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On the cover... Richard Pinhas: France's master of cosmic rock has come through his game-changing 1970s group Heldon to become an international trailblazer of guitar noise, forging links with Wolf Eyes, Tatsuya Yoshida, Pascal Comrade and many others. As a brand new album Coda with Merzbow and Oren Ambarchi is released, he talks to Daniel Spicer about his extraordinary orbit; Inside the issue... The Primer: French underground rock: A user's guide to Francophone revolutionary rock music, as Keith…
This is the first long form solo artist release by Corker since 2013. Sounds collected and forgotten about to be then re found and used as seeds of new compositions. Neither acoustic composition nor electroacoustic but somewhere in between, the music was recorded in many different spaces from Japan to Berlin and France, often remotely, whilst finally put together in one room in London. Rooms and our current shifting relationship with them as well as using space as compositional material are some…
Frog Bones is the original Frogman music that Dean sent to his mate, Supreme Vagabond Craftsman, over which to write a story over in 2015. It was predominantly composed with an EMS Synthi AKS and an Oberheim Two Voice synthesizer, plus some crunky Watkins Copicat tape echo. Much of it didn't make the final album cut. This version has been slightly edited down to a reasonable length.
Noodles is a selection of short jams and demo ideas that were/are to be the basis of a new solo project. But Dean …
The first issue of Moonbuilding, which touched down back in May, was one of those finger in the wind, run it up the flagpole and see who salutes sort of projects. The A5, 48-page full-colour title, put together by former Electronic Sound commissioning editor Neil Mason and published by Colin Morrison’s Castles In Space label, went down rather well. There seemed to be a fair bit of saluting and lots of kind words. In fact, the debut issue came within a whisker of selling out. So Neil and Colin th…
1980 cult horror film soundtrack to the Don Dohler film “Fiend”. Synth horror film score by Paul Woznicki. An evil spirit possesses the corpse of a diseased man, Mr. Longfellow, must absorb the life energy of the living, in order for the corpse not to rot away.
Fiend was scored over a weekend without sleep in the Dohler families basement. Woznicki recorded the films music on a Niagara field recorder under the direction of Don Dohler, totally improvised as the movie played in real time. The film’…
*In process of stocking* Emerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues & jazz elements into traditional and classical Japanese music.This collection of 1920s & 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of weste…
The Vaults of Hell open once again… This Diabolic collection assembles dusty favourites from the acclaimed and out-of-print Hillbillies In Hell series with previously unsighted subterranean jewels in an all-new Necrotic Experience. Witness this daemonic carousel of broken Nashville delights – Brazen Voodoo Rituals, Satanic Trysts, Apocalyptic Cataclysms, Premature Burials and Beastly Jousts. Sometimes grim, sometimes beautiful – this extraordinary anthology of knowns and unknowns, battered Opry …
From the people who brought you Hillbillies In Hell… Sitars, Fuzz Guitars and LSD sugar cubes…a Lysergic collection of Forgotten Nashville. Hayseed Moog Hoedowns, Psyche Teen Meltdowns and Wild Weed Compounds. All cut on Music Row by serious Nashville players in comfortable suits. Eight Miles Higher than a Haystack – you’ll witness melting, Dali-esque cakes, Apocalyptic Flower Power driven by banjos and fiddles, Floating Bongo Lullabies and Crazed Nashville Knock-Off Ersatz Exploitations.
