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As in the Osvaldo Coluccino's own words: "Presence of the work, absence of the author. So muffled, vapor escaping from an old coffer, so dusty and apparently, in some ways, timbrically “primordial” and yet elusive, the first three compositions of the album unfold. The following three increase the dynamism and openness of the timbre. As always in my albums, also in Absum a journey takes place along the tracks that, joined together, make it up. Even in this “raw” timbre paste, emblem of adherence…
Musician and composer Sahba Sizdahkhani serves as a unique crossroad of East meets West. Influenced heavily by both 1960’s spiritual free-jazz and Persian Classical Music, he channels the fire-energy and longing for connectivity these two stormy histories represent. At age 12, his self-proclaimed “aha moment” occurred while listening to The John Coltrane Quartet for the very first time. He was hooked and immediately began studies on jazz drum set and classical snare drum.As the years passed, how…
Eleh's Polarizer is a two part series focused on the instant, simultaneous reality of the analog world. Polarizer I and II can be played/mixed simultaneously.
Eleh's Polarizer is a two part series focused on the instant, simultaneous reality of the analog world. Polarizer I and II can be played/mixed simultaneously.
* Edition of 300 copies, 180g black vinyl with Engraving on side B, incl. printed innersleeve * Does returning to a place have a sound? Can the ear have a memory? And what if places which we return to are just empty shells? Choreographed rooms which we need to play, fill from scratch each time with fragments from the past and present, layer upon layer, familiar and still somehow always new and differently assembled. Paula Schopf’s Espacios en Soledad are acoustic walks around present day Santiag…
These three brand new recordings made between 2020-21 were all written specifically for bassist Chris Laurence by his close friend and long-time colleague, the late great jazz trumpeter and composer Kenny Wheeler. Of the three, Piece for Double Bass and Low Strings and Baroque Piece have never previously been recorded in any form. C-Man first appeared in this form on Kenny’s album ‘Kayak’ but was also rearranged and retitled as Ma Belle Hélène for his album ‘The Widow In The Window’. Whilst Kenn…
The power trio Mirande/English/Skinner has dug out a strangely lit tunnel between the dustier nooks and crannies of the rich and varied 1980’s industrial scene and the just as elusively defined experimental field of today where they themselves reside. While it certainly reeks S*Core, Illusion Of Safety and whathaveyou, their very own fingerprints are all over the place, freshening things up. An out-of-time album we are very pleased to offer!
*Limited edition of 300* Usagi is proud present this much sought after gem from the vast Macronympha discography. Released in 1994, Ultimate Vibrator is one of the earlier testaments of Rodger Stella's meticulous editing and mixing genius, and above all his ability to crack open sonic chasms and fill them with the strangest of colors. An older sibling of classic Macronympha mind melters such as Grind and Baroque, but also a more aggressive sonic relative to Stella's work under the One Dark Eye m…
First official solo album of Claire Bergerault, Stick Slip is an incredible cloud of frequencies where voice and accordion twist the space like an electronic music with psychoacoustic effects. A light and intense record at the same time, always on this acoustic border which makes the inner ear resonate like a mini oscillator.
Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.
"How does the present time, physically so unspecified, become so unique for us? " - Etienne Klein"During these past years, exploring my daily environment and also my archives, I have discovered a missing part of my listening : beyond the threshold of my hearing, or my measure. I was intereste…
Mathieu Werchowski's latest album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.
Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.
new collaborative relese by Benjamin Bondonneau, together with Lionel Marchetti and Jean-Yves Bosseur. Compositions and epistolary improvisations, in tribute to the writer François Augiéras.
Sébastien Roux imagines new listening situations. He uses algorithms, games, movement, spatialisation, and diagrams to articulate two complementary notions: the perception of form and the forms of perception.
Musiques d'ordinateur (Computer music) gathers pieces written between 2011 and 2020. The tracks on this CD are the more or less predictable results of more or less complex programs. The sounds and their organization (the score) are calculated. There is no editing nor mixing. The algorithm …
Fallen Gods is the third studio album by Rapoon aka Robin Storey, formerly of :zoviet*france:. Originally released in 1994, ‘Fallen Gods’ emerged amid a prolific early period for the Rapoon project, following in the wake of debut album ‘Dream Circle’ – originally released in 1992 – and second outing ‘Raising Earthly Spirits’, released a year later. Building on the haunting industrial ethers of ‘Dream Circle’ and the esoteric, rhythmic drone of ‘Raising Earthly Spirits’, ‘Fallen Gods’ consolidate…
Originally released in 2008 on CD and in a very limited vinyl edition, "The Malady Of Elegance" by Goldmund aka Keith Kenniff finally gets its long-deserved vinyl re-release, featuring a new artwork and remastered audio by Taylor Deupree.Taking cues from 'Corduroy Road' Keith Kenniff (aka Helios) again restricts himself to the piano in conjuring up his humble soundscapes and again we are pulled into a deep, meditative and filmic world as the notes glide to a slow, pensive meter. Keith's preceden…
A stunning set of music created by Simon Fisher Turner in 2010 as soundtrack to some of the early Super8 movies directed by Derek Jarman, released in an uncoated cardboard DVD-sized tri-fold digipack. Room 1 is processed by Simon Fisher Turner from sound sources from Terre’s Neu Wuss Fusion (a.k.a. Terre Thaemlitz), A Crippled Left Wing Soars With the Right (Steal This Record Remix by DJ Sprinkles) courtesy of Comatonse Recordings. Included in this piece is a recording of Jarman talking and stud…
Over the last two years, Astigmatic Records have been digging through the Radio Łódź archives, listening to hundreds of recordings of the local Orchestra conducted by Henryk Debich. As a result, 13 gems were selected from the period between 1974 and 1977, which was also the time when the Holy Grail of Polish jazz-funk was created: the highly sought after by record collectors in all corners of the globe "String Beat" album. At the beginning of the year, the first vinyl from the series of releases…
Jaubi continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now Jaubi draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”. The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “La…
Ming Bau Set is a collective of three improvisers who began meeting regularly in 2018 to deeply explore improvisation and song form. Over the next three years this process yielded a shared language and vision of music realization that led to their first publication, Yakut's Gallop. They utilized both acoustic and electronic resources to carve a personal sound as well as a sense of place with their inventions. The trio, as it has matured, is notable for its cross generational constitution. Gerry …