New gatefold handmade cover. 500 copies. "There's an amazing attention to aesthetics that Andrew Chalk undeniably pays for each release with his name on it. It starts with the music and continues through the cover artwork, packaging, and presentation. The first part of Blue Eyes of the March is a 20 minute long piece which sounds like it was created by a prepared guitar, tuned only to play a limited number of pre-determined notes as they're quietly plucked and resonate for long stretches. The tones resemble some of those on the Buddha Box, and while the effect is similarly serene and meditative, there's a number of differences that are inherent with the basic natures of the medium. The biggest advantage I think is the ability to amplify the sound and be completely bathed in it, which is something Chalk's music always lends itself to. Chalk's music is not on a loop, either, and each piece makes a gradual evolution over the time. The second part is an absolutely heavenly 31 minute long piece. Unlike the first part, this one sounds like it was created by piano, yet it echoing in a similar way to the other. The piano tones and treatment are almost reminiscent of some 20+ year old Harold Budd work but while the set notes are very rigid, Chalk's playing is quite fluid." -- Brainwashed.