Chisholm's bagpi…
Piotr Kurek’s new album “Smartwoods” is a sprawling root system of tiny melodic phrases that loop and curl around subtly evolving instrumental thickets. The Warsaw-based producer and composer takes his cues from early music, baroque music and experimental jazz, entangling his influences with filigree traces of contemporary computer music and fueling it with sonic vapors from the near future. Made up of seven distinct segments, the album blurs its acoustic and electronic elements into an illusory…
For the first time on vinyl, these previously unreleased sessions by the British jazz rock band. Recorded live at the Impulse studios prior to their 1972 debut album on Blackey/Warner. With liner notes by bassist Colin Hodgkinson. Colin Hodgkinson first met Ron Aspery whilst the two were playing in Eric Delaney's Showband. The two began to talk about forming their own band around 1969, and eventually Back Door came to fruition in 1971, with Tony Hicks joining on drums. Hodgkinson made an innovat…
Considered one of Nathan Davis’ best albums, and long a collector’s item, The Hip Walk was recorded in 1965, a time when the Afro-American Davis lived in Europe, working with such legends as Kenny Clarke, Eric Dolphy, and Art Blakey. Nathan’s Kansas City school mate, trumpeter Carmell Jones comes along for the ride. Jones played trumpet on Horace Silver’s classic 1965 Song for My Father – ‘nuff said about his credentials! Nathan’s rhythm section represents the underpinning of one of the greatest…
A forward thinking collaboration between electronic music pioneer Jon Appleton and trumpet great Don Cherry, that explores the relationship between the humanity and the manufactured robotic future. Using the techniques associated with Musique Concrete the ensuing improvisations create a unique entry into the great trumpeter's discography. It was an in vogue attempt to render the music of tomorrow, and today sounds more like the soundtrack to a truly great sci-fi movie. Reissued in a fascimile of…
This is an unusual album in the catalogue of Ornette Coleman, and one that passes by most critics. It is however a unique insight into the ‘free jazz’ pioneer’s way of working in the early 70s. Recorded at his large loft space in downtown New York which inspired a whole scene of experimental musicians who were locked out of playing established venues.
The music is a romp showing Ornette playing trumpet as well as saxophone. His quartet which featured second saxophonist Dewey Redman alongside lon…
Featuring Nate Morgan on piano, Jesse Sharps on reeds, Danny Cortez on trumpet, Rickey Kelly on vibes, Joel Ector on bass and Derek Roberts on drums. This music was recorded in Santa Barbara in July of 1987. Since the passing of the great pianist/composer/bandleader Horace Tapscott, the Nimbus West label has continued to document the underground L.A. jazz scene that Mr. Tapscott was once at the center of. A number of great musicians who once collaborated with Tapscott, like Jesse Sharps & Nate M…