We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Deaf Lions is the recording project of T.S. Vickers who was based out of the San Francisco area. Although only active for a short period during the 1980s and early 90s, Vickers pioneered an enigmatic style of industrial / ambient utilizing early digital sampling techniques, Roland Juno compositions, and reel-to-reel tape loops.
Cassettes by Deaf Lions were self-released under the Stolen Art Productions imprint, though 1987’s “Copia” saw an official label release with Al Margolis & Sound of Pig. …
The motion and speed of a metropolis is captured on this collage-style disc. MJE sends field recordings and incidental music to Cyess Afxzs who provides further processing. 6-panel CD digipak is indexed as separate tracks and includes an additional epilogue.
Originally released in 1990 and taken from the second and third DSIP recording sessions. Surreal industrial vignettes built upon blown-out loops and electronic delirium, dated by its technology to the late 1980s yet bearing a striking resemblance to present-day plunderphonics.
Two different editions of AOM were published simultaneously by IRRE Tapes (Germany) and Audiofile Tapes (US), which included separate / unique mixes of the final track on the cassette "Chorion-Biopsie". Both mixes of the t…
As first released in 1987 it served fittingly as a requiem or death rattle to the ZI recording project - not quite a compilation but a repurposing of both familiar and unreleased material, juxtaposed with choral music and stolen dialogue from Tarkovsky. 6-panel CD digipak includes Side A and B as indexed tracks as well as an extended "Nichts" session.
*2024 repress* Belgian jazz artist Bobby Jaspar died far too young at age 37 in 1963, but fortunately made a handful of memorable dates as a leader. This is the last studio session under his name. Jaspar sticks exclusively to flute on these December 1958 studio recordings. He’s joined by drummer Kenny Clarke, Sadi Lallemand or Michel Hausser (who also doubles on xylophone) on vibes, and either Paul Rovere or Jymie Merritt on bass, as well as percussionist Humberto Canto (on one of the two sessio…
"After hitting Paris in 1950, saxophonist Bobby Jaspar enthralled jazz fans and jazzmen alike with his smooth, elegant playing, with the lyricism of his tranquil phrases heavily influenced by Stan Getz in particular. So when Jaspar began regularly performing with a small ensemble at the Club St-Germain five years later, he adopted the same instrumentation as that of his idol’s illustrious quintet, with Sacha Distel on guitar and René Urtreger on piano in the roles of Jimmy Raney and Al Haig, res…
A never-before released Art Blakey 1965 live recordings. First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de l’Audiovisuel).
Robin Carolan’s latest soundtrack for Robert Eggers’ highly anticipated Nosferatu is a haunting, gothic-infused and meticulously crafted work that draws from a vast palette of sounds, instruments, and inspirations. Following their successful collaboration on The Northman, Carolan reunites with Eggers to bring the legendary tale of Nosferatu to life, infusing the film with a score that is as complex and nuanced as the story itself.
Set in the 1800s, Nosferatu allowed Carolan to incorporate contem…
Following up on 2021’s Scuro Chiaro, Nati Infiniti is a 40-minute piece split into five movements, based on an immersive audio installation that Cortini originally created for the Sónar Lisboa festival in 2022 where it was presented across four floors of the Museu de Lisboa’s Moagem. Cortini later debuted the live performance at Berlin’s Atonal festival in 2023, reimagining the work as a unique, evolving dialogue. The record is mixed by Grammy nominated recording engineer, producer, and mixer Ma…
*200 copies limited edition* The re-release of the 2 seminal psych/prog albums by San Michael’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progression toward…
*200 copies limited edition* The re-release of the 2 seminal psych/prog albums by San Michael’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progression toward…
A limited edition compilation celebrating Hans-Joachim Roedelius' 90th birthday includes four LPs of previously unpublished material. The majority of the music on 90 originates from Revox 2-track recordings from 1968 to 1980. The Revox tapes, created with his Echolette tape delay and Farfisa organ—the same equipment used by Roedelius to record his beloved Selbstportrait records and much of his seminal work with Dieter Moebius and Michael Rother—document the processes and sounds that continue to …
The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spa…
The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spa…
*2024 stock* Both a marketing firm and metaphysical mission, Valley of the Sun synthesized style and spirituality to produce an extensive catalog that at once defines and defies new age music. Founder Dick Sutphen worked with tireless devotion to spread a message he believed could change the world for the better. This 18-track overview of VOTS’ fertile 1977-1990 period includes music from Upper Astral, Robert Slap & Steve Powell, David Naegele, David Storrs, Steven Cooper, and Gloria Thomas, a 2…
Witness to revolutions in jazz and pop, Margo Guryan earned her place in the songwriting pantheon and then some. That she was largely unknown for decades is not the stuff of crushed dreams, but a result of her own choices and priorities. From humble beginnings to the peaks of her 1968 baroque pop masterpiece Take a Picture;and the collected Demos;to the recent viral ubiquity of “Why Do I Cry”, Words and Music captures the entirety of Guryan’s career, featuring 16 previously unreleased recordings…
Japanese vibraphonist and marimba player Masayoshi Fujita returns with Migratory, his masterful new solo album, where his sonic explorations into the unknown continue. In 2020, after 13 years of living in Berlin, Fujita returned to his native Japan with his wife and their three children, fulfilling his life-long dream of living and composing music in the midst of nature. The family found their new home in the mountain hills along the coast of Kami-cho, Hyōgo, three hours west of Kyoto. [...]
[..…
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari.
On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after…