“Dead Air” is what broadcasters are supposed to avoid at all costs, what continuity personnel are employed to plug up with pleasantries. Mordant’s fascination with that lost figure, the TV announcer, led them to track down Philip Elsmore, whose warm, soothing tones will be recognizable to anyone who grew up in the UK in the 1970s from his work for ITV regional franchises like Tyne Tees and Thames. The duo persuaded Elsmore to come out of retirement and provided continuity for Dead Air, his reassuring voice applied to an increasingly bizarre series of utterances, from "apologies for the sundry glitches… in the meantime, keep your nerve" to “the following contains graphic scenes of a strobing magpie's wing" to “keep sporing in the nessst”. Near the end, Elsmore declares that "Mordant Music will be back once the dust has settled with more vague unpleasantness.”

“A mild sense of apprehension is actually far more acute than out-and-out drama,” says Greyscale. “It’s everyday, what the Mordant virus feeds on.” “Musty” is a big Mordant buzzword. Dead Air sounds like early ‘90s UK techno gone to seed, the pristine electronic surfaces mottled with mold. Baron Mordant, the main music man, has a long history of involvement with post-rave and post-industrial dance, most recently associated with the reformed Portion Control, and prior to that making records under various names for 400 Blows’ label Concrete Production, Orbital's Internal imprint, and Leftfield’s Hard Hands label. Admiral Greyscale’s input is largely conceptual and design-oriented." - Simon Reynolds