Someth…
*2022 repress. In process of stocking* Bruce Haack's The Electric Lucifer is rightly considered one of the masterworks of 20th century electronic music. Originally recorded in 1968-69 (released in 1970), it's an eminently listenable work where pop-psychedelia and Moog/musique concrete sounds coalesce. Acclaimed upon its original release (one of Rolling Stone's favorite albums of 1970) yet unavailable for over three decades, The Electric Lucifer is presented here for the first time on LP. Remaste…
Following his 1971 conviction for the murder of seven people, including the actress and model Sharon Tate, the notorious cult leader, Beach Boys associate and failed singer-songwriter Charles Manson was sentenced to death, later commuted to life imprisonment. Recorded with just an acoustic guitar in his jail cell, Live At San Quentin dates from 1983 and is probably the most poppy of Manson’s improvised far-out folk songs ever committed to tape, with flushing toilets and background conversations …
In the early ‘70s, after relocating from his native Genoa to Rome, young saxophonist Gianni Oddi was beginning to establish himself as a super-cool arranger thanks to a series of cover albums recorded for RCA Italy. They contained funk, soul and easy-listening versions of contemporary pop hits, but Oddi often managed to include one or two original compositions of his own – like the ones contained in this new instalment of Four Flies’ 12-inch vinyl series for DJs. Both tracks are perfect examples…
*In process of stocking* A legendary album by one of the masters of modern jazz drumming! Recorded by Rudy Van Gelder in 1963, Cymbalism is among the albums Roy Haynes provided for Prestige's New Jazz series. This session features the drummer leading an acoustic quartet with Frank Strozier (alto sax, flute) Ronnie Mathews (piano) and Larry Ridley (bass). An unpredictable Hard Bop-Post Bop transitional album with different colors and moods. From the primary influence of Charlie Parker through a k…
*In process of stocking* "We Three, recorded in a single session on November 14, 1958, was the first American studio date as a bandleader for the diminutive and legendary jazz drummer Roy Haynes, although with pianist Phineas Newborn on board (along with bassist Paul Chambers), it really is a set dominated by Newborn, whose busy, two-handed technique here works in tandem balance with Haynes' cool refinement. Newborn was all about amazing and dazzling piano runs that on some dates created simply …
*In process of stocking* ZZAJ: Jazz from the 23rd Century, is a thrilling new collection of music featuring 34 new songs – all previously unreleased – from artists from all over the world. The brainchild of producers/multi-instrumentalists Jerry King (Cloud Over Jupiter, Moon X, John Shirley & Jerry King) and Dave Newhouse (The Muffins, Manna Mirage, Moon X), ZZAJ asked musicians to interpret jazz from various conceptual viewpoints, particularly avoiding traditional jazz sounds. Says King, “It’s…
*In process of stocking* Following up 2021’s compilation 'and felt like...', ' ...it wasn't really me' can be seen as the missing part of a diptych, only separated by the passage of time, yet whole in spirit. Again, a familiar company of singular artists showcase remarkable unity in diversity. Similar to its predecessor, a rustic gloom glues everything together into a seamless whole, enabling the collective to transcend each unique contributors' musical voice elegantly.
* 2022 Stock. Collector's Edition. One time pressing. Red Vinyl * Bassist/composer Hugh Hopper (of Soft Machine fame) has been involved in many projects during his more than 40 years in music. 1984, originally released in 1973, & his first solo release, remains perhaps his most singular. This combines Hugh's unique fuzz bass & compositions with tape work, multiple overdubs, & a very avant esthetic & then contrasts those works with short, weirdly devolved James Brown-inspired pieces. Nearly 50 ye…
*In process of stocking* A mysterious 45 from Fortuna Records by The Souvenirs. Two spiritual meditation clappers, sounding like ancient rituals for percussion and flute. Hallucinogenic music for healing and exorcism, echoing Tunisian stambali where spirits of ancestors are called to heal the sick. Smokey 4x4 rhythms make way for a primitive wooden shepherd's flute. A special one for connoisseurs of everything dubby and the obscure.
Gondwana Records and Portico Quartet announce a strictly limited edition collectors-item. Featuring an expanded version of their long-form composition Terrain and re-arranged for the Portico Quartet Ensemble and recorded live in Studio One
*In process of stocking. Fully licensed, ltd to 500 copies* The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their …
Infinite reveries or translucent hallucinations, calm and steady pace, ghostly but undeniably present: this is ‘Suono In Un Tempo Trasfigurato’, Bono / Burattini’s debut for Maple Death.