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New Arrivals

La Legge Dei Gangsters
First complete vinyl edition of the great Piero Umiliani's jazz score for La legge dei gangsters (Gangster's Law), an obscure 1969 Italian crime film starring the mighty Klaus Kinski. Featuring a large ensemble of the country's strongest players (including Oscar Valdambrini on trumpet), the score is full of sophisticated, groovy, and romantic tunes. Two LPs on colored vinyl, released in a limited numbered edition of 1000.
La Morte bussa due volte
A stellar cast doesn’t always guarantee a magnificent film and, from a strictly cinematographic point of view, “La morte bussa due volte” (Death knocks twice) is one of many examples of this kind; This thriller was in fact quickly forgotten at the time (1969), despite the presence of the charismatic Adolfo Celi and the beautiful Anita Ekberg.However, even for less ‘important’ productions, the likes of Morricone or, in this case, Piero Umiliani, were sometimes bothered: composers but also …
Get In
LP version. After the 2004 release of his last solo album, Get Off (HAPNA 019CD), Editions Mego founder Peter Rehberg embarked on a series of soundtracks for the French artist and choreographer Gisèle Vienne. Out of this collaboration were planted the seeds for the prolific KTL, Rehberg's guitar/computer duo with Stephen O'Malley. After a surprise return to live performance in 2015, Rehberg now returns to his Pita alias with the full-length document Get In. Get In extends the perennial Pita soun…
The Art Of Spectres
P version. Covering a large pan of genres, Ultraphallus defines their sound with some accents from different styles including western music, death-metal, doom-rock, avant-garde, psychedelia and electronic soundtracks, as a tribute to rock culture. Seven tracks were recorded in four days at Drop Out Studios, South London, with Tim Cedar (Part Chimp leader, Hey Colossus). Tracks are inspired by The Residents, Marc Bolan, Mark Frechette and Zabriskie Point, Swans, Autechre, David Bowie, Eva Ion…
The Scottish Rave Whistle & The Danish Homophobic Rave Recorders
Inspired by the current crop of very good rave music currently being produced by Lorenzo Senni and Evol, Goodiepal composed these two tracks and fired em over to EVOL to see the light of day on the duo's Alku imprint. Quick disclaimer - there is no audio for this release anywhere - we have been told told that the files got lost in a HD crash last week and there is no backup - so the only way to enjoy this glorious slab of wax is to stick it on your turntable and absorb the sounds that emer…
Honey Ant Dreaming
Honey ant dreaming is the third full-length album by this Italian combo, following the release of the 7 inch split-series they shared with Yannis Kyriakides, Oren Ambarchi & Steve Roden. The music on this album is muscular, dreamy, evocative and occasionally percussive: this is an initiatory journey inspired by the strength of the Honey Ant Mural painted in 1971 by Papunya’s aborigines, an immersive trip through six tracks, created with a blend of guitars, electronics, percussions, beats and vib…
Pulsation
Two side-long improvised tracks – recorded in a spacious concert hall in Tokyo, and featuring the drums and percussion of Masahiko Togashi alongside some very inventive work on guitar from Masayuki Takayanagi! Togashi is very different than the usual jazz drummer – and even when working the kit, has this way of moving forward, then stopping, moving forward, then turning – almost as if he's trying to be as a-rhythmic as possible! Takayanagi's guitar is a great accompaniment in this mood – as he…
Live at Hachioji Alone Sep.3 1977
Kaoru Abe was an influential Japanese free jazz alto saxophonist, who is often regarded as being the greatest abrasive sounding saxophonist.  He generally performed solo, and died young from a drug overdose, and has since been immortalized in the jazz scene. He became close friends with Milford Graves, Masayuki Takayanagi, Derek Bailey, and Motoharu Yoshizawa, and was married to the author Izumi Suzuki. His cousin was the famous singer Kyu Sakamoto.  
