How good does it feel to pull back from time to time? To really shed excess, more-ness, and follow a single path with intention? The exploration of one thing can illuminate corners of the world overlooked by minds pushed in increasingly omnidirectional cycles of want. Tone Keepers is a collection of four compositions by flutist, composer, and sound artist Rachel Beetz that follow a straight line into unexpected territory. Each piece revolves around a simple but inventive technique for generating…
* Limited edition cassette - 50 copies with banner * The legendary soundtrack to Kenneth Anger's occult masterpiece, now available in a limited cassette edition on Kieh Kieh. Composed and performed by Bobby Beausoleil with his prison band The Freedom Orchestra, Lucifer Rising was recorded between 1975 and 1979 at Tracy Prison (Deuel Vocational Institution) in California. Working under extraordinary circumstances, Beausoleil crafted a 45-minute psychedelic symphony using instruments built in the …
Limited to 200 hand-numbered copies. Packaged in a squashed can with 2 sets of nuts and bolts holding the package together. Inside the package is a paper strip insert. The essence of Aube's artistic philosophy has never been more distilled, more physically incarnate, than in Squash, the 1995 cassette that transmutes the humble sound of compressed metal into a meditation on materiality, reduction, and sonic design.
Originally released in a limited run of 100 copies on Chocolate Monk UK via Aube'…
** Special Time-Limited Offer ** The Indianapolis-born trumpeter Freddie Hubbard introduced his prodigious talent on Blue Note Records with a run of remarkable albums recorded thru the early 1960s. At first rooted firmly in hard bop, Hubbard began to broaden his approach on his masterwork Ready for Freddie, recorded in August 1961. “The way in which I’m most interested in going is Coltrane-like,” Hubbard told liner note writer Nat Hentoff. Hubbard had recorded with Coltrane earlier in the year o…
** Special Time-Limited Offer ** On April 29 and May 7, 1968, iconoclastic saxophonist Ornette Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note: New York Is Now! and Love Call. The alchemy of this group, which combined Coleman’s first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results.UHQ-CD…
DJ Marcelle's career has flourished on her own terms, with many critically acclaimed releases: in the past six years alone this Dutch woman has released five albums and numerous ep's. On stage and in the studio she transcends a feeling of freedom whilst always moving forward. Marcelle turns her DJ sets into full-on sonic adventures; she's the g.o.a.t of dancefloor eclecticism.
On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, darkly luminous orbit.
With Hungry Vortex, Polypores pushes his kosmische synth language into a delirious hybrid of polyrhythmic trance, cosmic jazz-prog and gently lysergic minimalism, four side‑long excursions that feel at once meticulously engineered and wildly feral. A hypnotic, deeply emotional capstone to a ridiculously fertile phase.
On The Shout, Rupert Hine turns a psychological horror into a study of sound itself, fusing electroacoustic experiment, synth eeriness and musique concrète into a score that feels as invasive as the film’s infamous, landscape-shattering scream.
After following Luke Blair's work for approaching two decades from his 2007 debut as Lukid on Actress' Werk Discs, we're humbled to present a new album on Death Is Not The End. Following relatively hot on the heels of 2023's Tilt (his first in 11 years, not counting his work with Jackson Bailey under the Rezzett guise) Underloop brings Blair's innate knack for building loops and sound structures further to the surface, while allowing his ear for emotional expression to be dialled up a notch.
Tho…
There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered pri…
For the follow up to their self-titled debut for Bluesanct, Pacific Walker went in search of the occulted answers to cosmic inquiry, charting a star-crossed course across the elder seas of private-press new age cassettes and back-catalogue self-help tapes.
Still waters run deep and from those depths, the guiding light they find may lead them to an eternity far beyond their third-eye ideologies.
