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Swiss electro-acoustic artist Israel Quellet's fourth opus on Sub Rosa: a complex and mysterious work for symphonic bass drum, symphonic tympani, organ, Tibetan horn, homemade horn, triangle, tubular bells, shocks inside the church, anvil metal tank, and church bells. A challenging listen, but so rewarding.- "Music of expectation and experience, controlled recklessness. In his obsession with the possibilities of sound, Israel Quellet takes us to exciting places." --PopMatters - "Quellet's …
This CD reissue of JD Emmanuel's Wizards contains two tracks excluded from the original 1982 LP due to master tape problems. "Wizards was my first deep trance electronic music album. This album was inspired by Terry Riley, one of the earliest people ever to compose and perform long, extended, cyclic pieces in the electronic format. This music was composed and performed in '81 and '82. I consider this album my best work. The instrumentation is three Sequential Circuits PRO-1s, Crumar Traveler…
CD edition. "Bayou Electric" is the final installment in an unplanned trilogy, with "Feel Free " and "Bridges" making up the first and second installments in the series, respectfully. All three works share similar characteristics, compositional processes, alternate tuning schemes, instrumentation and a certain ethos that the composer views as cohesive whole. There is a progression toward refinement over the course of this trilogy, in the overall "sound" of the albums and in their dependence on o…
Is it to "en finir avec cette idée des chefs-d'oeuvre" ("be done with this idea of masterpieces"), as Antonin Artaud proclaimed, that Gil J Wolman calls his recording Wolman et son double, in a détournement of Artaud's famous essay collection and "masterpiece" Le Théâtre et son double (The Theatre and Its Double) (1938)? Artaud's Tête-à-tête performance at the Théâtre du Vieux Colombier on January 13, 1947, had a major impact on the future sound poets of the "poésie physique," François Dufrêne,…
First historical edition! Limited to 500 copies. This three-disc box collects Number One Intersystems (1967), presenting the correct side sequence and (for the first time) the original tracks' sub-section divisions; Peachy (1967), with (for the first time) the correct track separations, timings, and titles; and Free Psychedelic Poster Inside (1968), with (for the first time) the original (double) track titles. All works remastered by Intersystems founding member John Mills-Cockell for this editi…
A holy grail of free improvisation/spontaneous music reissued on vinyl for the first time in nearly 40 years, beautiful pressing housed in an elaborate silkscreen print, hand-numbered, and limited to 500 copies* Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Ensemble Anima, working on the periphery of krautrock and free jazz. During that time, Limpe and Paul Fu…
CD edition. Mindblowing!!! A gorgeously dreamlike album, suspended in a timeless, spiritually resonant space ... Yuen Shan (Round Mountain in Chinese) was conceived in 1972 and finalized in 2014. It’s a musical cosmogony in four cycles based on different levels of ancient Asian spiritual principles and mechanisms. A major work in Ranta's oeuvre (his first solo release in almost 25 years), highly personal and spiritual. 16 track composition for pre-recorded sounds and live percussion perform…
Alga Marghen presents a reissue of Intersystems' Peachy (1967). The sound work of Intersystems cannibalized stray bits of McLuhanism, psychedelia, Cagean experimentalism, and even the modernist gestural strains of nascent electronic music, yet it was all couched within a very particular DIY ethos. Peachy pushes the meticulousness of Number One Intersystems (NMN 093-1LP) even further and, as such, represents a more balanced amalgam of Intersystems' various disparate stylistic and emotional elemen…
2015 repress. Remastered CD edition of Tazartès' Transports, autodidact and outsider composer Ghédalia Tazartès' 1980 second LP. This album probably represents the most original example of the artist's poetical and personal approach to sound organization. The tracks for Tazartès' Transports, recorded in 1977 at Tazartès' own studio in Paris, are blends of stream-of-consciousness rippling electro rhythms, outer-national singing styles, collaged field recordings, tape loops, and chants. The …
CD Edition. Mohammad are back!! Finally here, the third and final installment of a trilogy that explores the sounds of the geographical area between 34°Ν - 42°Ν & 19°Ε – 29°Ε. Segondè Saleco is the final catharsis which signals a dramatic change of atmosphere in the trio’s signature sound. "Greek chamber doom trio Mohammad have been operating since 2009, releasing albums on their own Antifrost imprint and brought to a wider audience in 2013 with their excellent ‘Som Sakrifis’ LP on PAN. Here th…
