We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 15% discount on all available VOD Records items until Monday at midnight!

New Arrivals

Lepidópteros
Angélica Castelló (Mexico City 1972) is a recorder player, composer, improviser, sound artist, curator, teacher living in Vienna. She plays mainly the “Paetzold” which is a sub great bass recorder, along tapes and electronics. As a composer, she writes music for her own instruments and for ensembles as well. The last few years she has done various installations which combines music, performance & visual arts. Even though her source of inspiration, such as literature or visual arts, often have sp…
Songs Of Experience
Audiophile reissue, lacquered directly from Axelrod's original EQ'ed master tapes at Capitol Records by Ron McMaster, housed in a deluxe gatefold jacket. "Audiophile reissue, transferred directly from David Axelrod's original EQ'ed master tapes at Capitol Records by Ron McMaster 'Songs of Experience was supposed to have a different feel than Song of Innocence. You see, music is a great outlet. And regardless of what the titles say, and as close as I wanted it to be to William Blake, what was goi…
Live At The BBC 1972
This 1972 BBC Live recording is the perfect proof of what a band like Matching Mole could do in concert during their too short existence. The quartet playing was way more free and adventurous than in studio and the tunes were often stretched out and built to dense instrumental climaxes. Dave MacRae - electric piano, Phil Miller - guitar, Bill MacCormick - bass, Robert Wyatt - drums, vocals. A great live session from a key group in the Canterbury rock scene and an essential companion to the band'…
Making Sense of Sound
In 2016, elnicho and Buró-Buró curated a panel as part of the "SOMA Wednesday" program in the context of the elnicho#5 festival. The theme revolved around the relevance of sound in art and the relationship between them. From a socio-cultural point of view, sound is around us and has historically been a vast territory of exploration. How have anthropological, folkloric and vernacular elements influenced our current listening experiences? Music not assimilated in the past is now revisited through …
Sound Before Meaning
This booklet is an attempt to employ incidental movements that are often overlooked or ignored, those winding conversations that inevitably occur between friends who share a passion for a common theme. Over the course of nearly a year, this conversation blossomed out of friendship among the participants. The three of us worked in different fields approaching avant-garde and experimental practice. Therefore, we believe that sharing aspects of these experiences and the conclusions they draw could …
Making Room for Sound
Sound and music seem to have been underwhelmingly part of contemporary museums. However, they are shyly making their way in the area of contemporary art, often via visual artists keen on using sound in their work or inviting musicians or sound-focused artists to collaborate. But how are visual arts curators situated both within and outside the boundaries of institutions, and how do galleries and museums deal with the increasing importance of sound? Does its lack of tangible value make it a less …
Limitless Listening
Keith Rowe explores the nagging questions that the field of visual arts began to interrogate in the 20th century, bringing them to the musical universe under the counter. These inquiries are about the ways we experience modifications to the notion of space in music, the preponderance of the role of listening in the resignification of sonic events, and the timbric exploration translated to the whole world, beginning with everyday life. (...) Keith ignores the disciplinary boundaries that separate…
Cloud Atlas/Vertical Study
Cloud Atlas is a collection of ten short pieces composed by Toshi Ichiyanagi between 1985 to 1999. Vertical Study gathers rare pieces composed by Claude Ledoux. Both are performed by Japanese pianist Kaoru Tashiro. "Kaoru produces serene, yet rich sound texture; the fluctuation of beat and the perspective of the motif are ingenious. I hope many more people will taste this joy of finding a grain of gold with your own eyes and ears, from her commercialism-unrelated, sincere and an experimental…
Nouvelle Ambiance: Wolf Muller Meets The Nile Project
In January 2016 arts and music organisation Santuri East Africa invited guest producer Jan Schulte to join the Nile Project gathering in Aswan, Egypt -- an intensive two-week musical experiment featuring musicians drawn from all around the Nile Basin that functioned as both a creative cauldron for cross-border collaboration, and a forum for artists and cultural activists to discuss the issues affecting the Nile river. Wolf Muller aka Jan Schulte has been a resident of Dusseldorf's era-defining S…
New Japanese Noise
Akira Sakata: alto saxophone, Bb clarinet, voice. Kiko Dinucci:electric guitar. Kohei Gomi: electronics. Paal Nilssen-Love: drums. Toshiji Mikawa: electronics. Produced by Paal Nilssen-Love and Lasse Marhaug Recorded live in concert at Roskilde festival 2018, Roskilde, Denmark, July 4th 2018 by Christian Brynildsen Obermayer. Mixed and mastered by Lasse Marhaug. Cover by Lasse MarhaugFor the 2018 edition of the Roskilde festival in Denmark Paal Nilssen-Love was asked to put together two special …