Like Ted Lucas on a brown tab from Gibby Haynes, our sonic travelers find themselves lost in the slush…
Lo Five is as proud as he is anxious to present SUPERDANK, a CD album packed to the green gills with heavy dubs for sleepy schlubs. SUPERDANK is ostensibly presented as a collection of hardware stoner jams, structured in the form of an hour long edible-induced psycho-narrative, taking the listener on an aural voyage - kicking off at pleasant buzztown, calling past existential paranoiaville, then landing back in the relative safety of sofaborough in time for tea and crumpets. But what is SUPERDAN…
2026 stock Bára Gísladóttir (b. 1989) considers sounds, instruments and ensembles as living organisms. In VAPE, Hringla and COR, the Icelandic composer and double bassist engages with the largest musical organism of all: the symphony orchestra. Through these works, we follow Gísladóttir’s fascination with language and coincidence, for example. Here is an uncompromising interrogation of the body, in its excesses and ailments. And here, most of all, is life, vaporous and between states, neith…
2026 stock As the title of the album suggests, the new album by spiritual jazz legend Muriel Grossmann, MGQ live im King Georg, Köln, is a live recording of a concert at King Georg Jazz Club in Cologne. Recorded on November 11, 2022, the symbolic start of the Cologne carnival season, the album will be released three years later, at the end of the carnival season on Ash Wednesday, March 5. 2025. If by chance a concert in Cologne takes place on the November 11, it's only logical to stick to the nu…
2026 stock ‘Music is not material, Music is Spiritual’. With this one line from what may be his earliest poem, Sun Ra sets before our minds what our ears and heart know to be true: music is a power, a force, and a mystery that can change our way of being, our way of knowing. Music is spiritual. And while the roots of jazz grew from spiritual traditions, it was the music of Sun Ra from the 1950s and especially John Coltrane’s recordings from the mid-1960s that defined spiritual jazz as we know i…
2026 stock Austrian alto, soprano, tenor saxophonist and composer Muriel Grossmann was born in Paris. She grew up in Vienna where she studied the flute and later switched to the saxophone (alto and soprano) to further her studies in music. Grossmann played and toured with various Rhythm & Blues, World Music and Jazz groups. In 2002 she moved to Barcelona where she started to lead her own bands for recordings and concerts. She played and recorded with many well-respected musicians including Chris…
2026 stock Looking at the world in which we live, I was often haunted by feelings of powerlessness and disillusionment. How could it be, that the force of destruction seems to cast a shadow over the beauty and universal creativity of our interconnected race. How can a single human turn things around so that we live the dignified life we so much long for and also deserve?
Feeling small and insignificant really cannot change anything for the better, I understand that we need to find the change wit…
Last Wish is one of those records where Himukalt turns autobiography into something sharper, stranger and more confrontational than confession. Framed as fiction but sparked by the collapse of a sexless relationship, the album channels not heartbreak but a more corrosive residue: contempt, pity, unresolved rage. The narrator admits that by the end “I didn’t love her; I just felt pity for her,” yet the anger remained, and Last Wish becomes the space where that anger is stretched, tested, and held…
From the crumbling scaffolding and cement of new jersey 90’s scene returns Antibody. Cassette as weapon is waves of claustro-ocean congestion, monoxide, shaped metals, magnetic inlays with special mechanical attention to relentless motion and compound interest/pressure. true new jersey harsh noise from the same era and world that gave you abfall and having been known from splits with flutter and napalm jesus. just get this and remember how much distance there is from here to now.
The knob of the radio is impossibly heavy to lift, the body is so still, yet the conversation simply won’t end until the sudden falling of an elevator door down into the freshly mopped tile of the morgue.
Among Richard Ramirez’s finest dark atmospheric moods with a contested ending. If you're a fan of tracking device, the hurting, etc. this is recommended for you!
"The curtains are drawn back, the sheets are pulled up over your face, the tape is fizzing out - you hear a familiar voice, a beeping, a chirping, a long hallway voice of lights - damn, feels like a breeze over marble headstones and you recognize what felt so familiar… the bark of the birch tree looks exactly like your bedroom back home. black and white and falling apart. mlehst mastery of soul-fuckery with surrealist outcomes! the difficulty… no …. the ease."
“Ultimatum And Incitement” is a c…
Citizens power electronics bringing a disturbing ambiguity and detached voices to wide open robotic streets in the 31st state in the nation. Cold material and the best is yet to come to those who won’t ask.
Chaos 31 crafts a noisy, post-industrial aesthetic that aligns with Hospital Productions' catalog of experimental harsh noise and power electronics. Tracks evoke urban desolation with abrasive frequencies and relentless builds, appealing to fans of Vatican Shadow or Prurient.
Tape. Digital download included. The train starts towards blackpool. the enemy streets are full of revellers, and we know what they are celebrating. last night’s fiasco. now we can tell you the next day was the same, only worse, that they had caught on and they just had to face the truth, that a real rain would come, beyond belief, washing away an audience of no one.
Storm electronics by Dave Padbury.
Packaged in custom coffin clamshell case.
Tip! ** Edition of 70 ** On Cyan Music, Atte Elias Kantonen sets out to answer a deceptively simple question: what happens when shimmer and sheen – qualities usually belonging to light – are reimagined as pure sound. Across eight pieces he uses radiant, meticulously sculpted synthesis to build a world where timbre behaves like reflective surfaces, refracting and scattering in ways that feel almost tangible. Rather than leaning on obvious ambient tropes, he treats each track as a small laboratory…
*100 copies limited edition* ‘Einde Were’ is the debut solo album by guitarist Nicolas Van Belle, recorded in late 2024 at Zinnema in Brussels. It will be released as KR007 on Klankhaven Records on vinyl, accompanied by a booklet of texts. At its core a mourning record, the central theme of this album is as old as time itself: the existential crisis that follows a breakup, loss, and/or farewell. Nicolas Van Belle transforms this universal aspect of life into a ten-part musical epitome, in which …
Music aged in time, resonating from the surface to the corethrough layers and sediments of stones — the strata. Four morning recording sessions with a separation between them of between three and ten months — a chronozone that will rest for a time and on which the next one will be added, thus forming the total of the six pieces of the album — becoming six strata.