Cochin Moon
Yes, you’re reading this correctly. A legit, non-bootleg vinyl reissue of one of the holy grails of fourth-world avant-ambient synthesis, and believe it or not, this was a Record Store Day release in Japan this year.  Originally released a few months after Haruomi Hosono’s 1978 Paraiso LP — famous for featuring the first trio grouping of the band that would become Yellow Magic Orchestra — Hosono’s Cochin Moon, an album credited to himself and famed graphic artist Tadanori Yokoo, who provid…
X
Gaudenz Badrutt electronics & analog synthesizer Christian Müller electronics & contrabass clarinet "X" as the unknown, "X" as a reference to time. "X" as a definite position between possibility and contingency. The album X by the Swiss band Strom works with remix as a method, explores the potential of the origin. Or the result's? The work on the concept album started with an improvised piece by Gaudenz Badrutt (analog synthesizer) and Christian Müller (contra bass clarinet and live effects). In…
The Bakery
Keith Rowe electronics, guitarMartin Küchen alto- and baritone saxophones, radio, iPod Keith Rowe was invited to a residency that Martin Küchen, through support from the Swedish Arts Council, was granted a few weeks in the autumn of 2013 at the Vor Anker artist residency, Vienna, Austria. The artist Johannes Heuer and his wife Sandra Baer had invited Martin Küchen for this residency. The artist studio is located in the old Anker bread factory complex in Vienna. During these weeks work included r…
Rim
Kurt Liedwart, lloopp, electronics, percussion. Phil Raymond, computer, percussion. Phil Raymond lives in Moscow and has been working with microlevels of sound for ten years. In 2009 he worked mainly with electroacoustic manipulations of percussion using different methods of computer processing and recording. 'Rim' is his second recording released by Mikroton family of labels following critically acclaimed 'Absence' released by Mikroton Digital in 2008. In 2009 he joined his forces with Kurt Lie…
Future Perfect
Serge Baghdassarians, mixing desk, delays, electric guitar. Boris Baltschun, computer, sampler. Burkhard Beins, percussion, zither. The three gentlemen formed a live performing electroacoustic work unit throughout the first decade of this century, exploring hybrid musical areas shaped by digitized samples, analogue circuits and acoustically produced sounds stemming from a diverse range of materials and objects. This first phase has been documented on the 'Labor' compilation (Charhizma, 2003) and…
Ultraviolet
Nick Mazzarella is a singular voice in a late generation of free jazz formalists. The 31-year-old devotee of the alto saxophone spends days in a shop repairing woodwinds and nights playing gigs at diverse venues across the Chicago jazz and improvised music scene. In less than a decade, working with the likes of Rob Mazurek, Dana Hall, Ken Vandermark and The Eternals, he has quickly established himself as a vital contributor to the city’s creative music lineage. Far from just a sideman, Mazzarell…
Arrebato
On Arrebato, Asheville's Ahleuchatistas embellish their trademark intensity with a more pensive and existential amble. These six pieces channel recollections of a natural kinship the band struck up with a number of communities they played to on an Iberian tour in early 2014. The resulting story threads together a suite of lyrical instrumentals showing a deepening meticulousness for structure—elastic and labyrinthine. Spanish for "passionate outburst," Arrebato aptly evokes a rapturous rising fro…
Get Dressed
Lead single from Jeff Parker's forthcoming full-length International Anthem release The New Breed. Released digitally and on limited 7" phonograph flexi disc with gold foil titles and glossy photo print of Ernie Parker and friends. Jeff Parker is an American jazz and rock guitarist based in Los Angeles. Parker is best known as an experimental musician, working with avant-garde electronic, rock, and improvisational groups. Parker currently plays guitar in the post-rock group Tortoise and also was…
Il Deserto / Pittura Contemporanea / Moderna N. 1 & 2
**Lavish 3 CD box set in bespoke packaging, collecting the Egisto Macchi's recent and almost instantly sold-out LP releases by Cinedelic, housed in a canvas covered outer box ** Cinedelic has thankfully made a very limited run boxet in 300 hand-numbered copies, that brings together "Il Deserto" , "Pittura Contemporanea" and "Pittura Moderna n. 1 and 2." Now, taken as a whole, this set is wonderfully consistent, a comprehensive collection of the best material by the legendary Maestro!Released in …
Alessandro Alessandroni
Italian gem on the highly sought after label Sermi. What we have here is Alessandro Alessandroni's extremely rare LP called "Farfalla". The cover alone is outstanding. The music ranges from Jazz to Psyche to just about everything you can imagine. Multifaceted Maestro Alessandro Alessandroni: composer, conductor, and arranger. Among the various activities that he still performs to this day, he is also a mandolinist, guitarist, fisarmonicist, sitarist, whistler, and pianist. Most of all, he i…
Modern Pressure
You might not have come across Melbourne's Kane Ikin before, but he's far from a newcomer. A member of experimental duo Solo Andata, Ikin also released material on Taylor Deupree's influential 12k imprint, working with a variety of different sounds and elements over the last decade. Modern Pressure is a milestone for Ikin, written at a trying time that was the producer's hardest financially but most creative musically. Selling equipment to pay the rent, Ikin wrote track-after-track in quick s…
Aakash
Aakash marks the debut recording of the Portland, Oregon-based trio of Matt Carlson (Golden Retriever), Michael Stirling (a disciple of the late Hindustani master Pandit Pran Nath and a student of Terry Riley), and Doug Theriault. Derived from live improvisational performances, the record finds Carlson's rich analog synthesizers joined by real-time processing of Stirling's lilting voice and Theriault's idiosyncratic guitar work and electronics. Dipping into a kind of liminal void, Aakash isn…