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* 2023 stock * “Senza timetable senza Bandiera” was releasedo on October 23, 1968. It is the long-distance debut of the New Trolls and is also the first concept album in the history of Italian rock. A work born from the encounter between a group then considered avant-garde, the New Trolls, a singer-songwriter used to going in a stubborn and opposite direction like Fabrizio De André, the visionary poet Riccardo Mannerini and Gian Piero Reverberi, a cultured musician and arranger and prepared. A c…
* 2023 stock * The Raccomandata Ricevuta Ritorno (also called RRR) were a Roman group dedicated to progressive rock in the years in which the genre, in Italy and in Europe, lived its best years with enthusiasm. Formed by Luciano Regoli (vocals, acoustic guitar), Francesco Froggio Francica (drums, percussion), Manlio Zacchia (bass), Damaso Grassi (flute, sax), Nanni Civitenga (guitar) and Stefano Piermarioli (keyboards) they released only one album in 1972 - "Per un mondo di Cristallo" - and then…
* 2023 stock * That the vast majority of Italian prog groups, in the '70s, was inspired by the great English groups is a certain fact. But there are many groups that have been able to produce discs with personal elements, thanks to the use of warm Mediterranean sounds, typical traditional classicisms and, above all, an Italian feeling, a touch that distinguishes the product. The result was that of a total and worldwide appreciation, so as to make the Italian progressive almost a genre in itself.…
*2023 stock* Another very important chapter of Italian progressive rock must be dedicated to the Roman Metamorfosi, an interesting four-piece group, which mainly revolved around the figure of the excellent keyboardist Enrico Olivieri, accompanied by the singer and flautist Jimmy Spitaleri, by the interesting bassist and guitarist Roberto Turbitosi and by the drummer Gianluca Herygers. Inferno is their second album and comes out in 1973 for the Vedette record company. It is a very interesting rei…
Tip! A long-lost live recording featuring one of John Coltrane and Eric Dolphy's 1961 sets at New York's Village Gate has been unearthed for release this summer. Evenings at the Village Gate was recorded in the summer before Coltrane's legendary slate of November 1961 dates at the Village Vanguard, with a similar quintet lineup: the short-lived tandem of Coltrane and Dolphy alongside drummer Elvin Jones, pianist McCoy Tyner and bassist Reggie Workman.
While the trailblazing Village Vanguard show…
*300 copies limited edition* Meditative solo piano excursions by Albert Alan Owen. The first widely available new work for many decades sees the British composer return to his principle instrument for a series of beautifully unadorned piano miniatures. The minimalist approach and effortless serenity put me in mind of the recent return of another veteran, Laraaji, who's Sun Piano LP from 2020 shared a similarly emotional weight. Strange how it's minimal music that often possesses the most affecti…
Tip! Transversales proudly presents the first LP reissue of “Les granges brûlées”, original soundtrack written and performed by Jean-Michel Jarre shortly after his work experience at G.R.M (Groupe de Recherches Musicales). Probably one the first ever electronic music score, recorded with very scanty means: a VCS3 synthesizer, a Farsifa organ and three synchronized Revox tape recorders. Director Jean Chapot, who understood immediately the interest in the gap between this hyper classical rural thr…
zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, "Succo di formiche" reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form.
Issue 5, Volume 2. Along with the cover stars of Pharoah Sanders and Anri, the issue features Ron Trent, Dexter Wansel, Carolyn Crawford, Hyldon, Linda Lewis, Lance Ferguson, Psychic Mirrors, Liv.e, Bernard Wright plus Re:Discoveries, Record Rundowns and more...
*2023 stock* The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practi…
*2023 stock* Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to in…
Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time.This selection of Nono’s most significant essays, articles, and interviews covers his entire car…
*2023 stock* Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music’s style and performance, and its defenders faced a relentless struggle within the music establishment and be…
*2023 stock* Living Genres in Late Modernity rehears the American 1970s through the workings of its musical genres. Exploring stylistic developments from the late 1960s through the early 1980s, including soul, funk, disco, pop, the nocturne, and the concerto, Charles Kronengold treats genres as unstable constellations of works, people, practices, institutions, technologies, money, conventions, forms, ideas, and multisensory experiences. What these genres share is a significant cultural moment: t…
*2023 stock* The Hum of the World is an invitation to contemplate what would happen if we heard the world as attentively as we see it. Balancing big ideas, playful wit and lyrical prose, this imaginative volume identifies the role of sound in Western experience as the primary medium in which the presence and persistence of life acquires tangible form. The positive experience of aliveness is not merely in accord with sound, but inaccessible, even inconceivable, without it. Lawrence Kramer’s poeti…
*2023 stock* There is more to sound recording than just recording sound. Far from being simply a tool for the preservation of music, the technology is a catalyst. In this award-winning text, Mark Katz provides a wide-ranging, deeply informative, consistently entertaining history of recording's profound impact on the musical life of the past century, from Edison to the Internet. Fully revised and updated, this new edition adds coverage of mashups and Auto-Tune, explores recent developments in fil…
*2023 stock* The experience of the divine in India has three components, sight, performance, and sound. One in a trilogy of books that include Diana Eck's Darsan: Seeing the Divine in India, and Susan L. Schwartz's Rasa: Performing the Divine in India, Mantra presents an introduction to the use of sound -- mantra -- in the practice of Indian religion.
On the South Side of Chicago in the 1960s, African American artists and musicians grappled with new language and forms inspired by the black nationalist turn in the Civil Rights movement. The Freedom Principle, which accompanies an exhibition on the topic at the Museum of Contemporary Art Chicago, traces their history and shows how it continues to inform contemporary artists around the world.The book coincides with the fiftieth anniversary of the founding of the Association for the Advancement o…