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American indie label File 13 Records released what was already Martin Rev's sixth solo album in the autumn of 2003. The previous year, Rev and his musical partner Alan Vega had struck out in a new direction on their "American Supreme" album and Rev's solo works continued in a similar vein. If "Strangeworld" from the year 2000 actually felt more like a timeless abstract of Martin Rev's entire spectrum of musical influences, "To Live", three years later, introduces more contemporary elements, incl…
A Martin Rev album is always liable to spring a surprise. Think of the rough guitars which unexpectedly appeared on his 2003 release "To Live" instead of synthesizers. "Les Nymphes", which followed in 2008, saw Rev return to dream-laden melodic miniatures, but came from a resolutely more radical place than its predecessors.
*300 copies limited edition* Without a doubt, To Rococo Rot are an exception within the German music landscape. From 1995 until they broke up in 2014, the group around Robert Lippok, Ronald Lippok and Stefan Schneider researched a unique sound between electronic music, ambient, post-melancholy and the further development of a new, free music like krautrock. Pitchfork described their sound as "unmistakably digital, yet 100% human". With releases on labels such as Kitty-Yo, City Slang and Mute Re…
For their second foray into the fringes of German pop, Bureau B delve deeper than before, raiding cassette culture, 7" obscurities and overlooked album cuts to further frame this free-thinking strain of sonic expression. Starting the count from punk’s year zero, this set sees a newly liberated generation get weird and wild with anything they could lay their hands on, delivering demented, detuned and disorienting tracks brimming with DIY spirit.
The German pioneer of electronic music Conrad Schnitzler (1937-2011) amassed a vast archive of sounds for use in combination with each other in live performances. In 2011 the idea came up of con-structing new compositions, not remixes, from this material. The Con-Struct series was born. This release features con-structions by Baal & Mortimer who writes about it in the linernotes: It was exciting to break open existing material, peeling something out of the past and thus transgressing it and open…
The Berlin project Sprung Aus Den Wolken was part of the "Geniale Dilletanten" movement in the early 1980s, along with Einstürzende Neubauten and Mechanik Destrüktiw Komandöh. The band first released an EP on ZickZack in 1981, followed by further releases on the band's own record label Faux Pas in 1982 and 1983, then on the French outlet Les Disques Du Soleil Et De L'Acier until 1991. The track Pas Attendre was part of the soundtrack of Wim Wender’s movie Der Himmel über Berlin and thus becam…
Krishna Goineau was born in Sri Lanka in 1963. He spent his youth in the 1970s in Barcelona, where he met Javier Hernando in 1978 to found the post-punk group Xeerox. In 1981 Goinau moved to Düsseldorf, where he met Christo Haas and Beate Bartel. He became the singer of the joint project Liaisons Dangereuses and lent his unmistakable voice to the band's big hit ("Los Niños Del Parque"). At the end of the 1980s Krishna Goineau lived in Brussels and became the singer and keyboardist of the groups…
On occasion of its 25th anniversary, the Staubgold label proudly presents Velvet Serenade. Sonic Youth’s Lee Ranaldo and French maverick Pascal Comelade relive The Velvet Underground - a non-nostalgic reinvention of a musical legacy that takes an influential past into the future.
**Special limited edition of 66 copies.** The long-awaited reissue of ABSURDUM is finally released. Originally published by 13/Silentes in an incredible art edition of only 17 copies as a 3LP box and a handmade book, it is now being made available for everybody. ABSURDUM began as a series of writings by MB entitled DISSECTIONS. These 16 texts are now featured inside the poster cover that includes the CD of the entire work. No other words are necessary. It's only absurd. It's only MB
Art edition.…
*Limited edition of 200 copies.* Involving electric drone music; static backgrounds surrounded by occasional field recordings, distortions, hums, metallic sounds, gongs, Tibetan bowls with subliminal oriental suggestions. Compositions that are sometimes coloured or guided by short, deep, hypnotic melodic phrasings of electric guitar, hints of slide guitar, pounding piano notes, or violated by sudden modulations of sibilant electronic waves alternating with bombastic electric pulsations; chaotic …
*Limited edition of 200 copies.* Eight 'watercolours' of 'classic' ambient music with nuanced and delicate hues... Eight touching instrumental 'landscapes' painted through soft and sober sonorities, barely whispered melodies, an ever-changing play of light and shadow with a flavour as hypnotic as it is relaxing. A continuous observation of the surrounding landscape through swaying leaves and windswept tree foliage, catching and capturing in the apparent stillness every little movement, every ele…
*300 copies limited edition* Two years after the first two volumes of A Tension of Opposites (ATOO) were issued O Yuki Conjugate return to the form they created to house their looser more exploratory works. ATOO allows them to expand their musical horizons and release their music more expediently. The original ATOO was born out of 2020's virus state where both OYC members were left working in isolation. Two types of music emerged spontaneously, and rather than try to combine them OYC decided to …
*Limited edition of 200 copies.* A research on possible timbral encounters between percussion and electric guitar, aimed to make them indistinguishable. A sound force that generates dimensions and worlds, where the dramaturgical narration does not necessarily have to be present, since the sound itself already tells and describes. The form take second placet in favor of the timbre, that outlines unknown languages, fantastic machines, microorganisms, alien vegetation with new and curious colors an…
*150 copies triple compact disc limited edition* Contraluz is a journey in three parts - a voyage through the Balkans, the Mediterranean, and a few places that may have been on the map once before but certainly aren’t on any reputable ones now. A major new work from Émile Zener, recorded in his Barcelona studio in early 2023, Contraluz spends three engrossing hours submerged in the acrid soil, salty water, speculative financial markets, and submarine consciousness of Earth as it finds itself in …
Tip! True to form, Andrea Borghi works directly with VHS tapes and the apparatus that plays them, manipulating the exposed mechanisms with the care and curiosity of a dedicated scientist. Drawing from these manual manipulations, Borghi's experiments combine mechanical sounds with mangled tape samples to inspire a mechanised nostalgia inseparably hybridised with human trace. Unlike others who work with old film, he resists the eerie to focus on the intricate crunch and buzz, an electro-acoustic s…
Violet Vinyl Edition. 40th-anniversary edition. Korpses Katatonik was a musical solo project of Zoe DeWitt during the years 1982 and 1983. Unlike DeWitt's later project Zero Kama, the work of Korpses Katatonik remains entirely within the realm of electronic music and shows an uncompromising experimental style comparable to that of other industrial bands like Coil, Throbbing Gristle, SPK, or Cabaret Voltaire. Like many other exponents of industrial culture Korpses Katatonik was inspired by dark p…
Ebalunga!!!, Everland and Dundgol invite you to discover the rich and diverse world of Mongolian music. "Mongolian Music from 70s - vol. I" opens the gates to the golden era of Mongolian music. This period, spanning from the 1970s to the early 1980s, is considered as the brightest and most influential period in history of Mongolian music. During this time, Mongolian musicians started using new instruments and technologies, such as electric guitars and synthesizers, which led to the emergence of…
Editions of 500. Queen of Siam, Lydia Lunch's solo debut, was originally recorded in 1980. Featuring the noted talents of guitarist Robert Quine (Lou Reed, the Voidoids), multi-instrumentalist Pat Irwin (B-52's, Eight Eyed Spy), and the big band sound orchestra of Billy VerPlack (of Flintstones theme fame), the work proved to be a slap in the face to those critics awaiting a new Teenage Jesus-type of album from Lunch. Dirty, sophisticated, literary and raw, the album is today seen as the jewel i…
Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch. Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music afte…