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*In process of stocking.* 'Meth.O.Tapes' catalogue opens up on a programmatic framework in the form of Gil.Barte's first LP. Developped as an experimental exploration rather than a narrative, this object called « R.S.F » is a recollection of intriguing sonic pictures. Tracks neither really start nor they finish, pieces of an apparently unreasolvable puzzle like pages of a fantastic bestiary long forgotten.
*In process of stocking.* Music made between Yser and Mystère during a silent year. Every tape were made by hand, Silksreen and Letterpress by Marius Cstlle.
Death industrial/Power electronics "NEGATIVE CLIMAX" was active between 2009 and 2013. After several cassettes and live performances, the band went into a long period of silence, but In 2021, the original members suddenly reappeared and took on a new name as a solo unit: "Funeral". This work, which consists of three sections with eight tracks in the beginning of the Sou's activitiy on one cassette, is composed of tape loops of fragmented classical piano melodies and desperate moans throughout, a…
*In process of stocking. 16 page booklet with Digipack.* ENDON (Blacksmoker, Daymare, Hydra Head, Thrill Jockey)'s frontman Taichi Nagura, a shamisen player of traditional Japanese nagauta music, and a guitarist known as one of the best noise players in the contemporary Tokyo underground Gojiro Sakamoto, an artist as known as creating and presenting their works in various places and forms based on screenprints, including paint on the walls of Shibuya's PARCO, Yuichiro Tamaki. These three-person …
*In process of stocking.* Gomikawa Fumio is a Japanese Noise group from: Toshiji Mikawa (Incapacitants / Hijokaidan) & Kosakai Fumio (Incapacitants, C.C.C.C.) & Kohei Gomi (Painjerk / Incapacitants). This is the recording of a legendary concert at 20000V, April 2002 in Tokyo. The sound source has been clearly remastered by Shinki Nishiyama (SOUP Ochiai), giving a sense of realism. High-pitched noise for the Japanoise enthusiasts, transporting the listener into the intensity, excitement, and inde…
*For the first time on vinyl ! Fully remastered and licensed, ltd to 500 copies. In process of stocking* The Monochrome Set’s complete independent singles collection including b-sides and rare tracks. Collected from their time at Rough Trade, Dindisc and Cherry Red, a superb collection of genre defying “new wave” pop. Suave; debonair; sophisticated. Haughty, perhaps, for those who favour the pejorative. Aristocratic in more than one sense, classy in at least as many. The Monochrome Set were effo…
*200 copies limited edition* Magazine is a new work for solo cowbell by Sean Meehan. It began with the serendipitous purchase of a small cowbell from the bric-a-brac section of a charity shop, and was composed initially on walks in the city and country, as the bell was an easy companion. As the piece was beginning to take form Meehan was visiting Governors Island, off of the southern tip of Manhattan. There he happened upon the powder magazine of Fort Jay and began finishing the piece over retur…
This fourth record by the long-standing improvising ensemble Rempis/Abrams/Ra, and the third featuring now-regular band member Jim Baker, was recorded in a watershed moment for these musicians during a pandemic that had gutted lives across the planet. After 15 months of being closed to the public, the band's home base Elastic Arts had re-opened for live events. And Rempis decided to relaunch his weekly Thursday-night concert series, a hub of the Chicago scene since 2002, with a performance by th…
Ghent-based wanderer Benoit Monsieurs has been exploring the many routes paved by the primitive folk guitarists of legend and is now carving out his own path as Venediktos Tempelboom. These seven tracks straddle the Eastern and Western codes that so infused the hazy Americana pioneered by the John Faheys and the Robbie Bashos of this earth, with the always-haunting Flemish landscape unmistakably lining the contours.
