The Master Musicians of Joujouka are often credited with being the first "world music" group. The Joujouka music for Boujeloud, or the Father of Skins, is frantic and has several movements which would equate to a symphony or the score of an opera if it were European classical music. The festival and ritual originate in the worship of the God Pan. In 1994, Frank Rynne began a two year long project recording the Master Musicians of Joujouka in their village. Sub Rosa released two CDs from these recordings, Joujouka Black Eyes and Sufi to critical acclaim in 1995 and 1996, respectively. This is the third and final CD from these intimate recordings to be released by Sub Rosa. Boujeloud contains several different renditions of the ritual music Boujeloud. Each version has a widely different character which is determined by the combination of musicians and the spontaneous improvisation of the lead players. Tracks 1, 2, 6, and 8 are flute versions from various combinations of the Masters, while track 3 features the intense sound of the massed rhaitas playing the ritual. There are also songs which are used in lead up to the ritual, and songs that the musicians use to drive Boujeloud/Pan out of the village. The musicians recorded on this CD span four generation of Joujouka masters. Master musician Mujehid Mujdoubi was 83 years old when he recorded his music for this CD: though he had lost the ability to play the double-reed rhaita, Mujehid's lira playing fully demonstrates the musical dexterity which seventy years of playing honed to perfection. The core group who still live and play in the village are widely represented on this CD. The different versions of "Boujeloud" and the related songs allow the listener to experience the melodies and the improvisational nature of Joujouka music played live in its natural setting. These recordings are an intimate and unique experience.