** Edition of 200 ** 13/Silentes presents the fruitful first collaboration between Fabio Orsi and the Italian interdisciplinary artist and independent researcher Maurizio Martinucci (aka TeZ), mostly knownfor his collaboration with Adi Newton in Clock DVA. Together they have created a work as dense as it is intense, with cosmic traits that are aptly depicted in the images featured on the artwork. A work in which the experience of its two authors reaches a unique climax where you can only let yourself loose without placing any limits on your senses.
“Two liquid minds that meet in a truly surprising creative partnership, devoted to the alchemy of electronic weavings that pulse, dig, transform, dare, reinvent. The artists in question are Fabio Orsi and TeZ, talented musicians who need no introduction other than to point out that we find ourselves in the presence of two veterans of avant-garde experimentation and ambient noise that drives out hidden horizons by intercepting them in the space-time folds of the sound dimension. The plastic breath of OT / TO's 'optophonic' compositions denotes elements of visionary writing out of the ordinary, like prismatic figures in the odour of quantum mechanics, or like chiselled tonal profiles that refer to the synaesthetic idea of a music susceptible to becoming a vehicle for sublimating multi-sensory experiences. If Fabio Orsi shows off his knowledge as an imaginative creator of mental-oneiric atmospheres through the hallucinogenic, deeply immersive registers of his instrumental apparatuses based on electronic patterns, field recordings and variable frequency drones, TeZ is the synthesist of post-science and of the kinematic algorithm that triggers highly pervasive vibrational dynamics, the strategist of the mathematical pulsation that forges cycles of gravitational currents and vortexes of telematic sounds with innovative pronunciation.
It is no wonder that Adi Newton wanted him permanently at the court of Clock DVA and that he has also distinguished himself in comparative research into the interrelational potential of sound, light and space. It is from this molecular fusion that the genesis-synergy of a work full of magnetic properties and captivating waveforms is triggered. Eight tracks, each of which is marked by a specific numbering (from one to eight), according to a numerical sequence aimed at the 'philological' purposes of the authors. What comes to life is a phenomenon of tensional factors and sinusoidal events in continuous movement, like atoms of fluid crystals that change shape and volume, perspective angle and tactile sensation, regenerating between one loop-scan and another, while the harmonics float, dart, throb and dance on the mesmeric granular stratifications of the drones. A fine elaboration of phono-particle complexions for a four-handed challenge that we can consider decisively won.” - Aldo Chimenti