Compiled by Ma Nu in partnership with Denis Longhi. "South American Jazz & Bossanova flavours from 60s & 70s in Liguria, north west Italy. Melody sounds really close to Brazilian Portuguese and instrumental tracks smells of South American Jazz. Nonetheless, the sound landscape clearly reflects the Italian Library Music of the time. This mingling was made possible by the commercial and cultural interconnections during the discovery of the New World: the local Ligurian language was influenced by …
*In process of stocking. Edition of 200.* Recorded live in Accord, New York, this recording stands not only as Notice Recording’s 70th album, but also the first release to document an event organized by Notice as well. June 6th was one of the hottest days of that summer, and the wooden platform on which the performances occurred was on the top of a small hill on Deer Creek Farm. Many sweaty trips up and down that hill carrying gear ensued. Luckily, the performance and audience space was nestled …
"As such, the music succeeds in maintaining a balance between cohesion and surprise, occasionally coming close to the jazz tradition, but always on its own terms. It gives the album a refreshingly unconventional approach, a counterpoint of ideas that consistently marches to the beat of a different drummer. " - Guy Peters
"The most striking thing about it all is how these four people with four different nationalities (Kroatian, Swiss, Portuguese, Dutch) and backgrounds turn VISTAS into something wholly convincing. It is a rich, bold and rewarding statement that not only betrays a healthy disregard for genre conventions, but also creates a strikingly refreshing balancing act, and as such also offers a new shade to the steadily expanding New Wave Of Jazz-catalog, where improvisation, minimalism and various other st…
*In process of stocking* "Onno Govaert. Now here is a guy who deserves to be in the spotlights. Verhoeven and Govaert form a beautiful musical partnership that thrives on abundant dynamics and colourful interaction. Whether it is the subtle ripostes or the unanimous cadences that develop throughout their improvisations, there is always a crisp and natural affinity at the core of their partnership. With Dirk Serries, Govaert alters his approach. The combination with the amplified acoustic guitar…
"Today and all the tomorrows is one of those releases that sounds like cinema for the ears, despite the fact that the ‘song’ order might seem random and that it might be hard to find a general arc. Verhoeven firmly stands at the center of this music, flanked by two guitarists that get caught up in six three-way conversations. There is no agreed method or set of expectations and fixed ideas, but listen carefully, and you will notice how each piece has its own characteristics and turns the combina…
Tip! *In process of stocking.* Adrianne Munden-Dixon and Leo Chang’s “Some Time” presents stuttering physical exchanges between Munden-Dixon’s violin and electronics and Chang’s amplified piri. These pieces are tense and tightly-woven, yet constantly unraveling and reforming. Chang’s “ampiri” is a Korean double reed instrument running through electronics and played in unconventional and non-traditional ways. Recontextualising the instrument “quasi-autodidactically” aligns with Chang’s approach t…
*Limited edition of 100 copies.* Recorded in a place of contemporary art on June 15th, 2019 (les drapiers Liège, Belgium). Pierre Gerard's project, thanks to Pierre and Antonin for agreeing.
*In process of stocking. Limited edition of 100 copies on clear vinyl.* New self-released album of Bertrand De Lamalle (sax alto) & Pierre Gerard (cello) Recorded & improvised under a bridge 2020.
*In process of stocking.* "I saw Thomas Bush play in a field in France a couple of years ago. Remembering it now, it seems to me he was wearing a woolly jumper despite the summer heat. He laid all of his instruments out on the grass, I think there was a recorder, a guitar maybe and various boxes and pedals. The details of my memory are hazy but I can bring the feeling of the music to mind. Some of what he did seemed scrappy or confusing at first. But when everything came together the effect was …
*In process of stocking.* "Soft Estate are a band I don’t know. Their songs are here and gone, gauzy, blank and romantic. This record is a brief heady waltz through a hall of mirrors. Drum machines tick past, oil and water synths swirl by and and a sleepy solemn voice sings. The reflections of 40 years of art-school electronics are pulled and twisted into new shapes. I can hear broadcast, AC Marias, Rexy, Lydia Tomkiw, Solid Space. And then before I know it I’m out the other side blinking in the…