** Edition of 300 ** If you’re reading this and know the incredible careers of Chris Corsano (US), David Maranha (PT) and Richard Youngs (UK) you can already imagine what you’re getting into… or maybe not. Opened up to virtually infinite possibilities, this is a blessed gathering by three of the most idiosyncratic and illuminated artists working in the sprawling field where the most defiant and unmapped music converge. Leading figures of the unnameable, each of them on his own has created a superlative and indelible body of work, driven by their own vision and willingness to face the unknown. The same uncompromising position that presides over this trio. Let us embrace this with open hearts and minds. We shall be rewarded. Recorded on a hot June night of their 2019 tour at Les Ateliers Claus in Brussels, this is an incredible document of the unique chemistry that guided the three musicians, a 40 minute ride divided into two deep journeys: We All Become Everything an almost lush beautiful exploration of the unknown that moves from snake-rattling desert atmospheres to magniloquent chants that could almost be included in the torch-songs category, with Richard Youngs’ voice gliding across the fields with grace and crystalline force over David Maranha’s organ and violin and Chris Corsano’s steady thump: Impossible Sun moves mountains and reminds us of the uncanny improvisational instincts that these three musicians have always brought to the table, a cinematic piece created with percussion, effects and flutes, a meditative piece continuously on the brink of explosion.

Unstoppable north-american drummer whose lexicon seems to be constantly expanding into new and exciting forms, Chris Corsano is justifiably one of the most requested musicians within the improv, free jazz, out-rock, out everything spheres. Owner of a seemingly infinite power of reinvention and vision, Corsano has been travelling all over the globe with the most disparate but always relevant and visionary artists, such as Evan Parker, Jim O'Rourke, Thurston Moore, Paul Flaherty or Jandek, continuously advancing the potentialities of his instrument. In an everlasting process that continuously repositions and reevaluates infinity as a consciously unachievable but ultimately rewarding goal since the late 80's, David Maranha's music has been riding that arch with ferocity and aplomb. A unique vision that has been translating the ETERNAL in a sprawling language through countless performances, approaches and records like 'Marches of the New World' and the Roaratorio released classic 'Antartica'. Always the unsettled mind, Maranha conveys his spiraling vision on the organ, percussion and violin through drone, improv or ritualistic excursions in different shapes. Glaswegian musician whose diverse and extremely prolific output sounds only like himself, Richard Youngs has carved a fascinating path that goes from folk infused reveries to devotional drone, from a capella hymns to electronic excursions and most points in between with a singular vision and approach. Between song and improvisation, the multi-instrumentalist and singer's will to defy expectations while presenting such a unified and sprawling body of work - dozens of albums and collaborations on labels such as Jagjaguwar, Ba Da Bing! or No Fans - make him a true and humble innovator.