A slow-moving album that develops landscapes of subtle but continuous evolution, where we find layers of diverse nature created from d…
Re-issue of Danish cult classic from 2006 with new artwork by Martha Hviid and AK. 12" vinyl feat. oliver hoiness - andreas führer - anders lauge meldgaard yoyooyoy / lolita industri 2008 og 2006
lo-fi wizard oliver hoiness. the ever-cheerful kalle del what the hey. the evergreen supermelle aka. fresh fruit
Besides being a visual artist, Christoffer Kjærskov has quietly been making experimental music for the last 20 years. His works, always recorded to 4 track cassette, seem to carry a certain warmth flowing through the patiently unfolding loops and shimmering melodies this release is an assemblage of synthesizer, urban field recordings and even some synthetic flute solos peeping through the tape mist. A lovely unpretentious recording, I am very happy to present through afvikling .
I’m happy to present a new recording on Afvikling from my friend Frederik Heidemann, this time working under his new Plain Bob Minor alias. Where his first tape for the label was a patiently unfolding piece of homemade chamber music, this recording is in every way very different. This tape consists of small compositions for midi controlled synthesizer. Quirky and often times humorous but still characterized by the same warmth that flows through all Frederiks Recordings. Frederik Is slowly but su…
Josefine, The person behind Upshifter and I come from the same town, Odense, she’s a few years older than me. I remember being very young and going to a vegan community kitchen and hearing rumors about her amazing synthpop group Time Masters around 10 years ago. This spring she started to play concerts with her new project Upshifter, described as “New Age /manifestation” on the first poster which of course made me very curious about the music. It’s an honor to present this demo cassette of glimm…
When I started to be curious about producing cassette tapes around 2016, everyone I met said that I should talk to Wilfred Wagner. Not only did he have a lot of printing equipment and knowledge about cover design, he also have one of Copenhagen’s only functioning tape duplicators. I think it’s safe to say that Wilfred is a legend in the Copenhagen underground. He has helped everyone to make covers, underground books etc. He also ran an exhibition platform making art books and been involved in th…
Originally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th). For the fi rst time ever on vinyl, `Die On Me' has been re-mastered & newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso. Intimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago write…
On their new album Fata Morgana, an illusory trip of emotion and confrontation, Belgian duo schntzl conjure mirages of fleeting realities while diving headfirst into a trance-driven, confrontational digital sound. Fata Morgana unfolds like a hyper-visual journey, constructing enveloping dreamworlds through trance-infused live electronica. Yet trance here is present not in form but in essence—an intensity, a state of being. It may stir the same emotions as club music, but schntzl express them in …
Pianist Bas Bulteel has been actively exploring the boundaries of solo piano work for several years now. This resulted, among other things, in his first solo album Eye Of The Storm, which was released in 2024 on W.E.R.F. Records. In the compositions for that album, he drew inspiration on the one hand from the minimalist school and on the other from contemporary avant-garde pianists. However, his hunger for experimentation was not satisfied after just one solo album. Shortly after finishing the a…
Essential monumental 4LP box set on Philips' silver covers "Prospective 21e Siècle" series presenting music from four international experimental music studios (France, Japan, Holland, Poland) and featuring Ivo Malec, Luc Ferrari, Guy Reibel, Bernard Parmegiani, Pierre Schaeffer, Pierre Henry, Ivo Malec, Pierre Schaeffer, François Bayle, Jaap Vink, Milan Stibilj, Frits Weiland, Jacob Cats, Alireza Maschayeki, Luctor Ponse, Jos Kunst, Gottfried Michael Koenig, Toshiro Mayuzumi, Maki Ishii, Minao S…
1968 collective concert by the GRM soupergroup (François-Bernard Mâche, François Bayle, Ivo Malec, Luc Ferrari, Michel Philippot, Philippe Carson, Jean-Etienne Marie, Edgardo Cantón, Bernard Parmegiani) Philips' silver covers "Prospective 21e Siècle" series. Green labels.
Very rare 1970 LP on La Voix De Son Maître "Perspectives Musicales" with optical covers with four electro-acoustic masterpieces realized at the GRM. No optical plastic bag.
Xenakis's 1971 long wild 'noise' electronic masterpiece on Philips' silver covers "Prospective 21e Siècle" series. Rare and absolutely essential. Grey cover version with green labels.
First and only 1976 vinyl edition on Philips of the wild 1971 "spontaneous creation" made with elements of previous compositions. Like all Pierre Henry's output, beautiful music and essential record.