Your Queen Is A Reptile
A fantastic set from the London scene – really powerful sounds from a group who are heavy on percussion, but also do plenty with their horns! On Your Queen Is A Reptile, Shabaka Hutchings lays out a very fiery, progressive musical vision, and it is something as informed by reggae, the Carnival tradition, and underground UK culture (grime / dubstep) as by the greats of jazz, many of whom also released revered works on Impulse!: John Coltrane, Alice Coltrane, Pharoah Sanders, and Charles Mingus, t…
My Favorite Things: October 14th, 1977
My Favorite Things October 14, 1977 presents a superb collection of tracks recorded by the great Sun Ra and his Arkestra at the Variety Recording Studio, NYC. One of the rarely heard documents of the El Saturn label of the ‘70s, these recordings catch Sun Ra and John Gilmore firmly in the foreground, especially when performing on masterly interpretations of John Coltrane’s My Favorite Things and Nat King Cole’s Nature Boy. The performance shows that both are capable of masterfully reflecting the…
Hesterian Musicism
Musicism is the core concept of transcultural artistic research that rose to prominence at the beginning of the 80s thanks to the ingenious mind of Karlton Hester. Composer, flautist and saxophonist Hester set himself as the promoter of a multidisciplinary idea in which musicians, visual artists and poets collaborate in a synergic manner to produce new art forms. Hesterian Musicism is an avant-garde spiritual jazz record composed and issued by Hester on his San Francisco based label Hesteria in …
A Lifetime In Oriental Jazz
2019 Repress. Jazzman presents the definitive anthology of pioneering ethno-musicologist, mystical adventurer and real life jazz guru Dr Lloyd Miller. This album tells the fascinating life story of one man and his journey through Europe and the Middle East, living off nothing but his wits, talent and an open-minded attitude towards music and jazz.Master of dozens of languages and hundreds of instruments, Miller has spent fifty years immersed in the music of Europe, Asia and the Middle East.Featu…
It's Nation Time: African Visionary Music
Pan-African manifesto It's Nation Time — African Visionary Music, out of print since 1972, is available once again via Motown. A poet, writer, theater director, activist and more whose career spanned five decades, Imamu Amiri Baraka (born LeRoi Jones) fearlessly vouched for racial equality until his passing in 2014. For It's Nation Time, his first album, Baraka was backed by many threads of African-American musical expression, including a funk band led by James Mtume and a free jazz quartet feat…
Alice Coltrane bundle
**In process of stocking** of Alice's four extraordinary albums Eternity, Radha-Krsna Nama Sankirtana, Transcendence and Transfiguration in bundle. With liner notes by Mark Richardson and rare photos by Gary Heery and Ginny Winn. Alice Coltrane was a pioneer - one of a tiny number of women in 1960’s jazz to be allowed through the door – wielding her instrument with a force and artistry which couldn’t be ignored. It was her visionary mind which helped push her husband toward the astounding sonic …
Parallel Persia
This Sote album is incredible - a highly complex but beautifully fluid traversal of Iranian folk music and modular synthesis that reminds us of Dariush Dolat-Shahi’s unparalleled ‘Electronic Music, Tar and Sehtar’ with its fantastically creative sense of freedom and abstract expression, pulling us deep into uncanny valleys of hyper modernism bursting with ideas and a sense of disrupted harmony that’s hard to absorb in one sitting. Ata Ebtekar’s restlessly searching sound has been in action for 3…
Massimo Farjon Pupillo
Oltrarno Recording is honored to present the first solo album from Massimo Pupillo.  Massimo´s artistic life shaped through worldwide tours with his band ZU as well as multitude of collaborations with artists such as Thighpaulsandra, Peter Brotzmann, Mats Gustafsson, Paal Nilssen-Love, Damo Suzuki and Oren Ambarchi. "A reconnection to something essential, which sprout up and comes to life. It´s a return on the way to home and to the foundation of my existence"
Cod War Kids
A deep and delicate dive into the psyche of an unusual duo, British-born ex-pat North Carolinian guitarist Dan Melchior & Icelandic-born Hanover-based experimentalist Sigtryggur Berg Sigmarsson.  Each quite unique on their own accord, but in combination bring a sound reminiscent of some odd combination of church music, the Deep South, some kind of swampy bluegrass, the Phantom of the Opera — really it’s hard to pinpoint where they might go. But through the whispering murmurs, the twang and fleet…
Moondog
Manhattan in the Sixties. Every day, at the corner of 54th and Sixth, stood an imposing blind man with a druidic beard, dressed and helmeted like a Viking. Every day, he played music with home-made percussion instruments and declaimed poems. A simple eccentric or picturesque figure? No. Louis Thomas Hardin, called 'Moondog', was one of the true geniuses of his time. And even one of the geniuses of all time, prolific and visionary, capable of linking Bach, jazz and Amerindian rhythms, writing min…