Last copy, tiny wear on cover Milestone! Asmus Tietchens, a German electronic synthesist and musician whose interest in experimental music and musique concrète already started during his childhood. He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker, and the two formed a decades-long partnership. In 1980 Peter Baumann (of Tangerine Dream) heard a recording of Tietchens' music and offered to produ…
After more then 20 years on the Viennese music map, Polwechsel could be easily considered as legendary, no matter of which constellation of the band the word is. Currently consisting of Werner Dafeldecker (Double-Bass), Michael Moser (Cello), Martin Brandlmayr and Burkhard Beins (Percussion), hey always explored the borders between structured compositions and their improvisational aspects. Hectic nature of their recent pieces, amplified through overall brilliant dynamic range, shows further st…
Documentary recordings of Hartmut Geerken and Michael Ranta’s November and December 1976 tour of the Middle East and East Asia. Geerken is known for his long relationship with Sun Ra (including compiling a discography), but he wears many other hats too: musician, film-maker, archivist. Ranta is a percussionist best known for his famous “Improvisation Sep.1975” collaborative record with Toshi Ichiyanagi and Takehisa Kosugi. This is a CD reissue of an LP boxset, originally released in 2010 as the …
**2024 lucky restock, sold out at source ** Robot Records, Yesmiisolga and Elica are happy to present the first Christoph Heemann and Steven Stapleton duo album. It took almost thirty years, but in 2012, thanks to Yesmissolga and Musiche Possibili, two leading and influential artists of underground experimental music, who have been marginally working together despite their long friendship and common attitudes, managed to directly create music together for the first time in occasion of the concer…
**restocked**A mind-expanding journey undertaken on church organ! Buoyed by slow changes that create illusions of movement, the experience of listening to this CD is one of floating between parallel worlds of harmony and noise. Schlingen-Blangen evolved out of a number of events Charlemagne held in L.A. in 1970 and ’71 that he called “Meditative Sound Environments.” In these performances he would sustain a chord on an organ in a Unitarian church by inserting pieces of cardboard between the keys …
Milestone reissue!!! By popular demand, here's the vinyl reissue of the seminal album, recorded in 1977 by Aksak Maboul, comprised of Crammed founder Marc Hollander with Congotronics producer Vincent Kenis, and originally released on Marc Moulin's ephemeral Kamikaze label. Deluxe vinyl re-issue with 1977 original cover, full colour inside folder with extensive texts, downlaod card with bonus tracks. A hugely cherished record around these parts, not least for the strangely prescient 'Saure …
Alga Marghen presents a reissue of Intersystems' Free Psychedelic Poster Inside (1968). Intersystems occupied a difficult-to-reach critical nook between the many tropes that had established to frame the various artistic trends of 1960s. Announcing itself with a quivering beam of fluorescent sound, the beginning of Intersystems' Free Psychedelic Poster Inside feels as though it's slowly piercing right through your frontal lobe. Blake Parker's poetry is a dark glimpse into mundane domesticity …
New composition by Berlin-based sound artist Stefan Roigk. "The Rising Of Matteo" is a highly dynamic and eclectic ride between directed feature, audio-art and faked diary. Out of field-recordings made during an artist-residency in Milano (at O') and the audio material of his recent installations, Roigk molds spatially complex and overlapping plattforms for tedious noises playing sonic protagonists in an exclusively acoustic audible theatre piece. The hypnotic swarms of organic chants, cascades …
Following their groundbreaking collaboration with the Art Ensemble of Chicago, Comme à la Radio, Areski and Brigitte Fontaine began recording almost exclusively together as a duo. Originally released in 1973, Je Ne Connais Pas Cet Homme is their first record billed under both names. Deeply rooted in North African and European folk traditions, the album features evocative vignettes with breezy vocals and minimal accompaniment of classical guitar, strings, and woodwinds. As always, there is a m…
"On this record, Mads Emil Nielsen divvies up two sides of 7” with a healthy ratio of two to two drum loops, each offering a smattering of ricocheting, crackling and structureless percussion, occasionally abetted with a bit of the ol’ synth additive.As far as comparative pointers go, what comes to mind first is Nicolas Jaar’s construction site ambient record ‘Pomegranates’, which used drums to punctuate long, meandering trails of drone or textural excess. Here, though, Nielsen’s compositions sta…